Music Trade Review

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16
THE MUSIC TRADE
REVIEW
MUSIC OF THE MONTH—(Continued from page 15)
receipt of the order of the factory. There is a
fine lot of song rolls, and a good number of
popular Metrostyle-Themodist numbers be-
sides. The general tone is light and May-like:
SONG ROLLS
Title
Composer
Amber Tresses Tied in Blue
Danks
Anything Is Nice If I t Comes from Dixieland—Fox-
trot
Meyer & Ager
Asthore (Darling)
Trotere
As We Part
Ilgenfritz
Christian Science Hymn—In Thee, Oh Spirit True and
Tender
Brackett
Heart Breaking Baby Doll—Fox-trot
Hess
How Are You Goin' to Wet Your Whistle—Fox-trot,
Wenrich
I Found You—Rallad
Friedland
I Know What It Means to Be Lonesome—Waltz, Brockman
Life and Love—"Velvet Lady" Ballad
Herbert
Loreley
Silcher
Love Is Love—Ballad, "The Royal Vagabond"
Goetzl
Lullaby Blues ( I n the Evening)—Waltz-Blues.... Robinson
Mattinata
Tosti
My Cairo Love—Fox-trot
Zamecnik
Paloma, La (The Dove)
Yradier
Revolutionary Rag—Fox-trot
Berlin
Ruspana—One-step
•
Earl
Sometime—"Sometime" Ballad
Friml
Sweet Genevieve
Tucker
Sweet Siamese—Fox-trot
".
Earl
Waiting—"Listen Lester" Fox-trot
Orlob
You're Still an Old Sweetheart of Mine—Fox-trot. .Whiting
METRO-ART
Title
Composer
Bohm Themes
Bohm
METROSTYLE-THEMODIST
Title
Composer
Better 'Ole—Selection
Darewski
Full o' Pep—One-step
Morse
Listen Lester—Selection
Orlob
Miss Trombone—A Slippery Rag
Fillmore
Royal Vagabond—Selection
Cohan-Goetzl
Velvet Lady—Selection
Herbert
Wee Bit of Lace—"The Royal Vagabond," One-step,
TWENTY FOUR HOUR SERVICE H I T S FOR MAY
Chong
Ja-Da
Hindustan
Sweet Siamese
Till We Meet Again
Beautiful Ohio
' Have A Smile
Lullaby Blues
Arabian Nights
SONG ROLLS
Composer
Title
Played by
Qwige-Rosey—The Handicap
S. A. Perry
Fitzgerald—Moonlight Shadows
Perry
Drumbeller—Love and Devotion
Perry
Pollack—That's a A a Plenty
Claar
Lewis-Young-Donaldson—Don't Cry, Frenchy, Don't
Cry
Claar
McCarron-Morgan—Wait and See You'll Want Me
Back
Reeves
Caddigan-Story—Salvation Lassie of Mine. . .Claar-Shipman
Byrne-Mdntire Wenrich—How Are You Goin' to Wet
Your Whistle When the Whole Darn World
Goes Dry ?
Claar
Green—A Good Man Is Hard to Find
Claar
Kreplach and Warenikis Frailachs—Jewish Dance,
Perlstein
Brennan-Edwards-Cunningham—America Never Took
Water, and America Never Will
Reeves
Merrill-Jerome—Jazz Baby—Fox-trot, Jazz
Claar
Kendall-Robinson-Morse—Lullaby Blues (In the Eve-
ning)—Dreamy ragtime waltz
Perry
llager-Goodwin—That Wonderful Mother of Mine—
Waltz ballad—ukulele ellects
Perry
O'Donnell-Barron—So Long, Pal—Not Good-Bye—
Marimba effects
Perry
McHugh-Perillo Jr.—Indian Blues
Claar-Shipman
Hess-Mitchell—Blue-Eyed Blonde-Haired Heart Break-
ing Baby Doll—Fox-trot
Claar
Herbert-Blossom—Life and Love
Perry
De Voll—Alabama Lullaby—Rag waltz
Perry
Sanford-Williams—She's Waiting in Old I r e l a n d . . . .Perry
O'Neil-Baskette—Jerry, You Warra a Warrior in the
War . . . .
