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ing hammer production.
Therefore, for eighty-three years the
company has been conducted by the
members of the same family, who have
taken personal pride in maintaining the
quality of the product of the Pfriemer
hammer.
Making of Pfriemer Hammers
Supervised by 3rd Generation
Following the traditions of many
manufacturing institutions in the piano
trade. Chas. Pfriemer, Inc., manufac-
turers of the Pfriemer reinforced piano
hammers, is now being operated by the
second and third generation. Established
in 1870 by the late Chas. Pfriemer. Sr.,
he was succeeded at the time of his
death by Chas. J. Pfriemer and the late
William Pfriemer who carried on the
business for many years in such a pro-
gressive manner that a few years ago
they established their own felt mill in
Easton, Pa. This is now supervised by
Chas. J. Pfriemer, Jr., while in the ham-
mer plant in New York Henry Pfriemer.
another grandson of the founder, who
is shown in the accompanying illustra-
!Maker of
Smallest 88 Note Upright
Spinet Jype Cases
Big Piano Tone and Per-
formance. Correspondence
Invited.
WEAVER PIANO CO., Inc
YORK
Established 1870
•
PENNSYLVANIA
HENRY PFRIEMER (RIGHT) INSPECTS
A STRIP OF FELT
tion inspecting a strip of felt which has
already been cut for use in making
hammers, is actively engaged supervis-
BEACH
CARILLONETTE CHIMES
TOWER BELL REPRODUCER
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Manufacturers
»200 WEST BELMONT AVE.
X>T*Cm CTI spinets • grands
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FRANKLIN PARK, I I I .
and the
MINI-CHIMES
"Nothing But a Bell Rings Like a Bell"
SEND FOR CATALOGS
BEACH INSTRUMENT CORP.
165 Oraton St.
Newark 4 , N. J.
BULLETIN:
HFrendi
PIANO SALES UP
(and'52 sales were
27% Better than'51)
The ESTEY..
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• Meets the present con-
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PIANO DIVISION
H. t A. SELMER INC. • E1KHART, INDIANA
• Valuable territories are
still open . . . Write di-
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mation.
S II O \ I \ <. I It
ESTEY
in a complete line of conventional and period styles
PIANO
CORPORATION
Bluffton • Ind.
20
Dept. R-41
ESTABLISHED 1850
AMERICA'S FINEST PIANO VALUE
WRITE US FOR OPEN TERRITORY
NATIONAL PIANO CORP.. 54 Canal Street, New York 2. N. Y.
THE MUSIC TRADE REVIEW, JULY,
1953