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Music Trade Review

Issue: 1926 Vol. 82 N. 26 - Page 41

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Century
Edition
Is the best buy and the
biggest seller in the sheet
music industry.
The above is not simply an
advertising statement, but
an unquestionable fact.
Ask the dealers who handle
the line—they know.
Century Music Pub. Go.
235 West 40th St.
41
The Music Trade Review
JUNE 26, 1926
New York
the song is enthusiastic about its possibilities
and concedes it a "natural" hit, which is sub-
stantiated by its tremendous sale in London—
where right now it is the leading seller.
The American edition is being rushed out,
and a characteristic Feist campaign will be put
behind it.
Robbins-Engel, Inc., Issue
New Folios of Spirituals
Both Volumes Published to Meet Strong De-
mand for That Class of Music—Another Folio
in Preparation
Robbins-Engel, Inc., has released two impor-
tant folios, both acknowledging the increasing
demand for Negro spirituals. The first of these is-
sues contains "Famous Negro Spirituals," and the
response to this offering forced the issuance of
a companion book, "Celebrated American Negro
Spirituals." The transcriptions and arrange-
ments are by Hugo Frey, the well-known com-
poser and pianist.
Robbins-Engel, Inc., also have in preparation
another folio called "My Spirituals." These are
newly discovered works never before published,
edited and arranged by Eva J. Jessye, director ot
the Dixie Jubilee Singers.
Leo Feist Gets New
J. B. Kalver Now
European Sensation
With House of Feist
Can't GoWr
f FEIST;
<7
HORSES
SWKKT MAN
WHAT A MAN
SITTIN' ABOUND
SLEEPY TIME GAL,
SYMPATHY WALTZ
HI DIDDLE DIDDLE
SOMEBODY'S LONELY
MY CASTLE IN SPAIN
PRETTY LITTLE BABY
THE SONG OF THE SEA
AFT KB I SAY I'M SORRY
BY THE SIGN OF THE ROSE
LONESOME MELODY O' MINE
SO DOES YOUR OLD MANDARIN
SUPPOSE I HAD NEVER MET YOU
LET'S TALK ABOUT MY SWEETIE
FIVE FOOT TWO, EYES OF BLUE
SHE'S A CORN-FED INDIANA GIRL
DON'T WAKE ME UP (Let Me Dream)
I'M SITTING ON TOP OF THE WORLD
TOO MANY PARTIES AND TOO MANY
PALS
SHE WAS JUST A SAILOR'S 8WEET-
UEAKT
I NEVER KNEW HOW WONDERFUL
YOU WERE
Wr^te for Dealers' Price
LEO
announces he is tired of hearing nothing but
American song-writers in British theatres and
To Cover a Wide Territory Working to Popu- will try to put Great Britain on the map again
larize Feist Songs in the Moving Picture in the music halls and theatres. Scott wrote
Theatres
"All the Nice Girls Love a Sailor," "Fall in and
Follow Me," and 1,998 other songs which were
Leo Feist, Inc., has secured the exclusive
J. B. Kalver, one of the best-known men in sung with more or less success throughout the
agency for North America of the present-day
European hit, "Barcelona," a 6-8 one-step, pub- the music industry, who in recent years has empire. Lord Fisher once remarked of Scott:
been much interested in the exploitation of pop- "He is a much greater composer than Wagner
lished by Cecil Lennox, Ltd., London.
ular songs through motion picture musical pres- because any one can understand his songs."
This Spanish one-step was an overnight sen-
sation in the European capitals and within three entations, has joined the firm of Leo Feist, Inc.
weeks of its publication all of the foreign record Mr. Kalver has a wide acquaintance not only
manufacturers had rushed out special releases, among the executives of photoplay houses
throughout the country but counts as his friends
both vocal and instrumental.
CHICAGO, III., June 19.—Rayner, Dalheim & Co.,
many organists and orchestra leaders. For the
Feist imported a limited quantity of the for-
music engravers and printers, who, it was an-
firm
of
Leo
Feist,
Inc.,
he
will
cover
a
wide
eign orchestrations, and these are now being
nounced some time ago in these columns, had
used by the American record manufacturers in territory and look after the popularization of planned to erect a new building devoted to their
Feist
popular
successes
in
motion
picture
making their records. Everyone who has heard
printing plant exclusively, have now received a
houses.
permit to erect a three-story office and factory
building costing $300,000 at Lake street, Central
REAL BIT OF MELODY
W h o M a n n i n g S h e r w i n I s Park avenue and Walnut street.
"Barcelona," Spanish One-step, Which Has
Swept Europe, to Be Released Here Immedi-
ately
To Erect New Building
CHERIE
I LOVE YOU
H A R M S INC., 62 W 4 5 T H SI.N.YC
AMERICAS POPULAR
BALLAD SUCCESSES
Makes Hit in Production
"My Cutey's Due at Two to Two To-day," fea-
tured novelty in the catalog of Bibo, Bloedon &
Lang, music publishers of 1595 Broadway, New
York City, has proven to be one of the outstand-
ing hits of the new Shubert show, "The Merry
World." Salt and Pepper, well-known Bruns-
wick record makers, do the number, which inci-
dentally is one of the only interpolated tunes
in the revue, and the boys claim it is one of the
greatest songs they have ever done.
ROSES OF PICARDY
MWORLDISWAM-'SUNRIS
INTHEGARDEN0FTW1ORR0W
THE SONG OFSONGS
LOVE'S FIRST KISS
SMILETHRUYOUR TEARS
IF WINTER COMES
Scott Writes New Songs
CHAPPELL-HARMS.INC.
185 MADISON AV E
NEW
YORK
Manning Sherwin, composer of the new song,
"Would-Ja," comes from that clever group of
Columbia University graduates that turned out
Hart, Rogers & Fields, of "Garrick Gaieties,"
"Girl Friend" and "Dearest Enemy" fame. Sher-
win wrote much of the varsity show material in
his undergraduate days and now that he is going
in for commercial composing he is bringing to
the field a thorough knowledge of harmony,
counterpoint and the other essentials of a prop-
erly trained musician. His style is almost ultra-
modern in spots, but he never loses sight of the
fact that genuine melody is the chief thing after
all.
^
LONDON, ENG., June 19.—Bennett Scott, writer of
2,000 popular English songs, has emerged from
a five-year retirement with three new songs, and
The Secretary of the State of New York has
granted a certificate of incorporation to the
Kayen Music Corp.
LET the END of
EWORLD COME
TO-MORROW
AS LONG AS YOU LOVE
ME JTO-DAY
"Let the Restof the World Go By"
Ay the Same Writer"
ERNEST R . BALL
Lyric by PAUL CUNNINGHAM

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