Automatic World
Issue: 1932-November - Page 12
AUTOMATIC
Twelve
WORLD
Operating Automatic Phonographs
Operating Such Instrum ents Is a High Class Professio n and
Reflects Credit Upon Any Person
The oustanding feature that spells
success for the operator of coin con-
trolled phonographs is the attention
he gives to changing records and
keeping red hot, up-to-the-minute
selections always on hand for his
customers.
He should ask himself the ques-
tion, "How long and how often
would I like to hear the same selec-
tion?" Do this and you can arrive
at just how often you should change
records. An instrument grows old
and play slows up just as often as
the records grow old. There is no
way to off-set this truth. The writer
of this article has experienced just
that very thing and knows, for a fact,
that it is the regular and often chang-
ing of records that will put over an
instrument in any spot.
Of course, there are many other
details that must be weI! taken care
of in order to realize a profit from
your instruments.
due the Brunswick Record Corpor-
ation of New York City. Their su-
per method of recording whereby
such artful production is in evidence
has created an unresistant desire to
hear their wonderful selections as
produced from a Brunswick record
on an automatic phonograph. The
nickels click into the cash box and
the best of music fills the ai r wher-
ever Brunswick records are used.
The Brunswick Record Corpora-
tion think enough of the operator's
business to organize a special auto-
matic department to take special
care of his needs. This department
caters to the operator's particular
needs. They have conveniently lo-
cated branch houses in Cleveland,
Dallas, Kansas City, San Francisco,
New Orleans, Los Angeles and Chi-
cago. Operators are invited to visit
these branch houses whenever in
these cities. All orders are well
taken care of, keeping the operator's
interest in mind at all times.
A Come-back in E did,e nce
Current Release,s
One thing that is now noticeable
in the rapid "come-back" of the au-
tomatic phonograph.
We believe
that a large portion of the credit re-
garding this evident come-back is
Just glance over these current re-
leases, my, my, how these fine selec-
tions would click in them locations
and how they would increase the
weight in the old cash box.
JERSEY'S LARGEST DISPLAY ROOMS
In Metropolitan Area
Panama Diggers-Wise Operators Buy. Here and Save
Time-Money-Trouble
Quality Products
Honest Dealings
Qu ick Service
Goofy Senior, King Tut,
Juggle Ball. Loony, Clover
Leaf, Leap Ball, Dyscus,
Shuffle Ball, Jiggers, Majes·
tic,
Pilot,
P enn y
Pins,
Squirly, Goofus, S'coop, Bug
House, Empire Toivenders,
Magnets.
November, 1932
Look what we have by the Mills
Brothers, "four boys and
g uitar:"
6377.
It Don't Mean a Thing
(if it ain't got that swing), and
Coney I sland Washboard.
6357 Bugle Call Rag, and The
Old Man of the Mountain.
Bing Crosby-
6394 Waltzing in a Dream, and
Please (from "The Big Broadcast") .
6351 Love Me Tonight, and Some
of These Days.
Cab Calloway and His Orch estra-
6400 Olz Yazoo (Fox Trot with
vocal chorus), and H ot Toddy (Fox
Trot).
6340 Reefer Man (Fox Trot with
vocal chorus), and You Gotta H o-de-
de-Ho (to get along with me) (Fox
Trot with vocal chorus) .
Guy Lombardo and His Royal Ca-
nadians-
6390 Pu-Ieeze! Mister Hemingway
(Fox Trot with male trio), and
'Twas Only a Summer Night's Dream
(Fox Trot with vocal chorus) .
6363 I Gu,e ss I'll Have to Chan ge
My P lan (The Blue Pajamas son g)
(Fox Trot with vocal. ch orus), a n d
As Long as Love Lives On (F ox T rot
with vocal chorus) .
Duke Ellington and His Famous Or-
chestra-
6374 Blue Harlem (Fox Trot),
and Best Wishes (Fox Trot) .
6355 Swamp R iver (P iano solo
with orchestra accompaniment), and
Fast and Furious (P iano solo with
orchestra accompan imen t) .
Don Redman and His Orch estra-
6368 If It's' True (F ox Trot with
vocal chorus), and Hot a n d Anxious
(Fox Trot) .
6354 Tea for Two (Fox Trot with
vocal chorus), and I Got Rhythm
(Fox Trot) .
a
Voca lion Race Records
Supplement for Nov,e mber, 1932
Vocal Blues
Write or D rop in to See Us for L owest P rices
1.720. (By Bumble Bee Slim) B a n d
O. Blues (Vocal with guitar and
piano), and Queen Bee Blues.
. 1721 (By Black Bottom McPhail)
Down in Back Bottom (Vocal with
guitar), and Whiskey Man Blues.
1722
( By Peetie Wheatstraw-
The Devil's Soncin-Law).
Police
Station Blues (Vocal with g uitar),
and All A lone Blues.
JERSEY SPECIALTY COMPANY
Dance
Attention to Detail
For All Latest
Machines and Red Hot
Prices, Get on
Our Mailing List
T el. Little F1alls 4-0784
READY FOR IM-
MEDIATE DELIVERY
Also a ll oth er proven A m use-
men t and V ending M achines
N ewark-Pompt on Turnpike at P assaic R iver B ridge
SINGAC, NEW J E RSEY
FACTORY DISTRIB U T ORS PANAMA DIGGERS, AND SUPPLIES
1723 ( By Eddie and Sugar Lo u's
Hotel Tyler Orchestra). Cruel Mama
Blues (Fox Trot with vocal chorus),
and Love Song Blues.
