Music Trade Review

Issue: 1922 Vol. 74 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
3, 1922
MUSIC
TRADE
11
REVIEW
O u r TECHNICAL DEPARJMENT
CONDUCTED BY WILLIAM BKA1D WHITE
A CASE OF DEAD TREBLE
Trouble Which May Be Traced to a Sagging
Sound Board or a Defective Hammer-line
Brother Webb complains will have been satisfac-
torily accounted for.
Now, a case like this is by no means easy to
handle. It is scarcely possible to recrown a
soundboard, save by removing strings and plate
and then regluing after the linings have been re-
planed. Such a job is beyond the capacity of
most tuners and would test the capacity of most
repair shops. One might do something by wedg-
ing up the bridge with posts backed into the
main beams of the back framing, after the string
tension had been let down.
The improvement noted during the time which
elapses between tuning and use at a concert is
probably to be accounted for by the simple fact
that when the piano is in tune the tension on the
bridges is properly distributed and the sagging is
to some extent compensated.
On the other hand, of course, it does not fol-
low from anything that can be seen on the piano
that the hammer-line is or is not all right. Only
measurement can prove the one proposition or
the other. If the hammer-line, through any ac-
cident or series of accidents, is thrown out of its
calculated direction there is bound to be a marked
change in the quality of the tone emitted. But
the particular quality which is known as "dead-
ness" is nearly always the result of loss of bear-
ing through the sound board sagging. And, at
the same time, it should be said that the cause
of sagging is to be found in extreme hygro-
scopic conditions of the atmosphere in Summer
and Winter seasons.
Lastly, let me suggest that Brother Webb,
when next he tunes this instrument, assure him-
self that it is up to pitch. If the instrument is
tuned to pitch and the hammers are filed and
ironed, some definite improvement would be
almost sure to become noticeable.
"Dear Mr. White: I have a puzzling case in a
piano which is situated in a brick church. The
building is heated during the Winter and so the
temperature never falls to the freezing point.
Conditions, in fact, are just as good as they could
be expected to be in a church. The piano is of
a really good make, but it has a- 'dead' treble.
That is to say, the two highest octaves are af-
fected in this manner.
"The action is set by supports cast into the
plate and so the trouble can hardly be due to
defect of the striking line. The action is by
Wessell, Nickel & Gross and is in first-class con-
dition.
"My only suggested solution leads me to the
tridge bearings, and yet, so far as I can tell, the
string pressure on the bridge is about right. Of
course, it is hard to make any test, with the
strings on and drawn up to pitch.
"One of our music teachers uses this piano oc-
casionally for recitals and has it tuned some ten
days beforehand, using it every day from then
till the concert. During this time the tone always
seems greatly to improve.
"Is all this trouble, then, due to want of use
of the instrument in the upper register, or is there
a remedy that I have not yet found? The middle
and bass sections of the piano are very good in
tone.
"I have had the care of this instrument for
about seven years, and when I first saw it I found
it just as it is now in respect of the treble oc-
taves. The hammer-line seems to be perfect and
tlic hammer faces in good condition. Sincerely,
Earl H. Webb, Mt. Carmel, 111."
MAPLE AND HAMMER SHANKS
Answer—It sounds very much as if the sound
board had sagged under the highest two octaves A Discussion Regarding the Qualities of Brown
in the treble and that in consequence the bridges
and White Maple
no longer afford a good down-bearing to the
strings. This hypothesis can be tested, of course,
"Dear Mr. White: I am a beginner, interested
by laying the piano on its back and running a in piano tuning and repairing as a side line. A
straight edge from bearing-bar to hitch-pin over question that has disturbed me a great deal of late
the bridge. If anything like this has happened— is hammer shanks. What is the best type of
which is likely—then, of course, the tone-quality maple for hammer shanks?
will have deteriorated and the deadness of which
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URN YOUR STRAIGHT
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Manufacturers, dealers, tuners
and repair men supplied with
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JENKINSON PLAYER ACTION CO., Inc.
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Every dealer, repair man and re-
finisher should read it. Sent post-
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paid—no cost, no obligation.
Write for it now—a card will do.
M. L. CAMPBELL CO.
2328 Penn St.
TUNERS
"Is the brown or white maple better? I have
noticed that the brown maple is more brittle
than the white, yet the brown seems heavier in
weight than the white and therefore would seem
to have a denser structure.
