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Music Trade Review

Issue: 1924 Vol. 78 N. 23 - Page 118

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
114
Hearst
, Sond
MUSIC TRADE
THE BRIDAL
FOXTROT
REVIEW
JUNE 7, 1924
A WEDPING MARCH TUNE
rt iCHQRUS p-f
HEARST MUSIC PUBLISHERS OF CANADA LIMITED
un-der-neith the mlv
George F. Root, of Chicago. The boy had vol-
unteered and left his family. He was the only
boy. He was at the front. The family gathered
around the table at night for family prayers.
Civil War Veteran Says Present Day Songs Are There was one vacant chair."
Feature of Literature Is Campaign on "Just a
Way Behind the Popular Favorites of the
Lullaby," Including Circulars, Folders, Cut-
Sixties
outs, Window Strips, etc.
Memorial Day Brings
Attack on Popular Songs
WASHINGTON, D. C, May 30.—Representative
Isaac R. Sherwood (D., O.), who will be eighty-
nine years old on August 31, in a brief memorial
address to the House said present-day songs are
"vulgar" and do not compare with those com-
posed by the soldiers behind the battle lines
during the Civil War.
"In all the sixty years that have elapsed since
the war," he said, "there has not been one great
dramatic poem or lyric written equal to the
soldiers' songs during that war, and not one
of high moral import.
"We are living in a utilitarian age and the
spirit that actuated that great war appears to
have gone. What have we now? 'Yes, We
Have No Bananas,' 'Take Us to the Land of
Jazz,' 'Hail, Hail, the Gang's All Here' and the
like." The first song sung in the Civil War
Camps, Gen. Sherwood explained, was "John
Brown's Body Lies A-Mould'ring in the Grave,"
written by Col. Fletcher Webster.
"The first song written on the other side, the
Confederate side, was by James R. Randall, a
tutor in a Louisiana College—"Maryland, My
Maryland," one of the greatest dramatic poems
of the war.
"The most dramatic and most pathetic and
most plaintive of all the war songs sung on
both sides during the war was 'Tenting To-
night on the Old Camp Ground.' That was
written by Arthur Kittridge, of the Second New
Hampshire Infantry.
" 'Somebody's Darling' was another of those
plaintive songs sung all over the North and the
South. It was written by Mariah Lacosta, of
Virginia. Another was 'The Vacant Chair,' by
Hearst Has Large
Number of Dealers' Helps
"Sins of 1924" Will
Open During Fall
Show Booked to Open in Toledo in September—
Probably Will Be Produced by Ned Weyburn
Hearst Music Publishers, of Canada, Ltd., the
enterprising publisher of popular music for
Canada and the United States and sole Canadian
publisher and distributor for the Witmark
Black and White Edition, has been showing its
A new revue which it is reported may be
staged by Ned Weyburn, has already been an-
nounced for the coming Fall season. It carries
the very striking title, which, it has been an-
nounced, has been duly protected and which
reads "Sins of 1924."
The show has been booked for an opening
week at the Toledo Auditorium, beginning
September 21. Elaine Gholson is one of the
first of the cast to be engaged and she will
be one of the features of the production. This
actress has had a very prominent and extended
career with Western stock companies, from
which so many of our big metropolitan stage
stars have graduated. Miss Gholson is her-
alded as one of the most talented of the young-
est Western actresses.
Rossiter Gets Franklin Songs
co-operation to retailers in a valuable and often
expensive manner. Its sales aids to the dealer
CHICAGO, I I I . , May 31.—Will Rossiter, the Chi- are along elaborate lines and every channel of
cago publisher, located at 30 West Lake street, publicity which will produce results seems to
has secured the mid-West selling rights for John have been covered in some of the recent cam-
Franklin Music Co.'s catalog and is now fea- paigns inaugurated by this prominent publishing
turing some of the recent hits, including house. An example of its trade co-operatio«
"Marcheta" and "Dream Girl."
was recently demonstrated in its exploitation
It has also been announced that Will Ros- campaign on "Just a Lullaby." This Hearst
siter is sales representative for the Wendell Hall popular number has been played consistently
catalog, which numbers are being featured over and almost constantly by a large number of
the radio and by the leading orchestras.
orchestras throughout the United States and
Canada. In addition, in song form it has been
heard frequently in vaudeville. Following up
the public rendition, the Hearst Co. has issued
circulars, folders, cut-outs, window strips and
other dealer hook-ups. These have tended to
get the most out of the sales created by the
public performances.
The various branches of the Hearst Co. all
took part in "Just a Lullaby" campaign, as well
as supplementing the work of the executive
offices on other current successes in the catalog.
The result has been that the sales of Hearst
music have been on the increase. Its numbers
are appearing regularly on talking machine rec-
ord and player roll lists and in other ways
showing the result of the well-planned cam-
paigns.
Recorded by
S. S. LEVIATHAN Orchestra
Victor Record No. 19323
Published by the
A. J. STASNY MUSIC CO., Inc., 56 West 45th St., New York City
JACK
N9RWORTHS
Leo Friedman, songwriters' representative,
who has for his clients a number of the most
prominent writers in the field, intends to visit
England and the Continent early in July. Fried-
man plans to carry over a great number of
manuscripts by his writers, for the purpose of
placing them in foreign catalogs.
BIG
HIT
YOU CAN TAKE ME AWAY FROM DIXIE
"With a Sn etppy
Melodious Rhythm
of Irresistible Charm
(BUT YOU CANT TAKE DIXIE
FROM M E )
HEARST MUSIC PUBLISHERS OF CANADA LIMITED
FOX TROT
Be First
Wifft A Hearst

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