Music Trade Review

Issue: 1893 Vol. 18 N. 2

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THE MUSIC TRADE REVIEW.
building, for there is surely a splendid display
of superb instruments." That is true, but our
contemporary does not know what the exhibit
might have been.
exceedingly popular manager of the
New York warerooms of F. G. Smith,
Walter F. Holmes, will shortly start for the
World's Fair on a vacation trip. Walter will
not disdain the Midway Plaisance, but the chief
point of interest with him will be the Liberal
Arts division, where, amid the musical exhib-
its, his trained and experienced eye and ear will
find food for thought and study.
3 EAST 14th STREET, NEW YORK.
SUBSCRIPTION (including postage) United States and
Canada, $4,00 per year, in advance; Foreign Countries,
$5 00.
ADVERTISEMENTS, $2.00 per inch, single column, per
insertion; unless inserted upon rates made by special
contract.
Entered at the New York Post Office as Second Class Matter.
Henry F. Miller piano shared the
honors with Carl Stasny, the eminent
virtuose, at a symphony concert on July 25th,
which was given under the direction of Theo-
dore Thomas. In the Hungarian rhapsody, it
responded to every lightest wish of the per-
former, said the Inter-Ocean. The exhibit of
Miller pianos, in the southeast corner of the
Lriberal Arts Building, is attracting much favor-
able comment, according to the same source.
fjj|T has been remarked by several of the
<$w Chicago papers that one of the most won-
derful inventions on exhibition in Liberal Arts
Building, section I, is the Phelps Harmony at-
tachment in the Malcolm Love pianos. It is a
pedal arrangement which reduces the possi-
bility of discord, as each key of the piano when
struck silences any other key with which it
does not harmonize. It purifies the tone and
produces a wonderful legato effect.
CONTEMPORARY states that the pianos
which have been made by the many firms
exhibiting at the Fair, would, if placed end to
end, extend around the world.
BLUMENBERG'S backers and solicitors
were unable to gain the judgeship for
him ! Alas ! everything is not as easy to get
as the friendship and aid of the reconstructed
ones.
MULNEAUX, the French pianist,
gives a musical recital on the Sohmer on
Tuesdays, Thursdays and Saturdays, at the
New York and New Jersey Buildings, and in the
ladies' parlor at terminal station at the Fair.
Sohmer & Co. are wise in thus attracting the
attention of the ladies. That's the point.
WESTERN paper remarks: "Where,
now, are those New York piano firms
that kicked over the traces and withdrew ?
' They never will be missed ' by the casual ob-
server of the big exhibit in the Liberal Arts
lines, constructed by first-class workmen, and
made of the best material obtainable. The
manufacturers of such an instrument deserve to
prosper, and it is accordingly a grateful task to
be able to give the following extract from a
communication received from J. N. Merrill this
week. "We are pushing along and running
full time and am happy to say, are doing a nice
little business. Orders are coming in very well
indeed." Meantime, outside of the Merrill
factory there is ample evidence of the way in
which the Merrill piano is fast building up a
strong following.
A. B. CHASE PIANO COMPANY, of
Norwalk, Ohio, whose main exhibit is in
section I, block TJ, Liberal Arts Building, are
gratuitously giving to the public musicales in
fifteen or eighteen of the State buildings where
their pianos are located, says the Chicago
Inter-Ocean of July 26th. One of the most at-
tractive features of their entertainments is the
playing of George Eugene Eager, director of the
Lake Forest University, and his tiny 5 year old
pupil, Master Rubinstein Demarest. The next
musical treat by this company will be given in
the Assembly Room of the Ohio State Building
on Saturday afternoon. On Tuesday of last
week a reception was given to Hon. John G.
Carlisle and Mrs. Carlisle at the Assembly Hall
of the Woman's Building, which numbered
among its delightful features a recital on the
A. B. Chase piano.
£j|f) ROB ABLY Marc Blumenberg never realized
G%TS quite so painfully what an infinitesimal
part of the universe he was until he was sat
down upon at Chicago. This man stood the in-
is from The North American Review halation of vanity to such an extent that his
advertiser for August: '' The Fischer flimsy covering exploded, burst, went all to
Piano is the Banner Piano. 53 years the Stand- pieces. But there is a powerful adhesiveness in
ard. 95,000 in use. Why ? Because the the atoms, and they will join themselves later.
