Music Trade Review
Issue: 1923 Vol. 76 N. 17 - Page 68
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
60
THE MUSIC TRADE REVIEW
"BOMBO" SONGS FEATURED IN H. A. WEYMANN WINDOW
Songs Sung by Al Jolson Respond in Sales to Display Made by Philadelphia Music House—
"Morning Will Come" and "Don't Cry, Swanee," Proving Steady Sellers Along Route of Show
Some time ago Al Jolson introduced two new
songs in the musical show, "Bombo." Both of
the numbers are having active sales, particularly
BRINGING THE TANGO BACK AGAIN
Feist Number, "La Mome Tango," Used in Illus-
tration of Steps in Dance
Some of the leading dance orchestras of the
country are programming tango dances with the
object of reviving interest in this form of the
dance art which had some vogue several sea-
sons back. The indications of the return of the
tango have also been recognized by the press
and no little space has been devoted to explain-
ing what is generally considered the intricate
steps.
Recently a paper in Washington, D. C, illus-
trated the dance of Vanda Hoff, who has been
appearing in prominent functions in that city.
With the picturization of these steps an expla-
nation was given of the various movements.
The article went on to show that the tango,
which in most cases has heretofore been con-
in the territory where the Jolson show has ap-
peared. The numbers are entitled "Morning
Will Come" and "Don't Cry, Swanee."
Jolson songs have quite
a following and this in-
duces the trade to co-op-
erate with the publisher in
exploiting the numbers he
features. Many window
displays have appeared in
the retail establishments
throughout the country on
these latest two offerings,
some of them most attrac-
tive, and all naturally add-
ing to the sales of "Morn-
i n g W i l l Come" and
"Don't Cry, Swanee." We
reproduce a window re-
cently shown by H. A.
Weyinann & Son, Inc.,
Philadelphia. This is a
particularly attractive dis-
play, considering the small
space in which it appears
and which proves that the
proper arrangement of the
window will create atten-
tion. li» this instance the
>ales of the number during
the showing were substan-
tially increased over pre-
vious weeks. The cam-
paign on "Morning Will
Come" and "Don't Cry,
Swanee," will be continued
during the S u m m e r
months.
Proper window display
always justifies itself in
business.
fined to the dance stars, has now been simpli-
fied in a manner making the dance available for
all.
The Leo Feist, Inc., number, "La Mome Tan-
go," was used in presenting the above dance
and was taken by the paper as one of the most
prominent of this simplified tango dance music.
RICHMOND=ROBBINS SPRING CAMPAIGN
Richmond-Robbins, Inc., recently inaugurated
a Spring campaign on "South Sea Isles" and
"Little Pal of Long Ago." This supplements
the activity on the firm's successes, "Baby Blue
Eyes," "Burning Sands" and "Aunt Hagar's
Blues." These are the outstanding issues of the
Richmond-Robbins' publications. The firm has,
however, a series of standard numbers and folios
which are quite active. These include the saxo-
phone solos by Rudy Wiedoeft, Clyde Doerr and
Don Clark; "The Capital March" and "The Con-
APRIL 28,
1923
W IT/ ALWAYf-1 HIT/}] (MY
"Chicago"
"The Thief"
"That Red Head Gal"
"No One Loves You
Any Better Than Your
M-A-Double M-Y"
FRED FISHER 7«r
necticut March,' from the "Red Seal Series,"
and the ballads, "If Love Were All" and "When
Love Comes Stealing," in the "Gold Seal Series."
NEW JACK MILLS, INC., NUMBERS
Jack Mills, Inc., has added the following num-
bers to its catalog of modern novelty piano
solos: "Futuristic Rag," by Rube Bloom; "Rip-
pling Waters," by Harold Potter; "Imagination
Valse," by Gene Williams; "Tangomania," by
Stella Lcvisohn; "Deuces Wild" and "Red
Clover," by Max Kortlander; "Tricky Trix," by
Harry Jentes; "Downtown Rag," by Sigmund
Carrozza; "The Arm-breaker," by Fred Rose,
and "Skidding," by Ed. Claypoole.
NEW ISHAM JONES NUMBER
Isham Jones, the well-known orchestra leader
and exclusive Brunswick record artist, and Gus
Kahn, a well-known songwriter, are the writers
of a song entitled "Swinging Down the Lane,"
published by Leo Feist, Inc. It was first heard
along Broadway, at the Palace Theatre, during
the recent appearance of Ben Bernie and His
Band.
BROADCASTS BOSTON MUSIC CO. SONGS
Frank E. Kneeland, assistant manager of the
Boston Music Co., the well-known baritone, re-
cently broadcasted a program of Bertrand-
Brown songs with the composer at the piano,
from the WJZ station. Among the songs were
"Little Red Wagon," "BabyV "Little White
Moon," "Maybe," "All for You." These num-
bers arc having a good sale.
