Music Trade Review

Issue: 1919 Vol. 68 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
JANUARY 25, 1919
MUSIC
TRADE
REVIEW
13
MUSIC OF THE MONTH—(Continued from page 12)
Conrad—Sarah, Come Over Here!—One-step
Rowley
Mohr—The Statue of Liberty Is Smiling—One-step. .Weston
Grant—The Tale the Church Bell Told—Jazz-rag Fox-
trot
Sloane
Stern—Tears of Love—Jazz-rag Fox-trot
Gardner
Carlo-Sanders—That Tumble Down Shack in Athlone
—Jazz-rag Fox-trot
Fecher
Edwards—Welcome Home, Laddie Boy, Welcome Home
—One-step
Rowley
Osborne—With the Rose (I Send This Heart of Mine)
From "Atta Boy," the Soldier Show—Ballad. .Wunsch
I.itras-Olson—Why Should I Care —Waltz song, man-
dolin arrangement
Olson
Tacobs—Won't You Come Back to Me —Fox-trot. .Wunsch
Van-Schenck—You Cannot Shake That "Shimmie" Here
—Fox-trot
Levine
Ward—Your Boy Is on the Coal Pile Now—One-step,
Morton
UNIVERSAL MUSIC CO.
TWO ROLLS BY PADEREWSKI
Aeolian Co. Announces Two Duo-Art Record-
ings by Paderewski in Full Page Advertise-
ment—Letter From A. Lambert
Through the medium of a full-page advertise-
ment in the New York Sunday newspapers, the
Aeolian Co. announced two Duo-Art rolls by
I. J. Paderewski, these rolls being the first
to be completed of the series played by this
renowned artist under his contract to record
his interpretations exclusively for the Duo-Art
Hand Played
Rolls
With Words
The February bulletin of this company in-
cludes most of the war hits of the day in the
way of song rolls, one of which bears the ex-
traordinary title, "Would God I Were the Ten-
der Apple Blossom." For particulars consult
the roll itself. The instrumental hand-played
stuff has one of Wauldteufel's nice little waltzes,
and there is a straight cut which rejoices in the
cognomen of "Sally Trombone." The list fol-
lows:
SONG ROLLS
Title
Played by
Ikautiful ()hio—Waltz-'Cello Obligato
Earl
Buddie Boy—Fox-trot
Morse
Christian Science Hymn—Homeland
Sullivan
Christian Science Hymn—Morecambe
Dear Little Boy of Mine—Waltz
Ball
Dreams—Ballade
Strelezki
Good-bye, France—One-step
Berlin
Have a Smile—Fox-trot
Rule
Home Road—Ballade
Carpenter
I Found the End of the Rainbow—Foxtrot
Tierney
Loch Lomond—Piano accomp
Max _Vo-grich
Madelon—One-step
Robert
Mother, Here's \ our Boy—One-step
Morse
Navy Will Bring Them Back—One-step
Schuster
On the Road to Calais ("Sinbad")—-Fox-trot
Jolson
Singapore—Foxtrot
Friedland
Where Is My Boy To-night?—Sacred Song
Lowry
Would God I Were the Tender Apple Blossom—Irish
Song
HAND-PLAYED
Title
Played by
Ballet Sentimental
Zamecnik
Skaters' Waltz (Les Patineurs)
Waldteufel
REGULAR
Title
Played by
Everything—Selection
Daly
Sally Trombone—Novelty-One-step
Fillmore
Ignace Jan Paderewski
piano in the future. These Duo-Art records in-
clude Paderewski's famous "Minuet" and the
Chopin "Butterfly" Etude.