Munson
Williams-Williams—Yama Yama Blues—Foxtrot, a
bluey blues
Claar
Lucas-Frisch—Smile and the World Smiles With You—
One-step
Reeves
Fischer—Eyes That Say "1 Love You"—One-step. . Munson
Wodehouse-Caryll—Thousands of Years Ago—-Fox-
trot
Munson
Clark-Meyer-Ager—Anything Is Nice If It Conies From
Dixieland
Claar
Turk-Perkins—Heart of Humanity—Ballad
Perry
Cort-Stoddard-Orlob-—Waiting
Perry
Atteridge-Komberg-Schwartz—Monte Cristo
Claar
l^aska-V on Tilzer—The Alcoholic Blues—(Some Blues),
Ward
Gilbert-Friedland—Singapore
Claar
Sterling-Von Tilzer—1 Ain't-en (Jut-en No Time to
Have the Blues.
Shipman
Tracey-Pinkard—Mammy O'Mine
Reeves
Field-Earl—Ruspana—Fox-trot
Perry
Branen-Stanley—When Ireland Comes Into Her Own
—Waltz, marimba effects
Perry
Gilbert-Donaldson—I'm Satisfied to Step Aside—Fox-
trot
-
Reeves
CONNORIZED MUSIC CO.
IMPERIAL PLAYER ROLL CO.
This company, which has always gone in for
foreign music to a commendable degree, pub-
lishes two Bohemian and five Italian popu-lar se-
lections in its regular straight-cut edition. The
song roll list is very extensive and comprises
hit after hit. The whole bulletin is unusually
large and popular:
One notices the name of Mary Angell among
the Imperial artists in a Chopin Scherzo, while
Frederick Morley does one of Guinfeld's nice
little pieces, and Charley Straight with various
of his accomplices, performs feats extraordinary
in fox-trots, one-steps, blues and a dozen other
of the present crop of dance excitements. It is
all very joyful and noisy and popular and Im-
perial, and what more could one want?
REGULAR EDITION
Title
Composer
Tra Veglia e sonno—Mazurka
P. Forte-L. Canore
Gli Alpini Italiani
G. Galimberti
Le Campane di Corneville
R. Planquette
Al Veglione!
Ciotti and Chatan
Fiore di Maggio
S. A. Perry
Vstavoj ma mila Pochod
Letela husicka Pochod
MelrUIe
Clark's
SONG RECORDS
Composer
Title
Serradell—The Swallow (La Golondrina)
Lewis-Young-Donaldson—How 'Ya Gonna
Down on the Farm?—One-step
Weeks—Chong—Fox-trot
APOLLO K:
SCHENCKE
Played by
Ilgenfritz
Keep 'Em
Straight-Clyde
Straight
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Consistent with Quality f f UV 10
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Built to a Standard and not to a Pricm
MELVILLE CLARK PIANO CO.
SCHENCKE PIANO CO., 245-249 E. 137thSt., N.Y.
FINE ARTS BUILDING, CHICAGO
INTRODUCED I N
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WILCOX
WHITE Co.
MERIDEN CONN.
Business Established 1877
Made by the pioneers and
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tfencies all over the World.
STANDS
7Aa- AUTOriANO COMPANY
PAUL D- KLU0H'PI?£9>i>£HT • •
O N THE
HUDSON AT J l * <
JTREET
APRIL 26, 1919
Field-Earl—Ruspana—Fox-trot
Jones-Alden
Madden-Earl—Sweet Siamese—Foxtrot
Stanley-Alden
Gilbert-Friedland—I Found You—Ballad
Anderson
McCarron-Morgan—Wait and See—Ballad
Anderson
Kendall-Robinson-Morse—Lullaby Blues. ."Blue" waltz,
~..
Straight-Clyde
o
Seymour-PSlqe—Longing—Fox-tnot
Straifeht-Johnson
Glick-Logan—My Golden Rose (Mi Rosa de Oro),
.„ T
Ilgenfritz
Merrill-Jerome—Jazz Baby—Fox-trot
Jones
Neil-Baskette—Jerry—Fox-trot
Straight
Williams-Straight—Why Don't You Try and Get Along
With Me—Foxtrot
Straight-Franklin
Hess-Mitchell—Heart-Breaking Baby Doll—Fox-trot. . Bargy
Egan-Whiting—You're Still an O'ld Sweetheart of Mine
—One-step
Straight-Johnson
Kerr-Kaufman—Me-ow—One-step
Stanley-Alden
Laska-Von Tilzer—Alcoholic Blues—Fox-trot
Jones
Grunfeld—Troisieme Romance (Op. 47, No. 1 ) . . . . M o r l e y
Chopin—Scherzo (Op. 31, No. 2)
Mary Angell
Tallmadge—Spirit of Liberty—March. . . .Arr. by Hartman
Q R S CO.
