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THE
20, 1922
MAY
11
MUSIC TRADE REVIEW
OuiTICHNICAL DEPARTMENT
CONDUCTED BY WILLIAM BRAID WHITK
spoke of a slapping sound in a piano action.
Besides your very good suggestions I should like
to make some of my own, which will probably
Two of the Brethren Write Their Views on the help.
Cause of the Whacking Sound Frequently
"If the brother will look carefully at the ham-
Heard in the Actions of Upright Pianos
mer spring-rail he may find that it has warped
between the action brackets toward the hammers.
"Dear Mr. White: In reference to the inquiry
In this case if one-half of a paper punching be
of E. M. Hickman as to the cause of that 'whack-
inserted behind the rail where the bracket meets
ing sound' in piano actions you may be inter-
the noise will cease.
ested in an experience I once had with one cer-
"Ne-xt, let the brother try the regulating rail,
tain piano. This piano had a number of tones
with that 'whacking sound' and I tried everything which sometimes goes wrong through the wood
I could think of to overcome it, but still it shrinking away from the screws, very slightly,
'whacked.' Finally, in desperation, I selected one but enough to cause a noise under a hard blow
wippen with flanges, sticker and tongue and re- upon the key. Very truly yours, A Reader."
Answers.— Both gentlemen who have been
moved it bodily from the rest of the action.
good enough to favor us with information about
When I had it out I started to dissect it.
the "whacking sounds" in piano actions have laid
"The first thing I did was to push the center-
their fingers upon facts. Rails do warp in ac-
pin out of the tongue, where it is pinned to the
tions which have not been made with all the care
sticker. I then at once saw what was the mat-
in the world. There may be bad pinning done at
ter and what was making the 'whacking sound.'
the factory. Nor should we forget that ham-
The center-pin, instead of passing through the
mer-rails sometimes twist, while it is also well to
felt bushing, was outside the bushing, so that it
remember that some actions of highest grade
came in contact with the wood. Careless pinning
have an extra rail in front of the jack, which
at the action factory was to blame.
limits the forward travel of that member. This
"In other pianos I have seen the action set also, being somewhat slight in structure, is sus-
so far from the strings that the hammer shanks ceptible to distortion through the influence of
came in contact with the hammer spring-rail atmospheric conditions.
every time a stroke was made. Sometimes the
During recent years action making has, in gen-
regulating rail is loose, which gives somewhat the
eral,
greatly been improved. There was a time
same sort of 'whacking sound.'
when an upright action could be bought, with
"These are two possible causes which you did
dampers complete, but without hammers, for less
not mention. Usually, however, the blame is to
than $10, in quantities. Those days, fortunately,
IK laid on loose flanges, loose hammers and loose
have passed forever, and with the death of the
back-stops. C. C. Waugh, Albany, N. Y."
cheap piano has passed also much of the trouble
And Now Another
which the tuner was once compelled to endure.
"Dear Mr. White: In the May 6 issue of The Years, of course, must elapse before the last of
Review Brother Hickman, of West Virginia, these unholy veterans is laid upon the junk pile,
and meanwhile the brethren must labor with
them when they meet them, which is too denied
Make Music Rolls
often for comfort.
PROFITS FOR THE TUNER
THAT WHACKING SOUND
making special player rolls or tliose nnt nil by roRu
roll manufacturers. Or Bell ynur ruatomvrs a rnmiilete
murhine and make a liberal commission.
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ON REFINISHING
"One Seventy"
''Dear Mr. White: Here is a point on which
I should like to have your opinion: In upright
actions the hammer, after striking the string and
being caught- by the back check, settles back to
the hammer-rail, of course. Then the jack re-
tracts itself under the hammer-butt. However,
in some pianos, where the jack springs are quite
strong, the jack retracts itself immediately "be-
fore the hammer falls back to the hammer rail.
"Of course, you have to release the key very
slowly to observe these movements. Now, does it
make any difference or is there any rule for the
jack's retracting itself to the position of rest?.
"I find in many high-grade pianos that jacks
work both ways. When the jack-spring is strong
enough to send the jack back quickly—in other
words, to beat on the hammer-butt—one is always
sure to get in Summertime an even tone, even
though the action has swelled and the hammers
are slightly raised from the key-rail.
"I hope I have made myself understood. You
have told us to send in our ideas. Here is mine,
and now I shall close till I have something more
to say or ask. Respectfully yours, C. C. Waugh."
Answer.—The theory of the piano action is
simple. In order to produce on the piano a tone
which shall be a tone, which shall endure for
some time at least and have a life of its own, it
is necessary that the hammer should rebound im-
mediately after the contact has been made with
the string. In both vertical and horizontal piaiios
the elasticity of the felt and of the steel wire is
sufficient to cause a rebound, which, however,
must in the upright be assisted by a spring..
(Continued on page 12)
HARLEM PIANO & ORGAN KEY CO.
VIBRATIONS GUARANTEED
SM1«*
JACK AND HAMMER=BUTT
Some Questions and an Explanation of the Re-
lations of These Action Parts
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