In connection with this announcement, the
Aeolian Co. reproduced in its advertising a
letter received the other day from Alexander
Lambert, one of America's foremost teachers,
who wrote as follows:
"I have had the pleasure of listening to Pader-
WILCOX & WHITE CO.
ewski's two Duo-Art rolls—his own 'Minuet,'
opus 14, number 1, and Chopin's 'Etude,' opus
This bulletin is distinguished for the good 25, number 9. They are truly fascinating. I have
"selection" rolls from musical comedies which heard Paderewski many times; indeed, I think
it contains, as well as for its popular song hits there are very few who are more familiar with
of the kind just now wanted. Angelus rolls his playing, and I confess, had I been listening
are always high-class and intended for a high- from the next room to these rolls, it would have
class trade. Hence one always gets the cream been difficult to realize that Paderewski himself
of the publications. Here is the list complete: was not seated at the instrument, so perfectly
SONG ROLLS—HAND-PLAYED
did the Duo-Art reproduce his actual perform-
Composer
Title
Played by
Johnstone—For Love ("Fiddlers Three")—Fox-trot,
ances.
Yours sincerely, (signed) Alex. Lam-
Ennison-Markley
Adams—Holy City—B
flat-.
Favier
bert."
Cowan—Kisses—Saxophone Fox-trot
Erlebach-Herzog
Lauder—Laddies Who Fought and Won—One-step. Williams
In introducing these rolls to New York's
Tosti—My Dreams
Favier
music loving public, the Aeolian Co. stated as
Haroourt—Now You Know the World Is Free—One-
step
Barton-Erlebach
follows:
di Caupa—O Sole Mio (My Sun)—Neapolitan Song. .Favier
Caryll—Some Day Waiting Will End ("Girl Behind
"Paderewski sailed for Europe on the 7th of
the Gun")—Fox-trot
Erlebach-Herzog
November. The wonderful work he has done
Methven—When You Look in the Heart of a Rose
("The Better 'Ole")—Saxophone Waltz.Herzog-Markley
in this country for his beloved Poland during
Daly—You're the Very-Girl ("Everything")—Fox-trot,
the years of the war has borne its fruit, and he
Frey-Banta
Earl—Beautiful Ohio—Waltz-'Cello Obligato
Coats
has gone abroad to bring it to completion if
Berlin—Good-bye, France—One-step
Morse-Erlebach
Rule—Have a Smile—Fox-trot
Morse-Herzog
he
may.
Carpenter—Home Koad—Ballade
Erlebach
"Paderewski has sailed from our shores many
Robert—Madelon—One-step
Morse—Mother, Here's Your Boy—One-step
Morse
times before during his career. Behind him
Jolson—On the Road to Calais ("Sinbad")—Fox-trot,
Erlebach-Herzog
each time he has left priceless recollections in
Friedland—Singapore—Fox-trot
Herzog
the memories of the thousands who have heard
Would God I Were the Tender Apple Blossom—Irish
Song
Arndt
him play.
NEW VOLTEM (HAND-PLAYED) ROLLS
"This time, however, he has left something of
Composer
Title
Played by
Zamecnik—Dancer of Nlavarre
Bimgham
infinitely greater value than mere memories.
Wilson—Wilson Themes
Zamecnik—Ballet Sentimental
Bingaman
Part of his genius, part of his personality, part
NEW MELODANT-ARTISTYLE ROLLS
Title
Played by of his very musical self, remain to keep alive the
Everything—Selection
Daly inspiring influence of his playing in the hearts
Sally Trombone—Novelty One-step
Fillmore
of music-lovers here.
Arabian Nights—Intermezzo One-step
David-Hewitt
Head Over Heels—Selection
Kern
"Though in person more than three thousand
Repasz Band March
Sweeley
Hand Played
Rolls
Without Words
miles away, yet this very day Paderewski is
playing the piano at Aeolian Hall.
"He is playing two of his favorite encore num-
bers. And he is playing these beautiful com-
positions over and over for every music-lover
who cares to hear them, and he is playing them
as he does when the spirit of his genius and
poetical imagination are at their highest and
fullest flood."
"The making of a Duo-Art record roll is A
matter of the utmost importance to an artiste
Unlike his public performances, they are per-
manent records of his playing. Not only are
they heard by thousands who never hear him
in person, but they are the pianist's only possi-
ble heritage to posterity. The great musicians
who are making Duo-Art rolls fully realize this.
On the very day before he sailed, and amid the
press of numberless other matters, Paderewski
spent three precious hours giving the final
touches to the two rolls, though he had already
spent many days in perfecting them."