The Q R S list for May is, as is to be ex-
pected, full of interest for the lover of popular
music, with just enough ballads found among
the blues to prevent monotony. There are, for
instance, the "Bigamus Blues" by Morawski-
Kortlander, and played by Kortlander, which
might well be accepted as expressing the misery
of a bigamist in the jail house. Then there are
"Razz-Berries," by Mitchell and Banta, and
played by Confrey, offset by the ballad "Wish-
ing That Dreams Would Come True," played
by Lee S. Roberts himself. But why go on, the
list itself tells its own story. Here it is:
WORD ROLLS
Composer
Title
Played by
I x-slie-Wendling—The Music of Wedding Chimes,
Pete Wendling
Kendall-Robinson—Lullaby Blues
T. Russel Robinson
Morawski-Kortlander-—Bigamus Blues—Fox-trot,
Max Kortlander
Atteridge - Romberg - Schwartz— Flutter On By My
Broadway Butterfly
Kortlander-Conf rey
Field-Earl—Ruspana—Fox-trot
Kortlander-Conf rey
Atteridge-Romberg-Schwartz—Monte Cristo—Fox-trot,
Max Kortlander
Caddigan-Story—Salvation Lassie of Mine — Waltz
Ballad
Osborne-Howe
Price-Bafunno—Girl of My Heart—Ballad,
Ted Baxter, assisted by A. H .
Leslie-Wendling—False Faces—Waltz,
Harold Scott-Jeff Watters
Duncan—Goetzl—When the Cherry Blossoms Fall—
Fox-trot
Ted Baxter-Max Kortlander
Mitchell-Banta—Razz-Berries—One-step
"Zez" Confrey
Knight-Logan—Wishing That Dreams Would Come
True
Lee S. Roberts
Callahan—Cleo—Fox-trot. . .Lee S. Roberts-Max Kortlander
MacBoyle-Vincent—Bring Back Those Wonderful Days,
Wendling, assisted by A. H.
Madden-Earl—Sweet Siamese—Fox-trot . . . . P e t e Wendling
Brown-von Tilzer—For Johnny and Me—Fox-trot,
Pete Wendling
Warren-Henry—Tears (Of Love)—Fox-trot,
Ted Baxter-Max Kortlander
Hess-Mitchell—Heart Breaking Baby Doll—Foxtrot,
Max Kortlander
STANDARD ROLL
Kirhy Tallmadge -Spirit of Liberty—March
REPUBLIC PLAYER ROLL CORP.
The initial bulletin issued by this company is
very interesting in its make-up and introduces
to player roll buyers two new ragtime artists
in the persons of Carl Adams and Victor Lane.
This bulletin also introduces a novelty in the
form of Razamataz arrangements which are
strikingly new. The list follows:
Composer
Title
Played by
Ager—Anything Is Nice If It Comes From Dixieland
Cal Adams
Baskette—Jerry—Fox-trot
Cal Adams
Donaldson—Don't Cry, Frenchy, Don't Cry—Fox-trot
Cal Adams
Donaldson—When the Rees Make Honey (Down in
Sunny A'.abam) Fox-trot
Cal Adams
Donaldson—When You See Another Sweetie Hanging
Around—Fox-trot
Cal Adams
Coburn—Idol (Just Let Me Worship You)—Foxtrot
Cal Adams
Wenrich—How Are You Going to Wet Your Whistle—
Fox-trot
Cal Adams
Keifer—Roses Bring Sweet Thoughts of You—Waltz
ballad
Victor Lane
Wood—Roses of Picardy—Ballad
Victor Lane
Hess—Heart Breaking Baby Doll—Fox-trot. . . . Victor Lane
Stothardt—It Gets Them All—Fox-trot
Victor Lane
Weeks—Chong—Foxtrot
Victor Lane
Friml—Won't You Help Me Out?—Fox-trot.. .Victor Lane
Morgan—Wait and See—Ballad
Victor Lane
RAZAMATAZ ARRANGEMENTS
Olman—Johnny's in Town—One-step
Adams and Lane
Pinkard—Dixie Is Dixie Once More—One-step,
Lane and Foster
rag^rriiii AMONG
LIFE'S NECESSITIES