Music Trade Review

Issue: 1922 Vol. 75 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
54
THE MUSIC TRADE REVIEW
OCTOBER 7,
1922
Proved Instantly Popular in Vaudeville
—A Great Favorite with Dancers.
"STUMBLING" A GREAT HIT
Number Recently Released by Leo Feist, Inc.,
Springs Into Instantaneous Popularity
Despite the fact that popular songs have had
rather slow sales during the past season, the
publishers protest again the statement that this
has been caused by the lack of meritorious mate-
rial. Naturally, any depression in the sales of
popular music is reflected in the lack of demand
for popular records. It is, therefore, gratifying
to know that during the past few weeks there
have been two or three popular numbers which
have been successful enough to be called "hits"
in the fullest meaning of that word.
Particularly is this true of the novelty song
and dance, "Stumbling" (Feist), which almost
overnight has jumped into national popularity.
Seemingly, this is the best sales creator since the
appearance of the now-famous "Dardanella,"
and all channels of the industry have been quick
to see its great possibilities. Some of the talking
machine record companies have made special
releases of the number and the whole industry
is practically co-operating in exploiting this
issue.
The statement of the publishers that there have
been other numbers of much merit issued in
recent months is quite true, but, with all their
merits, few of them have made any decided
impression—that is to say, gained national prom
inence and universal recognition.
No one seems to know just what a song or
instrumental number needs to make this uni-
versal appeal. We know, of course, that it must
have distinct merit, but there is also an in-
definable something that a big hit needs to gain
popularity on a large scale. When such a num-
ber does arrive it hardly needs an introduction,
it is so quickly accepted.
It is very fortunate that an exceptional in-
dividual number has arrived at this particular
period. It will serve to make sales active in the
sheet music, talking machine record, and player
roll field, not only for "Stumbling," but for
other works of merit. Coming at a time when
sales were none too active made it welcome,
but to arrive at what can be termed the open-
ing of the dull season makes it doubly im-
portant, for invariably a hit of this caliber is
followed by two or three other numbers having
good sales.
There is no reason to doubt but that history
of this sort will be repeated. At any rate, the
popularity of "Stumbling" will extend well into
the Fall and there are possibilities that it
will even be popular at a much later period,
particularly inasmuch as its present success is
based upon its value as an instrumental num-
ber, and while it has yet to be tested for its
vocal appeal on a wide scale, there are those
who believe that it will achieve prominence also
from that angle.
FEATURE "LOVE OF THE AGES"
CHICAGO, III., September 29.—"Love of the
Ages," the ballad published by Gott & Hender-
son, this city, is being sung by Cyrena Van
Gordon and will be broadcasted by radio, as
well as recorded, by the Columbia Graphophone
Co. The song has gone over big wherever it
has been heard and has all the earmarks of a
big success. Two other features of the Gott &
Henderson catalog are "Dreaming of Love's
Old Dream" and "You Are the One Little Girl
for Me," waltzes, which are meeting with con-
siderable success. Jobbers for these songs have
been established in a number of cities.
Two Paul Specht orchestras, known as "The
Criterions" and the "Frisco Syncopators," are
featuring the Leo Feist, Inc., fox-trot ballad en-
titled "Human Hearts" at prominent hotels in
London, England.
MUSIC SPEEDS UP CARPENTERS
Skating Rink in Miami Constructed to the
Music of Latest Jazz Numbers
Our good friend S. Ernest Philpitt, of Miami
and elsewhere, sent us the following clipping
from the Miami Metropolis, which demonstrates
and proves, we think, that strikes and other
labor troubles can be settled by charming the
belligerents with music:
"It is common knowledge that music has
charms to soothe the savage breast and man-
eating animals have been held spellbound by its
effects, but it remained for Manager Joe Schact,
of the new Luna Park skating rink, to discover
this week that it has a speeding effect on car-
penters.
"To the carpenters themselves it may have
seemed an accident when A. Tchakarian, an
organ tuner, appeared at the same time they did
and began to work on the big organ which
is to furnish music for the skaters.
"First the organ started with slow music. Then
it jumped into the jazzy stuff that goes to the
head and the feet at the same time. The effect
on the carpenters was miraculous, almost alarm-
ing. As the jazz notes floated out from the
organ, hammers began to speed in accompani-
ment and boards were sawed as though the
lives of the carpenters depended on getting the
work done in record time.
