Music Trade Review

Issue: 1910 Vol. 50 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
j . B. SPILLANE, Managing Editor
Executive and Reportorlal Staff:
L. BJ. BOWEBS,
OBO. B. KBIXBR,
W. H. DTKDS,
R. W. SIMMONS.
AUGUST J. TlMPB.
B. BRITTAIN WILSON,
A. J. NICKLIN,
BOSTON OFFICE:
CHICAGO OFFICE:
G. W. HENDERSON, 180 Tremont St.
B. P. VAN HAELINOBN, 156 Wabash Ave-
Room 18.
Room 806.
Telephone, Oxford 2936-2.
Telephone, Central 414.
PHILADELPHIA:
MINNEAPOLIS and ST. PAUL:
ST. LOUIS:
B. W. KAUFFMAN,
ADOLF EDSTBN.
CHAS. N. VAN BUHBN.
SAN FRANCISCO: S. H. GRAY, 88 First Btreet
CINCINNATI, O.:
JACOB W. WALTBBB.
BALTIMORE, MD.: A. ROBERT FRENCH.
LONDON. ENGLAND: 69 Baslnghall St., B.C. W. LIONBL STURDY, Manager.
Publlsbed Every Saturday at 1 Madison Avenue* New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION, (Including postage). United States and Mexico, $2.00 per year;
Canada, $8.50; all other countries, $4.00.
ADVERTISEMENTS, $2,00 per Inch, single column, per Insertion. On quarterly or
yearly contracts a special discount Is allowed. Advertising Pages, f00.00; opposite
reading matter, $75.00.
REMITTANCES, In other than currency form, should be made payable to Edward
Lyman BUI.
IMiififf* C | M > f i A n
-^ n important feature of this publication is a complete sec-
1WHMOMV i J v V U U l l i tion devoted to the interests of music publishers and dealers.
Exposition Honors Won by The Review
Brand Pria
Paris Exposition, 1000 Silver Medal. Charleston Exposition, 1902
Diploma.Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal
Lewis-Clark Exposition, 190S.
LONG DISTANCE TELEPHONES—NUMBERS 4677 and 4678 GRAMERCY
Connecting a l l Departments.
Cable a d d r e s s : **ElbllL New York."
NEW YORK, MAY 7, 1910
EDITORIAL
WHERE PUBLICITY COUNTS.
I
NHERE is plenty of evidence at hand showing that dealers
throughout the country have not been slow to avail them-
selves of the articles appearing in The Review as a basis for an
opposing force to the guessing contest schemes.
In advertisements in no less than thirty papers have appeared
excerpts from editorials and opinions recently expressed in these
columns.
A good many dealers have inserted these excerpts in reading
matter, thereby increasing their effectivenss.
We may add, too, that we have received a good many com-
munications from leading dealers in which the policy of this paper
as opposed to the guessing contest schemes has been warmly com-
mended.
One thing is certain, The Review campaign has aroused the
trade from one end of this country to the other to the dangers of
coupon scheme advertising, and it is certain that the opposition
has now received such a forward impetus that it cannot be easily
checked, and the best way to carry on the strenuous work against
the further encroachment on the regular domain is by plains which
will tend to uplift rather than demoralize trade conditions.
The plan of A NATIONAL ANTI-CONTEST DAY is being
strongly supported, and if the dealers at Richmond decide to endorse
this suggestion there is no doubt but that the publicity given their
concerted action will be tremendous as a rebuttal force against
objectional forms of piano exploitation.
The communication received from Edward H. Droop, presi-
dent of The National Association of Piano Dealers anent A NA-
TIONAL ANTI-GUESSING CONTEST DAY, published in The
Review of last week, is well worthy of close perusal.
Mr. Droop states that he sees nothing in the suggestion to
appoint a national anti-piano guessing contest day that is not en-
tirely feasible.
REVIEW
Quite naturally, however, he does not wish to assume the re-
sponsibility of appointing that day without having first obtained
the support of the organization behind him.
According to his own expression, he does not feel at liberty
to suggest such procedure until the association has taken some
action officially upon the subject.
President Droop, however, states that he shall make every
reasonable effort to have the association go on record one way or
the other.
In other words, if coupon guessing contest form of adver-
tising is considered trustworthy and desirable then it should have
the association's stamp of approval.
RINGING WORDS O F P R E S I D E N T DROOP.
the other hand," says President Droop, "if it can be
shown that it is generally misleading and unfair, that it
has a tendency to destroy confidence and piano values, and that it
works to the detriment of the common good, the association, in my
judgment, should take a firm stand and condemn it in no uncertain
terms.
