Music Trade Review
Issue: 1927 Vol. 84 N. 16 - Page 42
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
42
The Music Trade Review
APRIL 16, 1927
Ready About April 20th I The New
Feist Dance Folio No. 12
Bigger Value Than Ever!
30 Dance Hits (with Ukulele)
including
"IN A LITTLE SPANISH TOWN"
"SUNDAY"
"IT MADE YOU HAPPY"
"JUST A BIRD'S-EYE VIEW"
"THINKING OF YOU"
"PRECIOUS"
"I'VE GOT THE GIRL"
"WHERE D YOU GET THOSE EYES"
and 22 other good ones!
The Advance Demand for the "Feist No. 12" is
Tremendous. Order Enough Now—
From Your Jobber or Direct
L E O F E I S T , Inc., 231 W. 40th St., New York
Taylor Finds Berlin
Akin to Wagner
Declares Both Composers Wrote in Same Man-
ner With Equally Effective but Dissimilar
Results
Deems Taylor, the well-known composer, who
recently gained added importance by presenta-
tions of his new opera "The King's Henchman,"
at the Metropolitan Opera House, gave a lecture
BUY YOUR MUSIC FROM
BOSTON
Publishers
Oliver Ditson Company
BOSTON
NEW YORK
Anticipate and Supply Every Requirement of Music
Dealers
recently at the Roerich Museum, N e w Y o r k
City, in which he made some i n t e r e s t i n g c o m -
parisons between the works of Richard W a g -
ner and those of I r v i n g Berlin.
" T h e musical w o r k s of I r v i n g Berlin and
Richard W a g n e r have been c o m p o s e d in t h e
same m a n n e r , with equally effective but very
dissimilar results," h e stated. " B o t h w r o t e t h e
music a r o u n d 'catch lines' and therein lay the
early popularity of W a g n e r and t h e present
popularity of Berlin. W h e n a m a n in the street
can sing t h e w o r d s , " Mr. T a y l o r added, " h e is
very likely to appreciate t h e music."
Mr. T a y l o r cited t h e principal difficulties fac-
ing the y o u n g American w h o tried to write the
music for opera in English. P a r a m o u n t a m o n g
these, Mr. T a y l o r placed t h e fact that there w a s
no great A m e r i c a n o p e r a - g o i n g body.
H e a t t r i b u t e d t h e "survival" of " T h e K i n g ' s
H e n c h m a n " to t h e fact that the music does n o t
detract from t h e d r a m a t i c action, and said that
he had succeeded in part in his endeavor to
write a score that would make Americans do
CHAPPELL-HARMS, INC.
c
"the unique thing" of following an opera as a
dramatic spectacle. The composer added that
seven year's experience in writing musical ac-
companiments for theatrical productions and a
brief bit of experience writing scores for mo-
tion pictures had been of invaluable aid to him
in preparing his opera.
Discussing other handicaps in the way of the
American operatic composer, Mr. Taylor de-
cried the American "tradition" of regarding an
opera as merely a concert, saying that "no
mortal could be interested in straight concert
music for a period of more than three hours."
He also cited the lack of great operatic sing-
ers who can pronounce the English language
correctly. Here he digressed to say that there
was nothing more ridiculous in the sounds of
our language than in any other. The failure
of translated operas, due to a difference in
Anglo-Saxon and Latin or German tempera-
ments that made for misunderstanding, had also
created an impression that "opera-in-English"
could not succeed, Mr. Taylor said in the course
of his interview.
LATEST SUCCESSES
The store of the Harway Music Co., 28 West
Blackwell street, Dover, N. J., has been entirely
redecorated and its display facilities have beett
increased.
FOR YOU AND ME
COME BACK IN DREAMS
THE FAR-AWAY BELLS
I FOUND YOU AT LAST
THAT LITTLE WORLD IS MINE
ROBERT TELLER SONS & DORNER
POPULAR SUCCESSES
Roses of Picardy
A Nigh* of Love
World la Waiting for the Sunrise
In the Garden of Tomorrow
Song of Songs
By My Fireside
A Little Lore, A Little Kiss
185 MADISON AVENUE
Music Engravers and Printers
SEND M A M SCRIPT AND IDEA OF
TITLE FOR ESTIMATE
Brown Bird Singing
There's a Song in My Heart
I Look Into Your Garden
I Heard You Singing
Bells of St. Mary's
Thank God for a Garden
Smile Thru Your Tears
NEW YORK CITY
311 West 43rd Street
New York City
O?/Vy PUBLISHER. OUR
«^»
42
The Music Trade Review
APRIL 16, 1927
Ready About April 20th I The New
Feist Dance Folio No. 12
Bigger Value Than Ever!
