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THE MUSIC TRADE REVIEW.
building, for there is surely a splendid display
of superb instruments." That is true, but our
contemporary does not know what the exhibit
might have been.
exceedingly popular manager of the
New York warerooms of F. G. Smith,
Walter F. Holmes, will shortly start for the
World's Fair on a vacation trip. Walter will
not disdain the Midway Plaisance, but the chief
point of interest with him will be the Liberal
Arts division, where, amid the musical exhib-
its, his trained and experienced eye and ear will
find food for thought and study.
3 EAST 14th STREET, NEW YORK.
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Henry F. Miller piano shared the
honors with Carl Stasny, the eminent
virtuose, at a symphony concert on July 25th,
which was given under the direction of Theo-
dore Thomas. In the Hungarian rhapsody, it
responded to every lightest wish of the per-
former, said the Inter-Ocean. The exhibit of
Miller pianos, in the southeast corner of the
Lriberal Arts Building, is attracting much favor-
able comment, according to the same source.
fjj|T has been remarked by several of the
<$w Chicago papers that one of the most won-
derful inventions on exhibition in Liberal Arts
Building, section I, is the Phelps Harmony at-
tachment in the Malcolm Love pianos. It is a
pedal arrangement which reduces the possi-
bility of discord, as each key of the piano when
struck silences any other key with which it
does not harmonize. It purifies the tone and
produces a wonderful legato effect.
CONTEMPORARY states that the pianos
which have been made by the many firms
exhibiting at the Fair, would, if placed end to
end, extend around the world.
BLUMENBERG'S backers and solicitors
were unable to gain the judgeship for
him ! Alas ! everything is not as easy to get
as the friendship and aid of the reconstructed
ones.
MULNEAUX, the French pianist,
gives a musical recital on the Sohmer on
Tuesdays, Thursdays and Saturdays, at the
New York and New Jersey Buildings, and in the
ladies' parlor at terminal station at the Fair.
Sohmer & Co. are wise in thus attracting the
attention of the ladies. That's the point.
WESTERN paper remarks: "Where,
now, are those New York piano firms
that kicked over the traces and withdrew ?
' They never will be missed ' by the casual ob-
server of the big exhibit in the Liberal Arts
lines, constructed by first-class workmen, and
made of the best material obtainable. The
manufacturers of such an instrument deserve to
prosper, and it is accordingly a grateful task to
be able to give the following extract from a
communication received from J. N. Merrill this
week. "We are pushing along and running
full time and am happy to say, are doing a nice
little business. Orders are coming in very well
indeed." Meantime, outside of the Merrill
factory there is ample evidence of the way in
which the Merrill piano is fast building up a
strong following.
A. B. CHASE PIANO COMPANY, of
Norwalk, Ohio, whose main exhibit is in
section I, block TJ, Liberal Arts Building, are
gratuitously giving to the public musicales in
fifteen or eighteen of the State buildings where
their pianos are located, says the Chicago
Inter-Ocean of July 26th. One of the most at-
tractive features of their entertainments is the
playing of George Eugene Eager, director of the
Lake Forest University, and his tiny 5 year old
pupil, Master Rubinstein Demarest. The next
musical treat by this company will be given in
the Assembly Room of the Ohio State Building
on Saturday afternoon. On Tuesday of last
week a reception was given to Hon. John G.
Carlisle and Mrs. Carlisle at the Assembly Hall
of the Woman's Building, which numbered
among its delightful features a recital on the
A. B. Chase piano.
£j|f) ROB ABLY Marc Blumenberg never realized
G%TS quite so painfully what an infinitesimal
part of the universe he was until he was sat
down upon at Chicago. This man stood the in-
is from The North American Review halation of vanity to such an extent that his
advertiser for August: '' The Fischer flimsy covering exploded, burst, went all to
Piano is the Banner Piano. 53 years the Stand- pieces. But there is a powerful adhesiveness in
ard. 95,000 in use. Why ? Because the the atoms, and they will join themselves later.
Fischer Piano is Always a Leader. Because its Any one with a modicum of modesty would have
Motto is Forward. Because it is Pre-eminently awaited the decision of the officials in a matter
First in Tone—Delightful in Action—Superb of this kind. Not so with Blumenberg. He has
in Workmanship—and, in fine, in the Foremost been on the ground laboring hard for months to
Ranks always." That is a concise and intelli- secure this appointment, when he knew that
gent summary of the qualities for which Fischer there were many who simply detested him.
pianos are noted, and the trade will concur in With all his faults, we have previously given
him credit for the possession of an ordinary
it.
amount of common sense, but his actions since
in the Manufacturers' Building the his defeat causes us to think that we have mis-
nicest place to stop for a few minutes' judged the man, that, after all, he is a vulgar
rest is the Lyon & Healy pavilion, section I. conceited ass, whose admiration for himself is
While there you can hear Aptommas, the fam- so great that it blinds him.
ous London harpist, render one of his grand
harp fantasias. This is the way one of the
N O T W I T H S T A N D I N G the extreme dullness
Chicago papers advises musical visitors to the
of business everywhere, there always
Exposition, and we fancy our contemporary is
seems
to be evidence of trade at the Everett
about right. All the trade pilgrims who return
Piano
warerooms,
,180 Tremont street, says the
from Chicago speak of the Lyon & Healy
Boston Times. Especially is this the fact when
pavilion as a big section of the Fair in itself.
that wonderful invention, the "automatic at-
tachment," is being exhibited ; and judging by
is only a few months ago, so to speak, the large number seen within the rooms it must
since the Merrill piano materialized, and be in operation much of the time. Every one
to-day it is known to be an instrument of high should see it, as it is certainly one of the wonders
musical character, built on the most advanced of the age. It can be placed upon any upright,