Music Trade Review

Issue: 1912 Vol. 55 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
COMPOSER MASSENET DEAD.
Author of Weil-Known Operas Suffered Long
from Cancer.
A dispatch from Paris dated August 13 reports
that Julien Emile Frederic Massenet, the well-
known musical composer, died in that city that day,
aged seventy years. He had been suffering for a
long time from cancer, but his death was sudden
and unexpected.
Massenet was one of the best known French
musical composers. He was born May 12, 1842,
at St. Etienne in the Department of the Loire.
Among his most noed works were "Le Cid,"
"Manona" and "Thais." He established his repu-
tation in 1872 wwith "Don Cesar de Bazan."
Among others of his notable works were a four-act
opera "Le Roi de Lahore" and the one-act "La
Navarraise." He also composed many oratorios
and cantatas. He was a Grand Officer of the
Legion of Honor and a member of the French
Institute.
MUSIC TRADE
REVIE V
COMPOSING_OPERAS PAYS.
Puccini's Annual Income Increases from $2,800
to $40,000 in Twenty Years.
OLIVER DITSON COMPANY,
Boston, Mass.
VOCA^.
A May Pole Dance (Louise Ayres Garnett)
$0.50
\ Summer Sea (Eugene H. Garnett-Louise Ayres Gar-
nett)
40
At ihy Shrine (Marie Rich)
60
Boyhood (Louise Ayres Garnett)
60
Elusive Love I George Arnold-Clarence C. Robinson). .50
Of the Rose and - ou (Benjamin J. Wolf-Carl Wilhelm
Kern)
40
Over the Hills of Home (Hayden Carruth-Louise Ayres
Garnett)
60
Since Laddie .vent Awa' (Lily Strickland)
50
The Voyage (Louise Ayres Garnett)
40
The Whispered Song (John Kendrick Bangs-Carrie
Bullard)
60
INSTRUMENTAL.
Dance of the Brownies (Susan Schmitt)
20
harp solo (John Cheshire)
50
Stillman's Work on "Concentration and Tech- Ecstacy,
Fountain, The, piano solo (Susan Schmitt)
30
nlc" Enthusiastically Received by Music Grasshopper's Hop, The, piano solo (Susan Schmitt).. .20
Laughing Water, for piano (Susan Schmittt)
30
Teachers at Their Recent Convention.
Our Gallant Officers, polka tor piano \H. Engelmann) .60
Skipj and Glide, piano solo (ousan Schmitt)
30
Spring Song (Mendelssohn) harp solo (john Cheshire) .50
60
An educational work of great value to both Threpe Preludes, for piano (A. Walter Kramer)
Voice of Spring, The piano solo (S'isan Schmitt)
30
teachers and pupils is "Concentration and Technic," Allah (Henry W. Longfellow-A. Walter Kramer)
$0.40
(Grace Hibbard-Alexis L. Browne)
40
by Louis Stillman. The work is published in four Butterfly
Kagle, The (Lord Alfred Tennyson-Carl Busch)
50
For
the
Glory
of
Old
Amherst
(Edmund
M.
BJake)
.
.
.
.50
volumes
and
comprises
exercises
constructed
mainly
'Teddy's for the People" by B. F. Nyse-
Dreamed and Wept A-Dreaming (A. Walter Kramer) .40
for developing the fingers, and which, if followed 1 May,
the Maiden (Sidney Lanier-john A. Carpenter) .50
wander, Dedicated to Chief Bull Moose.