ALTOONA MUSIC_ROLL CO. FORMED
The Altoona Music Roll Co., Wilmington,
Del., has been incorporated with capital stock
of $100,000 to engage in the manufacture and
sale of music rolls, and attachments for auto-
matic and player-pianos.
Worcester Wind Motor Co.
WORCBSTJBR. MASS.
Makers of Absolutely Satisfactory
(
WIND MOTORS for PLAYER-PIANOS
Also all kinds of Pneumatics and Supplies
Illllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll
Greatest ^Annual Output"
TANDARD PLAYER ACTION
jStaixdard theTWbrld Over
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
14
JANUARY 25, 1919
TERMS AND PRICES MUST BE STRICTLY MAINTAINED
INSIST ON
AUTOMATIC
MUSIC ROLLS
FOR ALL
Standard Electric
Rewind Pianos
AH the Latest, Up-to-the-
Minute Song and Dance
HITS are Featured in
AUTOMATIC
MUSIC ROLLS
Our February List Contains
A-547
I—I'll Say She Does, Fox Trot
2—General Pershing March
3—Roses at Twilight, Waltz
4—Good-Bye France, One-step
5—It' Gets Them All, Fox Trot
6—When the Old Boat Heads for Home, One-step
7—The Dashing Troopers, March
8—I'm Satisfied to Step Aside, Fox Trot
9—Oh, Susie, Behave, One-step
10—Come on. Papa, One-step
A-548
I—When Yankee Doodle Sails on the Good Ship Home Sweet
Home
2— Under Fire March
3—Bring Back the Roses, Waltz
4—Just Blue, Fox Trot
5—You Can't Blame the Girlies at All
6—That Tumble Down Shack in Athlone
7—Look What You've Done, Fox Trot
8— Rip Van Winkle Slept With One Eye Open
9—Tickle Your Toes, Two-step
10— Oh, What a Time for the Girlies
A-549
I—How 'Ya Gonna Keep 'Em Down on the Farm
2—The Thriller March
3—Kisses, Fox Trot
4—Loyalty Waltz
5—Welcome Home, Laddie Boy, Welcome Home
6—You're Just a Little Pansy
7—The Stilt Dance, Two-step
8—My Barney Lies Over the Ocean
9— You'll Have to Put Him to Sleep With the Marseillais*
10—Some Night, Jass Fox Trot
A-550
I—Keep Your Face to the Sunshine
2—Victory March
3—Valse Inspiration
4—In the Land Where Poppies Bloom
5—Mystery Moon, Jass Fox Trot
6—Some Day I'll Make You Glad, Waltz
7—Roamin' Around, Fox Trot
8—My Sweetheart of Days Gone By
9—Shimmie Shoes, Fox Trot
10—My Chocolate Soldier, Sammy Boy, One-step
A. W. Johnston, Vice-President of the Standard Pneumatic Action Co., in Article in Standard
Player Monthly, Gives Some Timely Advice Regarding the Necessity of Maintaining Prices
Our readers will remember that early last year
we warned them of the shortage in player-
pianos that would mark the business of the fall.
That we accurately forecasted the unprecedented
shortage in player-pianos months before it be-
came acute, in no sense of the word indicates
that we possess psychic powers. Anyone at all
familiar with conditions could have predicted
that there would not be enough player-pianos
to supply the demand. Many did so predict.
There was a shortage of many thousands of
player-pianos, how many thousands we do not
know, but we believe the sales of player-pianos
last year would have been larger by twenty-five
thousand units at least if the goods could have
been manufactured and shipped.
Since the signing of the armistice marked the
end of hostilities, many dealers seem to antici-
pate an early resumption of the conditions that
existed before the war. They seem to expect
a reduction in prices and in some quarters have
exhibited a tendency to loosen up on selling
terms. We wish to warn our dealer readers-
that there is no indication of any reduction in
prices and that they should adhere most rigidly
to a selling policy that will enable them to
turn their capital quickly, which means, oi
course, the insistence upon large payments
down and short-time sales.