MELODY FOX TfcOT SONG
BUT STILL IN N Y HEART
A\.WIT/HARK & SONS - Publishers - Wrtmark Building - /NEW
60
THE MUSIC TRADE REVIEW
"BOMBO" SONGS FEATURED IN H. A. WEYMANN WINDOW
Songs Sung by Al Jolson Respond in Sales to Display Made by Philadelphia Music House—
"Morning Will Come" and "Don't Cry, Swanee," Proving Steady Sellers Along Route of Show
Some time ago Al Jolson introduced two new
songs in the musical show, "Bombo." Both of
the numbers are having active sales, particularly
BRINGING THE TANGO BACK AGAIN
Feist Number, "La Mome Tango," Used in Illus-
tration of Steps in Dance
Some of the leading dance orchestras of the
country are programming tango dances with the
object of reviving interest in this form of the
dance art which had some vogue several sea-
sons back. The indications of the return of the
tango have also been recognized by the press
and no little space has been devoted to explain-
ing what is generally considered the intricate
steps.
Recently a paper in Washington, D. C, illus-
trated the dance of Vanda Hoff, who has been
appearing in prominent functions in that city.
With the picturization of these steps an expla-
nation was given of the various movements.
The article went on to show that the tango,
which in most cases has heretofore been con-
in the territory where the Jolson show has ap-
peared. The numbers are entitled "Morning
Will Come" and "Don't Cry, Swanee."
Jolson songs have quite
a following and this in-
duces the trade to co-op-
erate with the publisher in
exploiting the numbers he
features. Many window
displays have appeared in
the retail establishments
throughout the country on
these latest two offerings,
some of them most attrac-
tive, and all naturally add-
ing to the sales of "Morn-
i n g W i l l Come" and
"Don't Cry, Swanee." We
reproduce a window re-
cently shown by H. A.
Weyinann & Son, Inc.,
Philadelphia. This is a
particularly attractive dis-
play, considering the small
space in which it appears
and which proves that the
proper arrangement of the
window will create atten-
tion. li» this instance the
>ales of the number during
the showing were substan-
tially increased over pre-
vious weeks. The cam-
paign on "Morning Will
Come" and "Don't Cry,
Swanee," will be continued
during the S u m m e r
months.
Proper window display
always justifies itself in
business.
fined to the dance stars, has now been simpli-
fied in a manner making the dance available for
all.
The Leo Feist, Inc., number, "La Mome Tan-
go," was used in presenting the above dance
and was taken by the paper as one of the most
prominent of this simplified tango dance music.
RICHMOND=ROBBINS SPRING CAMPAIGN
Richmond-Robbins, Inc., recently inaugurated
a Spring campaign on "South Sea Isles" and
"Little Pal of Long Ago." This supplements
the activity on the firm's successes, "Baby Blue
Eyes," "Burning Sands" and "Aunt Hagar's
Blues." These are the outstanding issues of the
Richmond-Robbins' publications. The firm has,
however, a series of standard numbers and folios
which are quite active. These include the saxo-
phone solos by Rudy Wiedoeft, Clyde Doerr and
Don Clark; "The Capital March" and "The Con-
APRIL 28,
1923
W IT/ ALWAYf-1 HIT/}] (MY
"Chicago"
"The Thief"
"That Red Head Gal"
"No One Loves You
Any Better Than Your
M-A-Double M-Y"
FRED FISHER 7«r
necticut March,' from the "Red Seal Series,"
and the ballads, "If Love Were All" and "When
Love Comes Stealing," in the "Gold Seal Series."
NEW JACK MILLS, INC., NUMBERS
Jack Mills, Inc., has added the following num-
bers to its catalog of modern novelty piano
solos: "Futuristic Rag," by Rube Bloom; "Rip-
pling Waters," by Harold Potter; "Imagination
Valse," by Gene Williams; "Tangomania," by
Stella Lcvisohn; "Deuces Wild" and "Red
Clover," by Max Kortlander; "Tricky Trix," by
Harry Jentes; "Downtown Rag," by Sigmund
Carrozza; "The Arm-breaker," by Fred Rose,
and "Skidding," by Ed. Claypoole.
NEW ISHAM JONES NUMBER
Isham Jones, the well-known orchestra leader
and exclusive Brunswick record artist, and Gus
Kahn, a well-known songwriter, are the writers
of a song entitled "Swinging Down the Lane,"
published by Leo Feist, Inc. It was first heard
along Broadway, at the Palace Theatre, during
the recent appearance of Ben Bernie and His
Band.
BROADCASTS BOSTON MUSIC CO. SONGS
Frank E. Kneeland, assistant manager of the
Boston Music Co., the well-known baritone, re-
cently broadcasted a program of Bertrand-
Brown songs with the composer at the piano,
from the WJZ station. Among the songs were
"Little Red Wagon," "BabyV "Little White
Moon," "Maybe," "All for You." These num-
bers arc having a good sale.
MELODY FOX TfcOT SONG
BUT STILL IN N Y HEART
A\.WIT/HARK & SONS - Publishers - Wrtmark Building - /NEW
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