Music Trade Review

Issue: 1923 Vol. 77 N. 10

54
THE
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@LEO. FE I STI71 c .N .Y.C.
'MUS I C
TRA D E
REYIEW
SEPTEMBER
8, 19?-3
@
JAZZ IS WHAT THE PUBLIC WANTS
Paul Whiteman Sta t es Chan ging Its Taste I s
a Matter of Educatio n-Offe rs Co-o peration
t o Dance Mast ers
Pa ul V\"hi tema n, the orc hestra leade r, to ld the
Am erica n Soc iety of Teac he rs of D a nci n g, meet­
in~ at the Waldorf-Astoria las t week, that he
wou ld do eve ryt hin g in hi s power to pop ula ri ze
a substit u te fo r "jazz."
"1 ho ld no br ief for jazz," said t he or che s­
t ra leader, "a nd any cha n ge t he dancing mas­
ters can mak e in rhythm wi ll be welcom e. I' ll
be th e fi rs t to play it and will do my bes t to
pop ul a rize it. But it is a m a tt e r of educ a tion,
and th e dancing masters m ust ass um e th at bur­
d en o f ed ucating t he dancing public to th ei r
new rh y th m. Orchestra lead ers are not respon ­
~ ible for th e present pop ular ity of ja zz.
They
are creat u res of pu bl ic demand an d the p ublic
has d ema nd ed jazz. I 've tr ie d time a fte r time
to play the tango a nd the wa lt z, bu t th e dc­
lila nd is for jazz. Thi s can on ly be me t by edu ­
cati on in a new rhythm.
"Much has been sa id of th e ev ils of jazz, but
iL is mor e sin ned against than s innin g. In th e
firs t place, t he da ncin g of a nat ion reflects th e
te mp erame nt of its people. Ame rican pep ve ry
lIa tura ll y is re fl ec ted in peppy m usic, jazz. A. nd
th e dances founded on jazz hav e sprea d rapid ly
lJ eca use th ey a re simple. The da nc es to r eplace
th em mu s t not be compl icated.
"J azz da ncing has gon e through a strange ·
evol uti on. It really s ta rt ed wi th t he Texas
T ommy. Then came th e Bunny Hu g an d then
a reaction wh ich broug h t into vogue the slow,
g racef ul hesitat io n waltz, which did not last long
a nd fell before the F risco ste ps, the slow,
draggy bl ues an d th en t he collegia t e glide of
to-day in wh ich li ttle atte n tion is pa id to rh y t hm
by the da nce rs . The orchestras have mere ly fol­
lowed th ese changing fa d s beca use of publi c de­
m a nd. They cou ld no t do otherwise.
" I ' ll do anyt hi n g in my power to help. And
if th e da ncin g m as ters, who rea lly have the op­
po rtunit y, wi ll edu cate t he p ublic in the new
r h ythm I'll adopt it wi llin g ly and glad ly."
Louis Chalif, the newly appointed presi den t '
of the American Society of Teachers of Danc­
in g, w hi ch closed its conven ti on last week , ex­
p resse d g ra ti ficatio n a t the a ttitu de of M r.
vVhiteman.
FEES NO OBSTACLE TO PERFORMANCE
LONDON, ENG., A ugust 28.- - A w ri ter in the Mu­
sica l T imes, th e o r ga n of Elgar's pub lis hers,
speak in g of th e pe rform in g fee as a n "o ld
begy," points o ut th a t the violin concerto was
ve ry fre qu ent ly perfo rmed before the war , d e­
sp ite th e performing fee ; an d th at, thou gh t he
fee was tak e n off in 1914, th e work has since
then rar e ly been playe d. E lgar's first symphony ,
he adds, was playe d in London more than any
other mode l' n sympho ny; "the fee was no ob­
s lac le th en, ancl is not a n insuperab le o ne now ,
notwi thsta ndin g th e eco nomi c diffic ul ties."
