Music Trade Review

"No instrll ment approaches
the Duo-Art Piall(.1 in the
fidelity of musical
musicaL ,-epro­
duction_"
duction."
"The Duo-Art's ,-epro­
duction of my 0'1.£-'1/ 'it
'it'' ork
has been (/ complete re1'­
elation - in its faitltful
to ne ph otr.l!),·a
otr.l!),-a p lz y."
1\1
Y
R
A
H
E
S
ALFRED
CORTOT
"J consider the Duo­
Ad Piano one of the
most notable inventions
. t h e anna I
- "
tn
S -0 f
nlIIJlC.
PERCY
S
•
"J «(.I1lsider the Duo-A,-t
the only reproducing
piano capable of reflect­
in!) the subtler character­
istics of my playing."
GUIOMAR
NOVAES
They have chosen this instrument
because of its perfection-because of
the fact that in its marvelous method
of recording and reproduction, it
alone, of all similar instruments, pre­
sents them to the public with absolute
fidelity. .
Every recording that these artists
make for the Duo-Art is signed and
authorized.
"This record is
IS my interpreta­
Interpreta­
tion" is what they say. "And I
hereby authorize its use with the
Duo-Art."
There is no equivocation about
. their statement-no question but
that the owner of a Duo-Art, playing
one of these rolls, hears their actual
- performances.