Music Trade Review

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
JANUARY 25, 1919
MUSIC
TRADE
REVIEW
13
MUSIC OF THE MONTH—(Continued from page 12)
Conrad—Sarah, Come Over Here!—One-step
Rowley
Mohr—The Statue of Liberty Is Smiling—One-step. .Weston
Grant—The Tale the Church Bell Told—Jazz-rag Fox-
trot
Sloane
Stern—Tears of Love—Jazz-rag Fox-trot
Gardner
Carlo-Sanders—That Tumble Down Shack in Athlone
—Jazz-rag Fox-trot
Fecher
Edwards—Welcome Home, Laddie Boy, Welcome Home
—One-step
Rowley
Osborne—With the Rose (I Send This Heart of Mine)
From "Atta Boy," the Soldier Show—Ballad. .Wunsch
I.itras-Olson—Why Should I Care —Waltz song, man-
dolin arrangement
Olson
Tacobs—Won't You Come Back to Me —Fox-trot. .Wunsch
Van-Schenck—You Cannot Shake That "Shimmie" Here
—Fox-trot
Levine
Ward—Your Boy Is on the Coal Pile Now—One-step,
Morton
UNIVERSAL MUSIC CO.
TWO ROLLS BY PADEREWSKI
Aeolian Co. Announces Two Duo-Art Record-
ings by Paderewski in Full Page Advertise-
ment—Letter From A. Lambert
Through the medium of a full-page advertise-
ment in the New York Sunday newspapers, the
Aeolian Co. announced two Duo-Art rolls by
I. J. Paderewski, these rolls being the first
to be completed of the series played by this
renowned artist under his contract to record
his interpretations exclusively for the Duo-Art
Hand Played
Rolls
With Words
The February bulletin of this company in-
cludes most of the war hits of the day in the
way of song rolls, one of which bears the ex-
traordinary title, "Would God I Were the Ten-
der Apple Blossom." For particulars consult
the roll itself. The instrumental hand-played
stuff has one of Wauldteufel's nice little waltzes,
and there is a straight cut which rejoices in the
cognomen of "Sally Trombone." The list fol-
lows:
SONG ROLLS
Title
Played by
Ikautiful ()hio—Waltz-'Cello Obligato
Earl
Buddie Boy—Fox-trot
Morse
Christian Science Hymn—Homeland
Sullivan
Christian Science Hymn—Morecambe
Dear Little Boy of Mine—Waltz
Ball
Dreams—Ballade
Strelezki
Good-bye, France—One-step
Berlin
Have a Smile—Fox-trot
Rule
Home Road—Ballade
Carpenter
I Found the End of the Rainbow—Foxtrot
Tierney
Loch Lomond—Piano accomp
Max _Vo-grich
Madelon—One-step
Robert
Mother, Here's \ our Boy—One-step
Morse
Navy Will Bring Them Back—One-step
Schuster
On the Road to Calais ("Sinbad")—-Fox-trot
Jolson
Singapore—Foxtrot
Friedland
Where Is My Boy To-night?—Sacred Song
Lowry
Would God I Were the Tender Apple Blossom—Irish
Song
HAND-PLAYED
Title
Played by
Ballet Sentimental
Zamecnik
Skaters' Waltz (Les Patineurs)
Waldteufel
REGULAR
Title
Played by
Everything—Selection
Daly
Sally Trombone—Novelty-One-step
Fillmore
Ignace Jan Paderewski
piano in the future. These Duo-Art records in-
clude Paderewski's famous "Minuet" and the
Chopin "Butterfly" Etude.
In connection with this announcement, the
Aeolian Co. reproduced in its advertising a
letter received the other day from Alexander
Lambert, one of America's foremost teachers,
who wrote as follows:
"I have had the pleasure of listening to Pader-
WILCOX & WHITE CO.
ewski's two Duo-Art rolls—his own 'Minuet,'
opus 14, number 1, and Chopin's 'Etude,' opus
This bulletin is distinguished for the good 25, number 9. They are truly fascinating. I have
"selection" rolls from musical comedies which heard Paderewski many times; indeed, I think
it contains, as well as for its popular song hits there are very few who are more familiar with
of the kind just now wanted. Angelus rolls his playing, and I confess, had I been listening
are always high-class and intended for a high- from the next room to these rolls, it would have
class trade. Hence one always gets the cream been difficult to realize that Paderewski himself
of the publications. Here is the list complete: was not seated at the instrument, so perfectly
SONG ROLLS—HAND-PLAYED
did the Duo-Art reproduce his actual perform-
Composer
Title
Played by
Johnstone—For Love ("Fiddlers Three")—Fox-trot,
ances.
