Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
HALLBT
<
& DAVIS
PIANO
CC
IBS
1O Extraordinary \ears
of Merchandising
:
Progress
T
EN years ago this fall two enthusiastic young men came out of the
West with an Idea. This idea to them was big in possibilities.
It was the idea of building up a great piano business out of two
tried elements of success—the brisk merchandising policies of the West,
plus the high quality of manufacturing known only in the East.
So these two young men of the West joined hands with an Easterner,
and together they started the rearing of their structure.
They built on the solid foundation of a time-honored piano, one
which had a reputation over three score years for beauty of tone, for
excellence of construction; an instrument praised by world-famous
musicians and composers throughout those sixty-odd years. Great Franz
Liszt himself played on it. Johann Strauss, whose beautiful "Blue Danube"
waltz will live forever, applauded its tone. Celebrated opera singers of our
own day use it in their homes.
^
And so the Idea began to live.
•
W—llallct & Davis Make a Modest Beginniuy
1905—The East Boston Factory
1852—A Larger Home for the Haltet & Davis Piano
HALLET & DAVIS
PIANOS—THE VIRTUOL