When facts and theories clash facts must
prevail. And the fact is that high prices still
prevail. Our readers need but to observe the
cost of foodstuffs, the cost of clothing and the
wages that must be paid to secure competent
help, in order to realize that the signing of the
armistice did not cause a collapse of the com-
modity market or of the labor market. In fact,
the prices on many items that enter into the
piayer have actually increased since the signing
of the armistice.
As a matter of fact, the price of player-pianos
probably will be increased. A war revenue
bill is yet under consideration in Congress as
this is written. This war revenue bill may in-
crease the tax on player-pianos. The prices ot
certain materials actually have gone up within
the past sixty days. No one can prophesy
when, if ever, prices will come down. Many
shrewd business men say they hope prices will
remain high, for the history of the country
shows that an era of high prices means an era
of prosperity.
This will undoubtedly be the greatest player-
piano year in the history of the industry. All
manufacturers of player-pianos expect to be able
to increase their output. Yet there is nothing
in the situation to warrant the belief that there
will be more player-pianos manufactured than
can be sold on good terms and short time. In
fact, it is entirely probable that there will be
an actual shortage in player-pianos all through
the year.
In order to insure an adequate output all
manufacturers have to contract for materials
far ahead. No manufacturer who makes a pre-
tense of taking care of his customers can live
from hand to mouth as far as materials are con-
cerned. And no manufacturer who has con-
tracted for materials for this year has been able
to obtain price concessions. Therefore, prices
for player-pianos cannot be less in the imme-
diate future.
The very conditions that make for these high
prices place the public in a position to buy and
pay for more player-pianos. The purchasing
power of the public to-day is such that no dealer
who has a modicum of merchandising ability
need sell any player-piano on excessively long
time. Many of the most successful retail deal-
ers are placing a rigid limit of twenty-four
months on time sales. And on these terms they
are selling all of the player-pianos that they
can obtain.
Don't expect lower prices.
Don't sell at
lower prices. Don't loosen up on terms. Con-
centrate on the player-piano. Its popularity is
sweeping the country. Order as heavily as pos-
sible and as far in advance as possible. It is
probable that the next five years will hold out
to player-piano dealers fortune-making oppor-
tunities that have never before been open to
them. Don't worry about high prices. Sell
your goods at a fair profit, get your money for
them and if you are alert you will do more busi-
ness than ever and make more money than you
e\er have made before.
STROUP HAS SUCCESSFUL TRIP
Reports Excellent Demand For Universal Music
Co. Rolls On Return From Western Sojourn
—J. J. Reilly Also Returns From Trip
Paul J. Stroup, of the Universal Music Co.,
New York, returned Monday from a western
trip which included a visit to Kansas City, St.
Louis and Detroit, with a week's stay at the
company's Chicago office. While in Chicago,
Mr. Stroup arranged for the change in the man-
agement of this branch, which was announced
in last week's Review, whereby Roy A. Rose
became Chicago sales manager.
In a chat with The Review, Mr. Stroup com-
mented upon the encouraging and optimistic at-
titude of the dealers throughout the Middle
West. He stated that practically every dealer
he visited is enthusiastic regarding the business
outlook, and believes that 1919 will be a splen-
did piano and player-piano year.
The demand for Universal music rolls is
growing by leaps and bounds, and the new sup-
plements are meeting with a popular reception
from the dealers and their patrons. Universal
song rolls in particular are proving ready sellers
everywhere, and Mr. Stroup- brought back with
him large-sized orders that reflect a record-
breaking call for these song rolls during the
next few months.
J. J. Reilly, traveling representative for the
Universal Music Co., returned Monday from a
visit to the trade in New York State, Pittsburgh
and nearby territory, his order book indicating a
healthy condition in the piano trade in this
section of the country.
WRICHT-PLAYER-ACnON
THE MOST DURABLE, RESPONSIVE AND
ACCESSIBLE. CONTAINING
THE WRIGHT METAL STACK
Write for Catalog
To-Day
AUTOMATIC MUSIC
ROLL COMPANY
417 W. Erie Street, CHICAGO
WRIGHT & SONS COMPANY,
WORCESTETBASS

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