Twelve
WORLD
Operating Automatic Phonographs
Operating Such Instrum ents Is a High Class Professio n and
Reflects Credit Upon Any Person
The oustanding feature that spells
success for the operator of coin con-
trolled phonographs is the attention
he gives to changing records and
keeping red hot, up-to-the-minute
selections always on hand for his
customers.
He should ask himself the ques-
tion, "How long and how often
would I like to hear the same selec-
tion?" Do this and you can arrive
at just how often you should change
records. An instrument grows old
and play slows up just as often as
the records grow old. There is no
way to off-set this truth. The writer
of this article has experienced just
that very thing and knows, for a fact,
that it is the regular and often chang-
ing of records that will put over an
instrument in any spot.
Of course, there are many other
details that must be weI! taken care
of in order to realize a profit from
your instruments.
due the Brunswick Record Corpor-
ation of New York City. Their su-
per method of recording whereby
such artful production is in evidence
has created an unresistant desire to
hear their wonderful selections as
produced from a Brunswick record
on an automatic phonograph. The
nickels click into the cash box and
the best of music fills the ai r wher-
ever Brunswick records are used.
The Brunswick Record Corpora-
tion think enough of the operator's
business to organize a special auto-
matic department to take special
care of his needs. This department
caters to the operator's particular
needs. They have conveniently lo-
cated branch houses in Cleveland,
Dallas, Kansas City, San Francisco,
New Orleans, Los Angeles and Chi-
cago. Operators are invited to visit
these branch houses whenever in
these cities. All orders are well
taken care of, keeping the operator's
interest in mind at all times.
A Come-back in E did,e nce
Current Release,s
One thing that is now noticeable
in the rapid "come-back" of the au-
tomatic phonograph.
We believe
that a large portion of the credit re-
garding this evident come-back is
Just glance over these current re-
leases, my, my, how these fine selec-
tions would click in them locations
and how they would increase the
weight in the old cash box.
JERSEY'S LARGEST DISPLAY ROOMS
In Metropolitan Area
Panama Diggers-Wise Operators Buy. Here and Save
Time-Money-Trouble
Quality Products
Honest Dealings
Qu ick Service
Goofy Senior, King Tut,
Juggle Ball. Loony, Clover
Leaf, Leap Ball, Dyscus,
Shuffle Ball, Jiggers, Majes·
tic,
Pilot,
P enn y
Pins,
Squirly, Goofus, S'coop, Bug
House, Empire Toivenders,
Magnets.
November, 1932
Look what we have by the Mills
Brothers, "four boys and
g uitar:"
6377.
It Don't Mean a Thing
(if it ain't got that swing), and
Coney I sland Washboard.
6357 Bugle Call Rag, and The
Old Man of the Mountain.
Bing Crosby-
6394 Waltzing in a Dream, and
Please (from "The Big Broadcast") .
6351 Love Me Tonight, and Some
of These Days.
Cab Calloway and His Orch estra-
6400 Olz Yazoo (Fox Trot with
vocal chorus), and H ot Toddy (Fox
Trot).
6340 Reefer Man (Fox Trot with
vocal chorus), and You Gotta H o-de-
de-Ho (to get along with me) (Fox
Trot with vocal chorus) .
Guy Lombardo and His Royal Ca-
nadians-
6390 Pu-Ieeze! Mister Hemingway
(Fox Trot with male trio), and
'Twas Only a Summer Night's Dream
(Fox Trot with vocal chorus) .
6363 I Gu,e ss I'll Have to Chan ge
My P lan (The Blue Pajamas son g)
(Fox Trot with vocal. ch orus), a n d
As Long as Love Lives On (F ox T rot
with vocal chorus) .
Duke Ellington and His Famous Or-
chestra-
6374 Blue Harlem (Fox Trot),
and Best Wishes (Fox Trot) .
6355 Swamp R iver (P iano solo
with orchestra accompaniment), and
Fast and Furious (P iano solo with
orchestra accompan imen t) .
Don Redman and His Orch estra-
6368 If It's' True (F ox Trot with
vocal chorus), and Hot a n d Anxious
(Fox Trot) .
6354 Tea for Two (Fox Trot with
vocal chorus), and I Got Rhythm
(Fox Trot) .
a
Voca lion Race Records
Supplement for Nov,e mber, 1932
Vocal Blues
Write or D rop in to See Us for L owest P rices
1.720. (By Bumble Bee Slim) B a n d
O. Blues (Vocal with guitar and
piano), and Queen Bee Blues.
. 1721 (By Black Bottom McPhail)
Down in Back Bottom (Vocal with
guitar), and Whiskey Man Blues.
1722
( By Peetie Wheatstraw-
The Devil's Soncin-Law).
Police
Station Blues (Vocal with g uitar),
and All A lone Blues.
JERSEY SPECIALTY COMPANY
Dance
Attention to Detail
For All Latest
Machines and Red Hot
Prices, Get on
Our Mailing List
T el. Little F1alls 4-0784
READY FOR IM-
MEDIATE DELIVERY
Also a ll oth er proven A m use-
men t and V ending M achines
N ewark-Pompt on Turnpike at P assaic R iver B ridge
SINGAC, NEW J E RSEY
FACTORY DISTRIB U T ORS PANAMA DIGGERS, AND SUPPLIES
1723 ( By Eddie and Sugar Lo u's
Hotel Tyler Orchestra). Cruel Mama
Blues (Fox Trot with vocal chorus),
and Love Song Blues.
Future scanning projects are planned by the International Arcade Museum Library (IAML).