+ ,~- .,- " -,-.,- .-,-.,-.,-.-.,-- .,-.+
I I Songs !::l\ Profits I I
{(Be First With a HEARST"
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Wonderful Child
She's Got Another Daddy
I
"' Beautiful Rose
i
• Home-My Lovin' Dixie Home
,
In The Land of Sweet Sixteen
Many Year s
. Always Lookin~ For A Little Suns hin e
Ju s t a Littl e G old Watch and Cha in
In Ba by ' s S mile
Love is L ove F or Ever
-I
Lon esom e T wo
_
Piano Dr ea m
t
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Ord er From Your Jobber or Direct
i i
HEARSTMUSICPUBLISHERSLTD
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1658 BROADWAY
MEW YORK
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PHOENIX BLDG.
WINNIPEG
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199YONGEST
TORONTO
No L oss o n a H ea r s t Son g _ M o n ey
Back G uarantee
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+ 1_ U_ tl .... C ~ I~ ' _ ( '_ CI _ f' _ ('_ fl _ ,' _ I' _n _ ' ..
NEW BERLIN FOX·TROT BALLAD
" L ove" (M y H eart Is Calling Y ou) Featu re d a s
Successor to "Just a Little Love S-o ng"
",Lov e" (My H ea rt Is Ca lli n g You ) , a 'se nt i­
me nt al fo x-tro t ba llad by th e writers of thaI
we ll- kilOwn s uccess "J us t a Litt le Love So ng,"
is one of the m os t re ce nt r ~ l eases by Ir ving
Berlin, Inc. I t is bill ed as th e s uccessor to
th is la tt e r n umb e r and, whi le from a me rit orious
sta ndpoint its p redecessor was co ns idercd o ne
of th e bes t popu la r compositions of the seaso n,
this new offerin g, u ndo u bted ly, le nds itse lf be t­
ler to t he popu la r s in ge r 's p u rpos es. A t a ny
rate the n u~nb e r of profess iona ls who a re pro­
o; ram m in g it is qu ite large a nd th e ir repor ts
are hi g hl y favo ra ble.
.
GOES WELL IN ORCHESTRATED FORM
The Irving Berlin, Inc., number "Whe n Yo u
Walked Out Someone Else Wa lk ed R ig ht I n" is
one of the bes t balla d s Ir vin g Be rl in has ever
wri tt en. T his num be r has bee n a'rra nge d in fox­
trot time for dance pur poses a nd, a s re nd e rer!
by so m e of the leading orc hestras, it proves a ll
origina l addi tion to prog ram s. N o ot her nUIll ­
bel' in recen t month s has le nt itse lf to bet te r
a d va nta ge in orc hest rated form, for in some re­
spects it ha~ a uniq ue r hy thm.
THE HOTTEST
and Funniest Comedy
Song Written in Years
JUST OFF THE FIRE
PEANUTS!
5
a Bag
Every Dance Orchestra From Coast
to Coast is Playing and Singing-
PEANUTS!
5 A BAG
Watch for Record and
Music Roll Releases
THE
SEPTEMBER 8, 1923
MUSIC
TRADE
55
REVIEW
CELEBRATES "BARNEY GOOGLE WEEK"
NEW DENVER PROFESSIONAL OFFICE
RECIPROCITY WITH FRANCE
Portland, Ore., Music Stores and Theatres De·
vote Entire Week to the Number
Sherman, Clay & Co. Estalblish Office in Colo­
rado City, With Harry S. Wilson in Charge
A. S. C. A. and P. Completes Agreement With
French Society of Same Type and Aims
PORTLAND, ORE., September l.- -"Barn ey Google
Week" proved a big event in Portland and,
through the efforts of the local Remick Song &
Gi ft Shop, Barney and Spark Plug wer e fea­
tured extensively in this city. Local deal ers in
shee t music co·operated and clever window di s­
plays of Barney were featur ed by Seiberling &
. l.ucas, Sherman, Clay & Co., G. F. Johnson,
McDougall-Conn Music Co., Meier & Frank and
the Bush & Lane Piano Co. The Remi ck win­
dow proved a knockout and created much com­
ment, while the one displayed by Seiberling &
L ucas Mu sic Co., with Barney on Spark Plug
b eing chased by a huge tiger, was ap ropos, as
th e national convention of the Dramatic Order
of the Knights of Khorassan was held in Port­
land during the showing. Amon g some of the
most clever introductions of Barney wer e those
g iven by Cecil Teague, master organist of the
:v[ajestic Theatre, and Francis Richter, of the
Columbia Theatre. Teague made a tour of the
world with Barney, booking Spark Plug in Ireland.
