PRESTO
March 25, 1920.
a trained government official the regional chairman,
who acts as a conciliator. If a unanimous agreement
is reached, it results in a collective bargain having
the same effect as if reached by joint organization in
the shops.
If the regional conference fails to agree unani-
Second Industrial Commission Proposes Mod- mously, the matter, with certain restrictions, goes,
under the agreement of submission, to the national
ified Forms of Tribunals for Settlement
industrial board, unless the parties prefer the de-
cision of an umpire selected by them.
of Labor Disputes.
The voluntary submission to a regional adjust-
An industry without strikes or lockouts is some- ment conference carries with it an agreement by
thing to be hoped for if the detailed plans of the both parties that there shall be no interference with
second Industrial Commission presented to Presi- production pending the processes of adjustment.
If the parties, or either of them refuse voluntarily
dent Wilson this week are realized. Retaining with
modifications the scheme of national and regional to submit the dispute to the processes of the plan of
tribunals for the settlement of labor disputes sug- adjustment, a regional board of inquiry is formed
gested in the preliminary report last December, the by the regional chairman, of two employers and two
commission founds its entire plan of conciliation employes from the industry, and not parties to the
upon an extension of the principle of shop councils dispute.
of employers and employes, which are said to be The national industrial board in Washington has
operating successfully in about 300 plants.
general oversight of the working of the plan, which
Applying impartially to union and non-union la- is applicable also to public utilities, but in such
bor, the plan does not prohibit strikes or lockouts, cases the government agency, having power to regu-
does not provide for compulsory arbitration, which late the service has two representatives in the ad-
organized labor opposes, does not enforce collective justment conference.
The conference makes no recommendation of a
bargaining or acceptance of arbitral awards by
plan to cover steam railroads and other carriers, for
either party, and avoids compulsion in any form.
The plan, however, is ingeniously contrived to in- which legislation has recently been enacted by Con-
voke the force of public opinion to induce the arbi- gress.
The plan provides machinery for prompt and fair
tration of disputes and the acceptance of awards
and to discourage strikes and lockouts. The theory adjustment of wages and working conditions of gov-
of the proposals is that disputes shall be settled, if ernment employes. It is especially necessary for
possible, "at the source" in the shop councils, but, this class of employes, who should not be permitted
failing in that, shall go to the system of investiga- to strike. The plan involves no penalties other than
tion and arbitration tribunals. Agreement of both those imposed by public opinion. It does not impose
sides to arbitration carries with it the obligation to compulsory arbitration. It does not deny the right
desist from strikes or lockouts pending decision. to strike. It does not submit to arbitration the policy
The system of settlement to be credited will work as of the "closed" or "open shop."
follows:
The parties to the dispute may voluntarily submit STORY OF MUSIC AS TOLD
their differences for settlement to a board, known as
a regional adjustment conference, and consisting of
BY Q R S WORD ROLLS
four representatives, selected by the parties and four
others in their industry chosen by them and familiar "A Tale Told in Music, Not Words," Is Explanation
with their problems. The board is presided over by
of Q R S Co.
A most handsome and costly folder is devoted to
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the story and the list of these rolls is rich in color-
ing, while the drawings tell the story of music's de-
velopment down to the present day with all its won-
derful advantages. The new folder tells the follow-
ing story of music:
All great music has a story to tell. Back of the
harmony lies a tale—a tale told in music, not words.
The person who has a musical education can read
the hidden meaning—the "story" of the music—
really understand it.
And with this understanding of music comes the
added pleasure that is born of getting out of the
composition all the enjoyment it holds. The new Q
R S story roll bridges the gap of understanding—
the story the music unfolds is printed on the roll so
that you may read as you play.
Many of the greatest masterpieces of music today
seem uninteresting to you simply because you do not
understand them. The moment you understand the
story they tell, you see their beauty and realize why
they will never die. It ordinarily takes years of
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study to be able to fully interpret their meanings.
But in the Q R S Story Roll, the meaning is given
to you as you play—the story the composer tells in
music is printed on the roll—you read—you under-
stand and you feel all the sentiment that music really
expresses.
EatabUthmd 1$4T
The Q R S Story Roll is the "Moving Picture of
Music"—it is a musical education—a music conserva-
tory at home and last—but most important—an idea
which enables everyone to really get out of the
world's masterpieces of music that something that
will make them live forever.
A famous composer sums it all up when he says,
All Wtll-pottod Piano
"You can't possibly get the full musical value out of
a player roll unless the story of the music is printed
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on the roll—so that you may read and understand as
recognise tae
el thla
you play."
on a
29
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