Memory
(Arthur Symons-John H. Densmore)
50
faithfully, are well calculated to bring about the Of the Rose
and You (Benj. J. Wolf-Carl W. Kern).. .40
When Roosevelt was announced as candidate for
necessary result. The studies are graded as fol- Sweet and Low (Joseph Barnby)
50
I've Ever Loved(Heinrich Heine-J. M. Steinfeldt) .40
President on the Bull Moose ticket, Benj. F. Nyse-
lows: Volume I is devoted to five-finger and chord lnee
A is You ± Love (John A. O'Shea)
40
When Spring Comes Laughing (A. Dobson-G. Chapman) .60
wander went right overboard on the proposition
When the Misty Shadows Glide (Paul Verlaine-John
and hastened to write a new song entitled "Teddy's
A. Carpenter)
60
INSTRUMENTAL.
for the People," which is published by the National
Adagio in A minor (Geo. F. Handel. Arr. by Carl
Music Co., Chicago. Just to show that Mr. Nyse-
Busch for piano and violin)
50
vwander is calm and non-partisan we take the lib-
Annie Laurie. Transcription for harp solo (John
Cheshire)
50
erty of reprinting the second verse, as follows:
Bolero in A minor, Op. 9. For violin and piano (Emil
Wiegand)
60
Trusts control our forests, trusts control our coal,
Humoreske, for piano and violin (Anton Dvorak). .50
Frauds control our rivers, frauds control our gold;
Larghetto in D, for violin and piano with organ ad.
lib. (Geo. Frederic Handel)
75
Teddy's for the people—has always stood for right,
Minuet in G, for the organ (Ludwig von Beethoven) .50
Asking only justice in the people's fight.
Prelude and Fugue, in h, minor for the organ (John
Sebastian Bach)
50
It may be added that the song is not dedicated
SHAPIRO MUSIC PUBLISHING CO.,
to President Taft, reports to the contrary, notwith-
1412 Broadway, New York.
VOCAL.
standing.
Billy's Melody (L. Wolfe Gilbert-Joe Cooper)
$0.60
June Dreams (Edwin A. Perls)
50
,et's Make Love My Dearie (Charles F. Orr)
50
Ma Rosy Lee (Jessie G. M. Glick-Fred R. Horr)
.50
WITTMARK MUSIC CO. THE LATEST.
Somehow Sometime Some Place (Louis A. Hirsch) .•. ...60
Zuleika (Max S. Witt)
60
The Wittmark Music Co., of Manhattan, has
M. WITMARK & SONS,
been incorporated under the laws of New York,
144 West 37th Street, New York.
with capital stock of $15,000. Business: music
INSTRUMENT^.
Artist's
Dream,
valse poetique, tor the left hand only.
publications. Incorporators: H. S. Wittmark, V.
(Geo. L. Spaulding)
$0.50
Bunnies at Play, scherzo for piano(Marie Seuel-Holst) .30
C. Bogardus and A. L. Friedberg.
Children Wide Awake, four hands for piano (Karl
As the title of the new company now stands,
Bergmann)
50
Dainty, waltz for piano (F. Sabathil)
50
there is a striking similarity between it and the
Dew Drops, four hands for piano (Harry Admstrong) 1.00
Junebugs' Parade, march for piano (Marie Seuel-
name of a house that ranks among the leaders in
Holst)
5 0
the music publishing field, though there might, of
Little Chatterbox, four hands for piano (Geo. L.
course, have been a mistake made in recording or
Spaulding)
50
copying the name.
Nodding Tulip, four hands for piano (Geo. L. Trink-
exercises; Volume II, five-finger exercises chro-
aus)
jog
matically treated; Volume III, scale practice in all Sleep Darling, cradle song for piano (Walter Rolfe).. .30
MILLION COPY HIT
Sugar
Sailor
Who
Would
Roll
About,
piano
solo
(Elsie
forms; Volume IV, scale practice continued. The
G. Phelan)
30
That writing comic operas is« a paying propo-
sition is indicated in the case of Puccini, the com-
poser, who while in Paris recently showed a friend
a tabulated statement of his earnings from his
operas during the last twenty years.
It began
with $2,800, which increased until 1910, when he
earned $40,000. In 1911 his earnings were $60,000,
and the total for the whole period was nearly
$400,000.
OF VALUE TO TEACHER AND PUPIL.