Yours sincerely, (signed) Alex. Lam-
Ennison-Markley
Adams—Holy City—B
flat-.
Favier
bert."
Cowan—Kisses—Saxophone Fox-trot
Erlebach-Herzog
Lauder—Laddies Who Fought and Won—One-step. Williams
In introducing these rolls to New York's
Tosti—My Dreams
Favier
music loving public, the Aeolian Co. stated as
Haroourt—Now You Know the World Is Free—One-
step
Barton-Erlebach
follows:
di Caupa—O Sole Mio (My Sun)—Neapolitan Song. .Favier
Caryll—Some Day Waiting Will End ("Girl Behind
"Paderewski sailed for Europe on the 7th of
the Gun")—Fox-trot
Erlebach-Herzog
November. The wonderful work he has done
Methven—When You Look in the Heart of a Rose
("The Better 'Ole")—Saxophone Waltz.Herzog-Markley
in this country for his beloved Poland during
Daly—You're the Very-Girl ("Everything")—Fox-trot,
the years of the war has borne its fruit, and he
Frey-Banta
Earl—Beautiful Ohio—Waltz-'Cello Obligato
Coats
has gone abroad to bring it to completion if
Berlin—Good-bye, France—One-step
Morse-Erlebach
Rule—Have a Smile—Fox-trot
Morse-Herzog
he
may.
Carpenter—Home Koad—Ballade
Erlebach
"Paderewski has sailed from our shores many
Robert—Madelon—One-step
Morse—Mother, Here's Your Boy—One-step
Morse
times before during his career. Behind him
Jolson—On the Road to Calais ("Sinbad")—Fox-trot,
Erlebach-Herzog
each time he has left priceless recollections in
Friedland—Singapore—Fox-trot
Herzog
the memories of the thousands who have heard
Would God I Were the Tender Apple Blossom—Irish
Song
Arndt
him play.
NEW VOLTEM (HAND-PLAYED) ROLLS
"This time, however, he has left something of
Composer
Title
Played by
Zamecnik—Dancer of Nlavarre
Bimgham
infinitely greater value than mere memories.
Wilson—Wilson Themes
Zamecnik—Ballet Sentimental
Bingaman
Part of his genius, part of his personality, part
NEW MELODANT-ARTISTYLE ROLLS
Title
Played by of his very musical self, remain to keep alive the
Everything—Selection
Daly inspiring influence of his playing in the hearts
Sally Trombone—Novelty One-step
Fillmore
of music-lovers here.
Arabian Nights—Intermezzo One-step
David-Hewitt
Head Over Heels—Selection
Kern
"Though in person more than three thousand
Repasz Band March
Sweeley
Hand Played
Rolls
Without Words
miles away, yet this very day Paderewski is
playing the piano at Aeolian Hall.
"He is playing two of his favorite encore num-
bers. And he is playing these beautiful com-
positions over and over for every music-lover
who cares to hear them, and he is playing them
as he does when the spirit of his genius and
poetical imagination are at their highest and
fullest flood."
"The making of a Duo-Art record roll is A
matter of the utmost importance to an artiste
Unlike his public performances, they are per-
manent records of his playing. Not only are
they heard by thousands who never hear him
in person, but they are the pianist's only possi-
ble heritage to posterity. The great musicians
who are making Duo-Art rolls fully realize this.
On the very day before he sailed, and amid the
press of numberless other matters, Paderewski
spent three precious hours giving the final
touches to the two rolls, though he had already
spent many days in perfecting them."
ALTOONA MUSIC_ROLL CO. FORMED
The Altoona Music Roll Co., Wilmington,
Del., has been incorporated with capital stock
of $100,000 to engage in the manufacture and
sale of music rolls, and attachments for auto-
matic and player-pianos.
Worcester Wind Motor Co.
WORCBSTJBR. MASS.
Makers of Absolutely Satisfactory
(
WIND MOTORS for PLAYER-PIANOS
Also all kinds of Pneumatics and Supplies
Illllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll
Greatest ^Annual Output"
TANDARD PLAYER ACTION
jStaixdard theTWbrld Over