"Resiliency is, of course, a thing to be desired
in order that the hammer will spring quickly
away from the string after it is struck. What
type of maple will give this? While I am on the
subject, why was cedar discarded in favor of
maple? Did it lack this resiliency? It is cer-
tainly lighter than maple.
''Is the young tree a better bet than the old one
in selecting the proper wood? What section of
the country produces the best type? Does the
small mountain maple give better results than the
tree from the lower land?
"Occasionally I have noticed that the hammer
strikes a glancing blow and seems to wabble. I
have thought that the trouble was due to the
shank, but cannot account for the trouble in the
shank, for the shank has not been loose in the
butt or in the hammer."
Answer—The requirements of a hammer
shank are resiliency and high resisting power
against strain, both torsional and bending. White
maple is better. It is necessary to choose very
carefully the wood from which shanks are to be
cut and the action finisher must carefully examine
all that come to him, rejecting any which show
any weakness under bending. Excellent maple
comes from the Eastern States and the best wood
appears to be that which has grown and ma-
tured slowly.
Cedar is not good for modern pianos simply
because modern pianos are habitually pounded
by those who play on them. If all pianos to-day
were treated as gently as they used to be treated
one hundred years ago then we could have the
delightful tone and touch of that day, not to
mention the equally delightful appearance.
Maple shanks sometimes get into the piano
action in a warped condition, through the care-
lessness of the finisher. Again, it sometimes
happens that, owing to some fault in the spacing
of the tuning pins in the plate or (possibly) of the
hammer-butts of the piano action, the latter must
be shifted to one side or the other of its normal
position, in order that strings and hammers may
be brought together. When this has to be done
it is usually necessary to bend over the hammer
shanks by heating them and rubbing them with a
steel rod. They may later on spring back to
(Continued on page 12)
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In
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
12
THE MUSIC TRADE REVIEW
OUR TECHNICAL DEPARTMENT
(Continued from page 11)
their original shape and thus strike only a glanc-
ing blow at the strings. The remedy is to beat
them and bend them back to the proper position.
Either an alcohol lamp with a pair of hammer-
shank tongs or the tongs heated in a gas flame
will do this nicely.
WREST PLANK TROUBLES AGAIN
"Dear Mr. White: I find a goodly number of
cheap pianos, in age from fifteen to seven years,
which are very poorly made. Often they have no
more than four three-inch lag screws to reinforce
the glue which fastens the wrest-plank to the
back. In this climate that kind of work will not
hold. The glue gives way and the wrest-plauk
tips forward.
"But why send them in to the factory? The
factory people would probably put in a new plank
and glue it just as it was before, leaving a chance
for another like case.
"I possess four very heavy and strong clamps.
I draw up the plank, glue it and bolt it through
with one-half-inch bolts. If it has given way
too much it is necessary to let down the tension
of the strings before using the clamps. Then I
remove the lag screws, drill out holes to the
proper size, bore them on through the back, run
in glue and bolt them tight.
"I have done many jobs of this sort in my ter-
ritory during the fourteen years I have lived here
and have never had the least trouble with any of
them afterwards.
"I always get twenty-five dollars for work of
this sort and at that there is quite a saving to the
customer, especially when you consider the
freightage, boxing, etc., as well as the price that
would be charged at a factory. And I defy a fac-
tory to do a more durable job. Earl H. Webb,
Mt. Carmel, 111."
Brother Webb is quite right in what he says
about repairing wrest-planks and also about how
badly some pianos have been made in this respect,
but, in truth, I have seen pianos of really fine
makes, pianos which were works of art in tone
and touch, badly constructed in respect of their
wrest-plank fastenings. The remedy is, of
course, just as Brother Webb describes it, simple
enough. The plank is likely to be in good shape
and the question is merely one of fastening it.
The bolt driven through provides a splendid
fastening, which, indeed, cannot be surpassed by
anything else.
NORMAL TRADEJN ST. LOUIS
Price, of Belleville, 111. It is expected that the
number will be increased.
Piano Dealers Report Satisfactory Business for
J. F. Ditzell, manager of the Famous & Barr
Month of May—Lehman Co. Secures Foto- Co. piano department, will leave Friday for
player Agency—News of the Week
Chicago, where he will transact business before
going on to the New York convention.
