BANJO'S DEVELOPMENT
Great Growth in Sales of Tenor Banjo Stimu-
lated by Earnest Work of Manufacturers
in Perfecting Type.
To the professional musician may be credited the
amazing growth of popularity of the tenor banjo.
Ten years ago the banjo had only limited uses, on
the stage almost entirely. With the increase of dance
orchestras, however, arose the demand for something
new that would impart a novel character to the
music. It provided the occasion for the banjo.
Rut the banjo was not accepted at first in a class
with the violin or other stringed instrument used
in the orchestra. Many of the musicians were dis-
dainful of the banjo, which had a history associated
with the comedy of negro minstrelsy. There seemed
at the time no incentive to study it. But as the
advantages of the banjo in the dance orchestra be-
came more evident, professionals in the orchestras
soon realized that the effort to master the banjo
would be worth while.
The introduction of the banjo-mandolin, or rather
its development, prompted the violinists to turn to it
to supply the demand of the orchestra leaders for the
dance music novelty. But when the banjo-mandolin
CONN TONE
is what prompts the observant
music dealer to choose the line
of band and orchestra instru-
ments for his stock; it is what
the professional or amateur
musician gets when he buys a
band or orchestra instrument
made by C. G. Conn, Ltd.,
Elkhart, Ind. And the perfect-
ing of tone in every Conn
instrument has been the stim-
ulating impulse s i n c e the
founding of the Conn industry.
The achievement of
CONN TONE
is a notable triumph of the
company. It is the admirable
quality t h a t distinguishes
every Conn band and orchestra
instrument from all other
products of the kind. It is the
result of continuous improve-
ment in scientific manufactur-
ing processes. In Conn models
all taper branches are shaped
to exact dimensions by the
famous hydraulic expansion
process, developed and used
only in the Conn factories.
Conn methods conduce to
easier playing and perfect tune
which are potential factors in
the production of the famous
15
PRESTO-TIMES
December 17, 1927
fell short of the requirements of the snappy music,
the tenor banjo became the logical solution of the
problem. The musicians who had adopted the banjo-
mandolin readily turned to the use of the banjo or
doubled on it in their dance organizations. Anyway
they aided in the rapid growth of popularity for the
tenor banjo. It was then that the most popular ban-
joists today made their first appearance playing the
instrument.
In time, of course, the pioneers became teachers
and their demonstrations aided the increase in the
favorable impression of the banjo in the public mind.
The orchestra leaders also effected the practical adap-
tation of the banjo to dance orchestra needs. It nat-
urally followed that the banjo obtained a fast grow-
ing following among amateurs.
MUSIC AIDS CHOICE.
Music and verse aided the Indiana Society of Chi-
cago in choosing a president of the United States on
the occasion of its annual gridiron dinner last Satur-
day evening, December 17. "How D'ye Do, Mr.
President, How D'ye Do," had been especially pre-
pared. The poem, "Ain't God Good to Indiana?"' by
William Herschell of the Indianapolis News, and
many others by noted IToosiers, were recited and
sung.
GIVES CONTEST RESULTS.
"Some Results of the Music Memory Contest," is
a new booklet published by National Bureau for the
Advancement of Music, 45 West 45th street. New
York. Jt gives opinions of representative music
supervisors and other school officials, from one hun-
dred cities and towns, with a few comments from
individuals and groups outside the schools, indicating
the influence of the contests upon the children par-
ticipating and the community at large.
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La Porte, Ind.
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CONN TONE F A I R B A N K S
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