Scotland, Hong Kong, Mexico, Honolulu and
Portland, and the various int e rpretations given
by Teague on the big Wurlit zer in the manner
characteristic of each country proved a big fea­
ture of the week's programs. Richter interpr eted
Barney as Bach, Beethoven, Handel, Wagner,
Cho pin and Strauss would have written this
clas sic, finishing his act by playing it "as is"
by Rose and Conrad.
SAN FRAN CISCO, CAL., September I.-Sherman,
Clay & Co. are opening a new professional of­
fice in Denver, Col., accord ing to announcement
made by Ed. Littl e, manager of the publishing
a nd sheet music departm en ts. Harry S. Wil­
son has been engaged as manager of this of­
fice . Harvey Orr is starting on a long trip
for Sherman, Clay & Co., singing some of the
firm's latest hits, including "I Cried for You,"
"Other Lips," "Just an Old Love Song" and
"The West, a Nest and You." After singing
from the Coast to Chicago Mr. Orr will carry
his music missionary work through the South­
ern States.
BALLAD BY ERNEST BALL'S SON
.Roland Ball, son of Ernest Ball, the success­
ful ballad writer, has composed a melody for
"Come Ba ck to Mother Machree," the lyric of
which was written by George Graff, Jr. M.
\Vitmark & Sons, publishers of all the Ernest
Ball music, will also iss ue this new song as it
issues his father' s work.
The American Society of Composers, Authors
and Publishers has just closed arra~gements
with the French Society whereby, through a re­
ciprocal agreement, French compositions con­
trolled by the French Society will receive the
same protection in this country as is now ac'
corded to the composition of American mem­
bers. Likewise, in France the ' American com­
positions of members of the American Society
will receive French protection.
Of particular importance in this agreement is
the fact that the French Society will not pro­
tect American works of other than those who
are members of the A . S. of C. A. and P. and,
likewise, . French compositions outside of the
French Society's control will not be accorded
"WANG" ONCE MORE REVIVED
protection through this recognized American
BALTIMORE, MD., September I.-Next week at the
source.
Carlin's Arena Theat,e De Wolf Hopper will
No mention is made at this time of the inclu­
revive "Wang," aft er having laid it aside for
sion of either party in the declaration of divi­
close on to twenty years. This piece will be
dends. Undoubtedly, at some later period a
staged by Frank Sh ea, and arrangements have means will be found of producing an equitable
been made to give this work the most elaborate distribution of funds to include the Societies of
production of the season. The prop elephant
both countries in the dividends of each Society
which the St. Louis Municipal Opera Co. used· on a basis of the use in these countries.
will be sent on here. Following the closing of
its Baltimore season, which is ten weeks this
NEW STASNY MUStC CO. SONGS
year, the company again goes on tour. Harms,
Inc., publish the ""'..rang" music.
Among the new songs added to the catalog of
the A. J. Stasny Music Co., Inc., is a waltz song
with a fox-trot chorus, entitled "How Can I
NEW CHARLES K. HARRIS NUMBERS
Believe You When You Lied to Me So Many
Among the new numbers relea sed by Charles
Times?" by Harry Pease . and Edward Nelson,
K. Harris are "Bad News Blues" and "If I
writer of "Pretty Kitty Kelly," "Peggy O'Neil"
Were in Love With Somebody Else" (I
and other successes. Ira Schuster and Pease
VVouldn't Be Here With You). Mr. Harris con­
and Nelson are also the writers of a fox-trot,
entitled "It's All Your Fault." "Arabianna,"
templates a very active campaign in professional
and trade circles in behalf of the above two
fox-trot, by Fisher Thompson and Val How­
numbers during the early Fall season. Both of
land, and a new fox-trot ballad, entitled "We
them have been introdu ce d in vaudeville with
Can't Get Along Together and We Can't Get
Along Apart."
fa vorable results.
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A FOX TROT BALLAD- with a punch in both' melody and lyric

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