ST. LOLIS, Mo., May 29.—Business for May ap-
J. E. Reger, manager of the St. Louis branch
parently has been what it should be for May. of the Starck Piano Co., has returned from Chi-
There are some piano men who say it has and cago, where he spent a week at the home offices
some who say it hasn't. This, after making due of the company.
allowance for the disposition of some piano men
F. R. Schulze, a piano dealer of Shreveport,
to look on the bright side of things and of some La., passed through St. Louis last week on an
others to look on the dark side of things, simply extended automobile tour from Cincinnati to
shows that for some it has been normal, season Shreveport.
considered, and for others it has not been. At
L. R. Tippin and wife, of the Scruggs, Vander-
best, though, it doesn't mean that business was voort & Barney music department, motored last
very brisk, because May is not a brisk month.
week to Kahoka, Mo., for a short visit with rel-
The Fotoplayer and the Robert-Morton or- atives.
gau are to have a home in St. Louis. P. A. Leh-
William Carlstrom, of the Cable-Nelson Piano
man, head of the Lehman Piano Co., has taken Co., Chicago, was here last week and left for
the agency for the two instruments from the Pcoria on his way back to Chicago.
American Photo Player Co., of California. An
Charles Houston, of the United Piano Corp.,
assortment of instruments will be carried in New York, was in St. Louis Saturday and de-
stock and the firm's territory will include eastern parted for Omaha, Neb.
Missouri and southern Illinois. The outside ter-
Maurice Walsh, of Steger & Sons, Chicago,
ritory will be covered by Mr. Munger, of the after visiting St. Louis, left for southern
American Photo Player Co. The stock is ex- Missouri.
pected to arrive in about two weeks. The Foto-
players will range in price up to $9,000 and are
WESER BROS. TO EXHIBIT
for use in motion picture theatres, while the or-
gans are for both churches and motion picture Will Show Instruments at Commodore and Fac-
theatres. It is expected that the strike of motion
tory During Convention Week
picture theatre musicians will be a favorable fac-
tor in the placing of the Fotoplayers. Vice-presi-
Weser Bros., Inc., 524 West Forty-third street,
dent Abrams, of the company, was here last New York, will have an exhibit at the Commo-
week.
dore Hotel during Convention Week in Rooms
St. Louis will have a creditable representation 1204-1206, where several models of the Weser
at the New York convention. Those who have pianos and player-pianos will be displayed. They
announced that they will go include P. A. Leh- will also show the complete line at the factory,
man, president of the Music Merchants' Asso- which is but a short distance from the convention
headquarters. The exhibit will be in charge of
ciation of St. Louis; P. E. Conroy, president of
the Conroy Piano Co.; J. F. Ditzell, manager W. S. Weser, J. Rossner, W. II. Keating and
of the Famous & Barr Co. piano department; O. Max Levian.
S. Boyd, general manager of the Baldwin Piano
Co.; L. R. Tippin, assistant manager of the
The S. M. Henley Music Co., of Kansas City,
Scruggs, Vandervoort & Barney piano depart- Mo,, is selling out its stock of musical instru-
ment; Fred Lehman, of East St. Louis, and T. J. ments preparatory to a change in business.
THE
CELEBRATED
F&C
STEP FORWARD, PLEASE
(FELTEN & GUILLEAUME)
Gentlemen, and send in your thoughts, ideas and
notions to the editor of the Technical Department,
William Braid White, care The Music Trade Re-
view. 373 Fourth avenue, New York, N. Y.
IMPORTED
ANNUAL BALL GAME^OF AEOLIANITES
^"/'
CARLSWERK
W
Members of Wholesale Piano and Vocalion
Staffs to Cross Bats on June 24
HAMMACHER.SCHIEMMER &c
The annual baseball game between the whole-
sale piano and Vocalion departments of the
Aeolian Co. will* fake place on the grounds of
the Hackley School, Tarrytown, on Saturday,
June 24, and it is rumored that the contest this
year will be an exciting one. After the game trie
players and guests will adjourn to the Phillipse
Manor Yacht Club, where the annual dinner will
be served. Charles A. Laurino, assistant retail
manager, is, as usual, in charge of the details of
the outing.
JUNE 3, \ K )li
MUSIC WIRE
IN BLACK, RED and GREEN
LABEL BRANDS
IS UNEXCELLED
The " F & G " Blue Label Brand is again being
used by Rudolph C. Koch in the manufacture
of the Reinwarth Covered Bass Strings
ForTUNERSand REPAIRERS we have the
convenient one quarter pound clamps
HAMMACHER, SCHLEMMER& CO.
PIANO AND PLAYER HARDWARE, FELTS AND TOOLS
NEW YORK SINCE 1848
4th Ave. and 13th St.

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