"From a point of vantage Schact watched the
remarkable change and passed the word on to
Tchakarian to defer the tuning of the organ
and keep the jazz stu-ff going. Twelve thousand
feet of maple flooring was finished hours ahead
of schedule and was laid by twelve carpenters
in two days."
Consult the universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
OCTOBER 7,
1922
THE
MUSIC
TRADE
55
REVIEW
NEW E. R. BALL BALLAD
PREDICTS MORE INTEREST IN MUSIC
FEIST SONGS IN VAUDEVILLE
"For the Sake of Auld Lang Syne" Promises
to Be a Record-breaker
Mischa Elman, Famous Violinist, Just Returned
from Europe, Points to Growth of Interest
in American Music During Recent Years
Among the songs that the professional de-
partment of Leo Feist, Inc., is placing in vaude-
ville acts are "Why Should I Cry Over You?",
announced as another "I'm Sorry I Made You
Cry" and "Coal Black Mammy," the English
success. The songs and novelties also include:
"You're Just Dreaming," "Toot, Toot, Tootsie,"
"Those Star Spangled Nights in Dixieland," "All
for the Love of Mike," "Wake Up, Little Girl,
"Hot Lips" and "Three o'Clock in the Morning."
Each year Ernest R. Ball writes at least one
outstanding ballad. This season has been no
exception and his new offering, "For the Sake
'
Kresge Display of E. R. Ball's Latest Hit
of Auld Lang Syne," promises to achieve more
popularity than its predecessor, "Let the Rest
of the World Go By." Dealers everywhere
have taken favorably to the number and it
has come in for some particularly attractive
window displays. The S. S. Kresge Co., of
Baltimore, Md., recently gave a full window to
the display of the title page, a reproduction
of which is herewith shown. Dealers in other
localities are also featuring this number.
That the United States will soon experience
a remarkable growth in the development of
musical interest is the opinion of Mischa El-
man, who has just returned from a two years'
concert tour abroad.
"In my opinion," says Mr. Elman, "the day
of American music is imminent. The American
musician is fast obtaining the recognition that
is his due and the compositions of American
composers are now being received with honest
interest.
"Everywhere I went abroad I found intelli-
gent understanding of American musical
achievements. People referred accurately to our
operatic singers and concert stars. And al-
though this is in itself a small matter, it was
indicative of attentions that were far more than
casual.
"In several instances I had young musicians
ask me questions on the advisability of study-
ing music in America. They asked about stu-
dent life in New York, Boston and Chicago,
and also inquired about the chances that the
young musician has of getting a public hearing.
Such questions represent a complete change in
the point of European musicians. Indeed, they
might be considered almost sensational in their
significance."
SCORE PUBLISHED BY REMICK
Jerome H. Remick & Co. are the publishers
of the score of the new "Passing Show of 1922,"
which opened recently at the Winter Garden,
New York. The book and lyrics are by Harold
Atteridge and Jack Stanley; the music is by
Al Goodman, a Shubert musical director, who
is well known in theatrical circles.
PLANS METROPOLITAN DEBUT
The Chamber Music Society, of San Fran-
cisco, which will make its first New York ap-
pearance at Aeolian Hall, New York, on Tues-
day afternoon, October 10, has had many works
dedicated to it during its eight years of ex-
istence. The Chamber Music Society comprises
a string quartet and flute, and some of the
works written especially for this combination
of instruments will be heard at the forthcoming
concert. Among the composers who have writ-
ten music especially for the Chamber Music
Society are Mrs. H. H. A. Beach, Arthur Foote,
Domenico Brescia and Frederick J.acobi.
VON TILZER MAY ENTER VAUDEVILLE
Harry Von Tilzer, the well-known songwriter
and head of the Harry Von Tilzer Music Pub-
lishing Co., has under consideration an offer
from one of the large vaudeville circuits to
appear in an a.ct to be shown in vaudeville
houses in the East. As yet, Mr. Von Tilzer has
made no decision.
"The Old Homestead," a Phil Ponce publica-
tion, is meeting with exceptional success in the
trade, according to its publisher. A special
dance version has been made by Ernest Golden
and is being released this week.

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