"While I believe in being conservative in all things, in not
taking hasty action in any question of business policy pursued by
this or that dealer, for fear that such action, if contrary to his
ideas, might reflect on the integrity of one or the other, neverthe-
less I feel that the particular question before us has been discussed
at such length and condemned by so large a number of dealers
throughout the country that the Dealers' Association should, with-
out fear of consequences, boldly declare itself as either favoring or
not favoring all coupon, guessing, prize, certificate and similar
forms of advertising."
Now, the words which we have quoted above come from a
gentleman whose obvious desire is to be fair to all, and, he says,
in no uncertain tones, that it is up to the association to act, and
with such determination on his part, we believe that the organiza-
tion behind him will declare itself unequivocally upon the question
of misleading advertising.
Then, having declared its intentions, the next thing is to act,
and, what better action could be taken than TO SET ASIDE A
DAY UPON WHICH TIME T H E E N T I R E PIANO TRADE
of this country can call upon the publishers of the various papers
and present their arguments why guessing contests should not be
admitted into the advertising columns of the papers.
The advertising advantage of this would be simply incalculable.
It would sweep from one end of the country to the other and
it would not only arouse and inspire the dealers in the music trade
with the resolve to combat all kinds of encroachments made upon
the regular domain, but, best of all, it would give to the public in
every city and hamlet in the land information that the piano deal-
ers of America were opposed to all kinds of misleading advertising,
particularly that form which carried with it the giving of coupons,
prizes or certificates for the solution of some alleged puzzle.
"O
LET T H E LANCES RE DRAWN.
T is possible there may be some warm expressions of opinion at
Richmond on either side of the case.
Very well, there is no better time or place to express them.
With President Droop in the chair everyone is assured of
courteous treatment.
Objectionable advertising is, to our minds, the most vital topic
to be discussed at Richmond, and, judging from the interest which
has been manifested recently in all quarters, our opinions are in
harmony with hundreds of others.
There is absolutely no use of mincing matters.
If this form of advertising is wrong cut it out.
'
Let it become but a regretful memory.
If it is right adopt it.
Let everyone enjoy the good results.
Our aim has been to conduct an educational campaign.
We have carefully avoided personalities.
We have even refrained from printing in the columns of The
Review, advertisements of coupon-certificate advertisers simply
because we did not wish to lay ourselves open to the charge of
being personal.
We have conducted this campaign opposing a principle which
we believed to be detrimental to the best interests of the piano trade
and which, if persisted in would ultimately undermine the industry
I
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE:
MUSIC TRADE:
through the destruction of public confidence in piano selling, and
when that is once destroyed it is mighty difficult to regain it.
UNDER W H I C H FLAG?
ELIEVING that we were right, we have not hesitated to
express our own opinion, but simply because we have held
to that idea has not prevented us from giving those who were
opposed to us free use of our columns.
That's the kind of support which should impress everyone as
being fair and at Richmond let the whole thing be settled.
Let it be thrashed out for once and all and let there be no
attempt to sidetrack vital issues.
It was deemed necessary last year at Detroit, but it should
not be considered for one moment at Richmond.
It has too large a bearing upon the future of the piano trade
to postpone it until some indefinite period.
Let the discussion go on, and then when the association has
gone squarely on record let there be no halting until either the
guessing contest schemes are wholly and completely uprooted or
until they are thoroughly engrafted into the piano selling system
of our times.
Which shall it be?
Pianos sold with coupons and certificates ad lib., together
with a pocketful of stickpins, a handful of plated spoons, a few
tops, some corset covers, baseball bats and a few other novelties,
or shall it be pianos sold as pianos, at fairly correct pricings,
offered under the quality standard, sold under proper representa-
tion by a strict adherence to honorable mercantile methods?
Which shall it be?
It is up to you, gentlemen of the trade.
The paths diverge.
Which path shall be followed?
While one has the glamor of temporary business, its ultimate
end must be trade ruin through the destruction of public confi-
dence.
The other means a stable foundation because it is built upon
reputable business methods.
LInder which flag, gentlemen ?
B
EXPOSITION PLAN THOROUGHLY TRIED OUT.
NDICATIONS now point to a large attendance at the Rich-
mond Convention, and for the first time in music trade history
the exhibition scheme will be fairly tried out.
It has been said by some that Richmond was a poor place for
an exposition.
We cannot exactly agree with such a statement, for if it be
deemed wise to try the exposition plan and the Dealers' Association
strongly urged it, then there could be no better place in our opinion
than a city like Richmond.
Why?
Because there are fewer outside influences in the way of at-
tractions to draw the attention of visitors in a city the size of
Richmond than some other great city.