NEW ROOSEVELT SONG READY.
Down By The Old Millstream
Also New Hit*
Ntw
New
New
New
New
New
WHEN WE WERE SWEETHEARTS N t w
UNDER THE OLD OAK TREE New
WAY DOWN SOUTH
New
RAQ RAG RAQ
New
THAT SUBWAY RAQ
New
FRANKIE AND JOHNNY
New
TELL TAYLOR, MUSIC PUBLISHER
NEW YORK
CHICAGO
great value of this work was recognized by music
teachers who attended the New York State Music
Teachers' Convention, held at Columbia University,
New York City, recently, when an address on "Coni
centration and Technic," delivered by Mr. Stillman,
was enthusiastically received and the composer was
compelled to repeat the lecture on the following day.
Mr. Stillman gave practical demonstrations of his
subject on both the blackboard and the piano.
'Concentration and Technic" is published by M.
Witmark & Sons.
WORKING 0N_NEW OPERA.
BUY
YOUR
IVUJSIC
FROM
Publishers
Frederick S. Converse is said to be busy at
work on another opera, the libretto of which has
been provided by Percy MacKaye, and will there-
fore presumably be far above the average in merit.
The tentative title is "Beauty and the Beast"; yet
it is not to be a fairy opera, a la Humperdinck,
WALTER JACOBS
but a "fantastic" opera, bringing in Sinbad the
U7 Tremont St.
BOSTON. MASS
Sailor, the Forty Thieves, besides Beauty and a
Publisher of
'Kits 0f Spring." "Som* Day Wh«n Dreamt Com* Trmt." Stately Lady and a Peacock Lady. Children,
And Some Others World Famous
says the Boston Transcript, "are likely to enjoy it;
OLIVER DITSON COMPANY in fact, there has been high fun with it in the.
tests to which it has been subjected in both the
BOSTON
NEW YORK
Anticipate and Supply ETUT Requirement of Music Dealer* composer's and the poet's households; but it is
intended quite as much for 'grown-ups' who have
WHITE-SMITH MUSIC PUB. CO. kept
their liking for fantastic humor, sentiment
PUBLISHERS, PRINTERS ft ENGRAVERS OF MUSIC and incident, and for the music that shall be its
Main Offices: 6S-04 Stanhope St.. Boston
Brunch Houses: New York and ChicuM
voice."
.
BOSTON
An Unusual
Announcement
We have decided to place
ERNEST R. BALL a n d GEORGE GRAFF'S
Latest and Greatest Song Success
Till the Sands of the
Desert Grow Cold
In Our Popular Catalog
Already it is going big, but at the new
price it will become
The Greatest Ballad Hit
of the Present Time
M. WITMARK & SONS
Witmark Build ng, 144-146 West 37th St., New York
New York
London
Chicago
Paris
San Francisco
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC
TRADE
REVIEW
Jane opens the second act of 'Patience'; that won-
derful lyric in which she explains that there will be
Eugene Cowles Chats in an Interesting Way too much of her in the coming by and by. Who
About the Genuine Humor to Be Found in else would have thought of having a solo sung
by a contralto accompanying herself on a bass viol?
the Gilbert and Sullivan Operas.
The lyric, which is excruciatingly funny, and the
The revival in popularity of the Gilbert and Sul- idea of having her sing a solo, of course, probably
belonged to Gilbert, but the bass viol idea probably
livan operas has started a fund of reminiscences
belonged to the musician.
which are appearing in leading papers throughout
"Yet one other instance may be taken from 'Pina-
the country, and all of which makes interesting
reading. In a chat the other day in the Tribune fore,' which is full of joyous things of this sort.