30 Dance Hits (with Ukulele)
including
"IN A LITTLE SPANISH TOWN"
"SUNDAY"
"IT MADE YOU HAPPY"
"JUST A BIRD'S-EYE VIEW"
"THINKING OF YOU"
"PRECIOUS"
"I'VE GOT THE GIRL"
"WHERE D YOU GET THOSE EYES"
and 22 other good ones!
The Advance Demand for the "Feist No. 12" is
Tremendous. Order Enough Now—
From Your Jobber or Direct
L E O F E I S T , Inc., 231 W. 40th St., New York
Taylor Finds Berlin
Akin to Wagner
Declares Both Composers Wrote in Same Man-
ner With Equally Effective but Dissimilar
Results
Deems Taylor, the well-known composer, who
recently gained added importance by presenta-
tions of his new opera "The King's Henchman,"
at the Metropolitan Opera House, gave a lecture
BUY YOUR MUSIC FROM
BOSTON
Publishers
Oliver Ditson Company
BOSTON
NEW YORK
Anticipate and Supply Every Requirement of Music
Dealers
recently at the Roerich Museum, N e w Y o r k
City, in which he made some i n t e r e s t i n g c o m -
parisons between the works of Richard W a g -
ner and those of I r v i n g Berlin.
" T h e musical w o r k s of I r v i n g Berlin and
Richard W a g n e r have been c o m p o s e d in t h e
same m a n n e r , with equally effective but very
dissimilar results," h e stated. " B o t h w r o t e t h e
music a r o u n d 'catch lines' and therein lay the
early popularity of W a g n e r and t h e present
popularity of Berlin. W h e n a m a n in the street
can sing t h e w o r d s , " Mr. T a y l o r added, " h e is
very likely to appreciate t h e music."
Mr. T a y l o r cited t h e principal difficulties fac-
ing the y o u n g American w h o tried to write the
music for opera in English. P a r a m o u n t a m o n g
these, Mr. T a y l o r placed t h e fact that there w a s
no great A m e r i c a n o p e r a - g o i n g body.
H e a t t r i b u t e d t h e "survival" of " T h e K i n g ' s
H e n c h m a n " to t h e fact that the music does n o t
detract from t h e d r a m a t i c action, and said that
he had succeeded in part in his endeavor to
write a score that would make Americans do
CHAPPELL-HARMS, INC.
c
"the unique thing" of following an opera as a
dramatic spectacle. The composer added that
seven year's experience in writing musical ac-
companiments for theatrical productions and a
brief bit of experience writing scores for mo-
tion pictures had been of invaluable aid to him
in preparing his opera.
Discussing other handicaps in the way of the
American operatic composer, Mr. Taylor de-
cried the American "tradition" of regarding an
opera as merely a concert, saying that "no
mortal could be interested in straight concert
music for a period of more than three hours."
He also cited the lack of great operatic sing-
ers who can pronounce the English language
correctly. Here he digressed to say that there
was nothing more ridiculous in the sounds of
our language than in any other. The failure
of translated operas, due to a difference in
Anglo-Saxon and Latin or German tempera-
ments that made for misunderstanding, had also
created an impression that "opera-in-English"
could not succeed, Mr. Taylor said in the course
of his interview.
LATEST SUCCESSES
The store of the Harway Music Co., 28 West
Blackwell street, Dover, N. J., has been entirely
redecorated and its display facilities have beett
increased.
FOR YOU AND ME
COME BACK IN DREAMS
THE FAR-AWAY BELLS
I FOUND YOU AT LAST
THAT LITTLE WORLD IS MINE
ROBERT TELLER SONS & DORNER
POPULAR SUCCESSES
Roses of Picardy
A Nigh* of Love
World la Waiting for the Sunrise
In the Garden of Tomorrow
Song of Songs
By My Fireside
A Little Lore, A Little Kiss
185 MADISON AVENUE
Music Engravers and Printers
SEND M A M SCRIPT AND IDEA OF
TITLE FOR ESTIMATE
Brown Bird Singing
There's a Song in My Heart
I Look Into Your Garden
I Heard You Singing
Bells of St. Mary's
Thank God for a Garden
Smile Thru Your Tears
NEW YORK CITY
311 West 43rd Street
New York City
O?/Vy PUBLISHER. OUR
«^»
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