Fischer Piano is Always a Leader. Because its Any one with a modicum of modesty would have
Motto is Forward. Because it is Pre-eminently awaited the decision of the officials in a matter
First in Tone—Delightful in Action—Superb of this kind. Not so with Blumenberg. He has
in Workmanship—and, in fine, in the Foremost been on the ground laboring hard for months to
Ranks always." That is a concise and intelli- secure this appointment, when he knew that
gent summary of the qualities for which Fischer there were many who simply detested him.
pianos are noted, and the trade will concur in With all his faults, we have previously given
him credit for the possession of an ordinary
it.
amount of common sense, but his actions since
in the Manufacturers' Building the his defeat causes us to think that we have mis-
nicest place to stop for a few minutes' judged the man, that, after all, he is a vulgar
rest is the Lyon & Healy pavilion, section I. conceited ass, whose admiration for himself is
While there you can hear Aptommas, the fam- so great that it blinds him.
ous London harpist, render one of his grand
harp fantasias. This is the way one of the
N O T W I T H S T A N D I N G the extreme dullness
Chicago papers advises musical visitors to the
of business everywhere, there always
Exposition, and we fancy our contemporary is
seems
to be evidence of trade at the Everett
about right. All the trade pilgrims who return
Piano
warerooms,
,180 Tremont street, says the
from Chicago speak of the Lyon & Healy
Boston Times. Especially is this the fact when
pavilion as a big section of the Fair in itself.
that wonderful invention, the "automatic at-
tachment," is being exhibited ; and judging by
is only a few months ago, so to speak, the large number seen within the rooms it must
since the Merrill piano materialized, and be in operation much of the time. Every one
to-day it is known to be an instrument of high should see it, as it is certainly one of the wonders
musical character, built on the most advanced of the age. It can be placed upon any upright,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW.
enabling a person without knowledge of music
to play any piece written, however difficult.
Mr. K. B. Wood, who represents the Everett
piano is pleased at all times to show this musi-
cal wonder to any one interested, or to show or
give any desired information in regard to the
Everett Piano, which is constantly gaining in
popularity, And the sales are sure to increase
each year, as its many excellent qualities become
more widely known.
that firm. Referring to the characteristics re-
quisite in a first-class piano action, the News
says that " the mechanical perfection of every
part involves as much skill and painstaking
care as the most delicate piece of machinery."
Of Roth & Engelhardt's product it says:
" The action made by Roth & Engelhardt of
this village goes to every part of the habitable
globe, and has a reputation second to none in
the market. They are steadily making their
way to the front with high class manufacturers,
and the firm's trade grows larger and more ex-
tensive almost daily."
The A r ews then gives some examples of the
acknowledgements received by Roth & Engel-
hardt from piano manufacturers regarding the
merits of their actions.
Roth & Engelhardt lately introduced a very
ingenious and ornamental method of inserting
the names or trade designs of firms upon the
actions used in the instruments of the latter.
Of this the News says : "The work is artistic
in detail and produces a most pleasing effect—
a background of gold finish standing promin-
ently out thro' a silver facing, surrounded
usually by a Florentine scroll weaving in a
monogram or special design relative to the firm
using the action."
after the "horses had waded in blood to their
bridles." But, no, it is a message from Marc!
wafted to us from the white city by the lake.
Marc entered upon the fight for judge of awards
with an earnestness which proved to all his
deep devotion to the cause of music. That he
was willing to bow his head meekly and sub-
missively to the wishes of the trade, and sacri-
fice much of his valuable time to examining
their products shows his evident sincerity.
Such unselfishness should not be permitted to go
unrewarded. He has given sufficient evidence
difference between the lecture recently
of a pachydermic nature, and his tentacular
delivered by Mr. Albert T. Strauch before
adhesiveness is positively amazing. Meantime
the Chicago tuners on the piano action, and the
the disappointment in not securing the prize is
lecture delivered by Mr. Frederic Dean at the
liable to produce heart failure. It is possible,
New York State Music Teachers' Convention was
even now, he is enduring anguish more poignant
this :—one was the composition of a man who
than mere passing words can convey. Yes, in-
thoroughly and practically understands the
finitely worse than the pangs of an Asiatic dis-
action, and the other was the work of a man
order would possibly produce. Think of that
who does not. Mr. Albert T. Strauch is a young
proud and tender heart being riven with pangs
man of education, and, at the same time, practi-
of disappointment, and lascerated by untold and
cally and theoretically an action maker. In reply
silent grief! In ignoring the services of so able
to the insinuating query of a contemporary,
an individual Mr. Thacher hardly treated him
'' who wrote the lecture ? '' we may say that
with that consideration to which his distinguish-
only a person conversant with the piano action
ed se'rvices entitle him. However, the worm will
and its parts could. Anybody familiar with Mr.