The trio sung by the three sailors is written as a
Eugene Cowles, who sang bass roles in the recent
Gilbert & Sullivan revivals in New York City, fugue, and they have difficulty in remembering their
words and their music. Now, this music is so
said: "The Gilbert and Sullivan operas are just as
funny as the words and lyrics. Of course, Sullivan written that one man is always behind the others,
must have taken the inspiration for his music from which seems accidental, and yet is, of course, ab-
the words, which is the way it always should be, solutely arranged in that manner. In this way th«
but in his musical setting he illumined and ab- one man is still singing when the rest are through,
solutely interpreted the ideas of the author. Any- and in spite of that fact there is never a single dis-
body who studies the orchestrations, which were cord. The ingenuity of such musicianship is mar-
made by Sullivan himself, can see how many funny velous.
"It must positively be understood that I am not
points were introduced in almost all of the dif-
ferent pieces. When the chopping off of heads be- trying to detract from Gilbert, but simply to point
comes the subject under discussion in 'The Mikado' out that Sullivan was a humorist, too, and an ex-
you can literally hear the swish of the axe in the tremely keen one. This is perhaps the more
orchestration. Another instance of this musical notable, as a really fine sense of wit seems to be
rarer with musicians than with authors.
fun is Ruth's first song in 'The Pirates of Pen-
"Speaking of funny music, I have often won-
zance.' Ruth narrates in this song how it came to
pass that, being somewhat hard of hearing, she ap- dered how and why it is that composers, when they
prenticed Frederick to a pirate instead of a pilot.
While she is singing this song she believes herself
conscientiously to be the most important person in
the whole universe. The music which accompanies
this narrative lyric is of the most tremendously
pompous and ponderous variety. Without that
music the narrative would not have any more
humor than the ludicrous idea that such a mistake
should have occurred.
"Then, again, consider the song with which Lady
OPERAS THAT ARE REALLY COMIC.
want to be funny, generally resort to the bassoon,
and that it generally makes people laugh, and then
again a man might spend hours wondering how and
why it is that a man might choose the bassoon for
his life's instrument. The facts remain that the
bassoon does make people laugh and that people do
play it."
PLAN SEASON OF_OPERA COMIQUE.
Negotiations Under Way to Secure the Use of
the Century Theater for That Purpose.
Negotiations are under way between the De
Koven Opera Co. and Liebler & Co. for a spring
season of opera comique at the Century Theater,
following the run there of "The Daughter of
Heaven." The season, under the personal direc-
tion of Reginald De Koven, will be given with the
co-operation of the Metropolitan Opera House,
and will consist of the production of new works
and the revival of standard pieces.
The singing organization will be headed by
Bessie Abbott, who now has the prima donna role
in the revival of "Robin Hood." Mr. De Koven
is now in Europe completing arrangements for the
American rights to several works of importance.
Details of the plan for the Century Theater will
be completed after his return.
SCHULZ
SINCERITY
3 Great Pianos
With 3 sounding boards
in each (Patented) have the
greatest talking points in
the trade.
You find it all through the product of
this company
M. SCHULZ CO.
i * * • • G a r t i * ' <*** • • * Carpcattr Streets
\ j ami Moiiaa Md S^crior Stnets
Office and Wtreroom, 711 Milwaukee Ave., Chicago, 111.
N. W. Sale* Department, Hl-9#3 FInt Are., South, Minneapolis, Minn.
South Atlantic Sale* Department, Room 73t Gaudier Bids;., Atlanta, Ga.
We fix "one price"—
wholesale and retail.
The Hcppe Piano Co.
PHILADELPHIA. PA.
T l . StrUi F.r 1912
Excd ADPrtriow
CnatioM
FactoriM
CjprtM A T I I H
Krakauer
Pianos
136tk ari 137tk Street
New Ttrk
Represent in
their coMtructio*
the hifhetf
mechanical and
artistic ideal*.
KRAKAUER BROS., Makers
The Weser Piano Is The Best
Proposition In The
Market To-Day A n d We
Are Ready To
WESER BROS
Prove It By Sending A S ampl
On Approval To Any
R e s p o n s i b l e Dealer In
The T r a d e
NEWTORK

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