To illustrate: When the last music trade conventions were
held in New York it was stated that the attendance at various
meetings was smaller than in any other city where the music trade
clans had gathered previously.
This condition existed solely because there were so many out-
side attractions.
Some dealers who came to New York visited the city for the
first time—others who came once a year naturally would find much
in this great metropolitan city to interest them and they figured
that outside features were worth more to them than an attendance
at the music trade gathering.
Now these conditions do not exist in a city like Richmond—
hence there will be a better attendance at the business sessions.
We believe that more interest will be focused upon the exhibi-
tion proper, and if it does not work out satisfactorily in Richmond
it never will elsewhere.
It is certainly worth the trial.
The trade has admitted it and there has been a sentiment ex-
ploited for a long time that it would be better far to have one good
trial at the exhibition plan and settle it than to have a lot of sporadic
exhibits flung around in the various hotels in the exposition cities
I
REVIEW
difficult to reach, exhausting time and travel and taking dealers
from business meetings.
Following out the law of concentration, the Convention at
Richmond will compel the men to successfully view the exposition
and size it up from every viewpoint.
Whether it is successful or not is one of the secrets which the
future holds and the secret at the present time is being pretty closely
guarded.
Certainly the initial move is being carried on in a fitting
manner.
It is under the superintendence of a capable manager and the
environments promise to be satisfactory, so the music trades of
this country will have a fair opportunity of sizing up the exposition
in every possible way and of determining whether it shall be an
annual part of the conventions or whether it is best to eliminate it
in the future.
IN LIGHTER VEIN
ACCOUNTED FOR.—The village cornetist, who made his living as a
barber, was massaging a patron's face.
"That's a peculiar way of massaging the nose," remarked the man
in the chair. "Some New York method?"
"That? Oh, no. I was just practising the fingering of the Second
Hungarian Rhapsody."—Puck.
MERELY A HINT.—An aspiring mother of West Philadelphia one
evening recently took her daughter aside for a confidential talk.
"Margaret," she said, "Mr. Blank has been calling here very fre-
quently of late. What are his intentions, do you know?"
"No, mother, I do not," replied the daughter.
"Well, I do not think it quite conventional to have him call so fre-
quently. Do you mean to say he has never proposed to you?"
"Well, not exactly," replied the girl, "but he did propose that Johnnie
be absent the next time he called."
PELL SHORT OF FLATTER.—A gardener was employed by a friend
of Mrs. Harriet Beecher Stowe. One day, when she was walking in the
garden, Mrs. Stowe came upon him, working among the roses. She
watched him a while, then entered into conversation., vjurious, as all
authors are, to know the impression her work had made upon him, Mrs.
Stowe suddenly said:
"My man, did you ever read 'Uncle Tom's Cabin'?"
The old gardener did not want to hurt the famous novelist's feelings,
neither did he want to appear ignorant under further questioning.
"Well, no, ma'am," he stammered, "not exactly. Not as you might
say 'read it,' but I've tried to, ma'am."—Pittsburg Chronicle-Telegraph.
OVERHEARD AT A STORE.—Inquisitive Lady—And what is this
little box for?
Nerve-racked Clerk—Oh, for odds and ends.
Inquisitive Lady—But it has two compartments. Why is that?
Nerve-racked Clerk—One for odds, madam, and the other for ends.—
Harvard Lampoon.
HIS ARCHITECTURE.—Sally Gay—What a cunning little fellow
Mr. Callipers is!
Dolly Swift—Cunning? Why, he's dreadfully bow-legged.
Sally Gay—Yes, but that gives him such an arch look, you know.—
Tit Bits.
TROUBLE FOR HUBBY.—At a recent tea party, where the fare pro-
vided could not, by any stretch of courtesy, be termed palatable, a guessing
game was instituted, and the winner was asked what she wanted as a
prize.
She greatly flattered her young hostess by requesting a slice of the
very bad cake which had been served. ,
"Why did you ask for that stuff?" a disappointed and still hungry
youth asked her. "You know very well it isn't fit to eat."
"I have a definite purpose in view," answered the young lady, care-
fully placing the piece of cake where there would be no possibility of her
forgetting it. "I mean to make my husband eat it—if necessary, to force
it down his throat, crumb by crumb, and thus convince him that some-
where in the wide, wide world there is an even worse cook than he
imagines his inexperienced young wife to be."—Tit-Bits.
A GOOD REASON.—She—How is it you were not at the Westends'
reception?
He—I stayed away on account of a personal matter.
She—May I ask what it was?
He—Will you promise to keep it secret?
She—Yes.
He—Well, they failed to send me an invitation.

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