turn, and now Marc says in beautiful and ex-
Albert T. Strauch will know that he is the
pressive words '' pull out immediately.'' Can it
author. He can afford to laugh at such inuen-
be possible that Marc is cherishing feelings of
dos.
vengeance ! Perish the thought! Still again,
READ TRADE PAPERS.
those words addressed to his readers, " pull out
following reasons why trade papers immediately, " are strange and inexplicable, we
indeed it is to read such commu-
should be read are reproduced from the say. No such words before his defeat, and now
• GWG nications as the appended. It speaks
Fort
Worth
Trade Review. We heartily recom- he writes, " pull out immediately. " More than
volumes for the condition of general trade with
mend
them
to
the study of the music trades :
passing strange that this did not occur to him
that prosperous Western house the Edna Piano
A
trade
paper
elevates one's conception of sooner—but it must be a misprint—he will ex-
& Organ Co., and shows that, far from contribu-
plain it later. His silence before, and now when
ting to the present tone of despondency—which the work in which he is engaged.
It
brings
him
into
mental
contact
with
others
his unhappy fate brings to him disaster, the
is anomalous in a country filled with all the
evidences of prosperity—the Edna Co. are con- engaged in the same work where personal con- order '' pull out immediately " appears. It can't
be his magnificent nerve is weakened ; never !
tributing to the confident and hopeful feeling tact is impossible.
It
contains
words
of
sympathy
and
encourage-
It can't be true either that as he wandered along
which is essential to the public and national
ment
for
him
in
grappling
with
difficulties
as
the Midway Plaisance the other evening, while
good at this period. This is what they write
the dew was on the grass, he stood listening
us under date of July 31st: "Enclosed please they appear from day to day.
It inspires him with renewed pluck and to the splash of the water as it fell from the
find cheque for amount, as per statement ren-
dered. We send it a little early so as to be sure energy by showing how others are overcoming oars of the gondoliers, paused gazing in the
dimly lighted lagoon and sang low, sang
and get it there in time. We are still running obstacles.
It often more than pays its cost by the infor- softly:
our factory under full force and time, and do not
expect to lay off an hour. Trade is quite good. mation contained in a single paragraph.
How I love its giddy gurgle ;
It is an infallible preventive of mental stag-
Received orders last week for 35 organs. Nine-
How I love its fluent flow ;
teen organs in one day. Not a bad week's busi- nation and dry rot.
How I love to wind my mouth up ;
It contains in condensed form items of inte-
ness when you consider our organs are high
How I love to hear it go.
grade goods ? We are just completing a grand rest frequently lost sight of altogether in the
concert chapel instrument that is different from daily press.
It shows him that there are some retailers
and far superior to any chapel organ we know
THE COUNTRY'S FINANCES.
of—very handsome in design and finish. We not too busy to read a trade journal.
the failures throughotit the West con-
It is constantly striving to simplify the work
will ship the first instrument this week. The
tinue
to multiply, all thinking men
first output is nearly all ordered in advance. We and educate the workman.
notice that THE MUSIC TRADE REVIEW is not on
It reflects in a large measure the mental calibre figure as to possible causes, and the action to be
the fence on the World's Fair, or in fact any of the class to which it caters, and for obvious taken necessary to bring about the restoration
of easy times in business and commerce. If we
other question.'' Commenting on the last sen- reasons should, therefore, be supported.
summarize the entire list of failures, we find in
tence of the foregoing, we must admit that we
nine cases out often a splendid showing of as-
are never on the fence. We aim to make THE
PULL OUT IMMEDIATELY."
sets,
and the firms, in most instances, could have
MUSIC TRADE REVIEW a recognized force in all
continued
had they been able to realize cash on
)ULIy
out
immediately."
Perhaps
at
the
questions affecting the trade.
good
available
assets, which they could have
first blush, so to speak, the casual
done
in
ordinary
times. The condition of these
reader might surmise that in using the above
notice in the Saint Johnsville, N. Y., quoted classic gem of the English language, failing firms indicate that neither they nor the
News of July 19th, a comprehensive that we were alluding to drowning cats, dogs country is in such bad shape as our pessimistic
tribute to the Roth & Engelhardt action which or things, or, perhaps it might be construed as friends seem inclined to argue. The whole
ought to be pleasant reading for the friends of the second order of Governor Waite, of Coloraod trouble is, in most cases, an inability to obtain

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