Music Trade Review

Issue: 1920 Vol. 70 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MUSI© ROOM
THE
VOL. LXX. No. 21.
I
I
Published Every Satorday by Edward Lyman BiU, Inc., at 373 Fourth Ave., New York. May 22, 1920
In di v'idu a lity
i
1
HEN it is said by artist or artisan—by the pro-
fession or the trade—that the Steinway piano
has individuality, it does not mean alone that
the Steinway is different from other pianos, but that it
is so different as to be distinctive*—a thing apart.
There is no mistaking the Steinway tone and no du-
plicating it—except by Steinway workers, under Stein-
way supervision and according to Steinway standards.
Steinway individuality has been accorded world-wide
recognition and reflects to the credit of the dealer who
holds the agency.
STEINWAY & SONS
NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
The Tone of the Institu-
tion is just as Important
as the Tone of the piano
The personnel of Doll & Sons inspires
faith and confidence. Every executive
is a member of a family of expert
piano makers. Every executive has
an intimate knowledge of every phase
and detail of manufacturing.
The factory forces are an impressive
example of team work, their efficiency
further strengthened by their years of
association with this progressive insti-
tution.
The ideals of this organization—its
men and the materials employed, ex-
emplify the tone to which its efficiency
is pitched.
That it pays Dealers to handle Doll &
Sons Art Pianos is evidenced by just
such facts as these.
JACOB DOLL & SONS, Inc
"Pianos of Character for Generations*
100 Southern Boulevard
New York
MAY
22, 1920

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