Music Trade Review
Issue: 1921 Vol. 73 N. 9 - Page 52
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
48
AUGUST 27, 1921
THAT
FOX TROT
FASCINATING
LYRIC BY
FLETA JAN BROWN
music e>y
HERBERT SPENCER
MEW Y O R K
EDWARDS' SONG A HIT
"Morning, Noon and Night" Scoring Great Suc-
cess on Pacific Coast
Gus Edwards has pulled his musical trigger
again and scored another instantaneous popular
song hit. The Pacific Coast has risen en masse
to give an uproarious greeting to his "Morning,
Noon and Night" and they are playing and sing-
SONG HITS IN NEW^ O'HARA SHOW
SONS
STRONG PUBLICITY IN THE WEST
Well-known Actor-Singer Featuring Five Ex- Irving Berlin Numbers Being Featured by Three
Strong Acts on Orpheum Circuit
cellent Irish Songs by Ernest R. Ball in His
Latest Production, "The Happy Cavalier"
Several of the leading numbers of the catalog
Fiske O'Hara, the popular actor-singer, pre- o>f ^Irving Berlin, Inc., are to be featured
sented his latest production, "The Happy Cava- strongly in the West during the next few weeks.
lier," in Chicago on Sunday evening, August 14, Clark and Bergman, together with Morris and
and registered an immediate success. Of course, Campbell, have started over the Orpheum cir-
cuit from Chicago on the same bill, and both
acts are using "All by Myself," "Tuck Me to
Sleep in My Old Tucky Home," "Cry Baby
Blues" and "I've Got the Joys." At the same
time Mellinger and Meyers have started over
the Orpheum circuit from San Francisco, using
"Tuck Me to Sleep" and "Cry Baby Blues,"
Geo. Meyers, of the team, being the composer.
NEW SONG FOR PAT ROONEY
Popular Comedian Will Use "Molly O'Malley
and Me" in "Love Birds"
Gus Edwards and His Company at
ing it and dancing to it morning, noon and
night, with little or no let-up. The craze started
when Gus Edwards himself appeared in his
"Song Revue" at the Orpheum in San Francisco
and gave tremendous prominence to this new
number of his, which is published by M. Wit-
mark & Sons. In fact, "Morning, Noon and Night"
is the big numlber of the act and its choruses
are done over and over again in all sorts of dif-
ferent ways. After the first performance at the
Orpheum practically every orchestra and dance
leader in town lost not a minute in featuring
this melodious number, both as a dance and in
various cabaret reviews. One of the most re-
markable demonstrations of all occurred at the
huge Winter Garden on the occasion of the
American Legion Dance. Special arrangements
were made whereby Gus Edwards and his en-
tire company appeared here and sang "Morn-
ing, Noon and Night" to a crowd of 5,000 dancers.
It was the talk of the town. The accompanying
picture gives some idea of the crowd at the
Winter Garden that applauded the new Gus Ed-
wards hit. The composer-singer and his boys
and girls may be seen in the immediate fore-
ground. Several very striking window displays
in San Francisco and Los Angeles featured this
new "find." Among them was Johnston's Ye
Harmony Shoppe, in Los Angeles, whose win-
dow was entirely devoted to the song.
SECURE RIGHTS TO OLD TITLE
Jerome H. Remick & Co. have arranged for
the right to the song title, "Daddy, Won't
You Buy Me a Bow Wow?" which was a fa-
miliar tune two decades ago. It is understood
that Sidney Mitchell and Lew Pollack will write
a new song with that title for the new Century
Roof production.
When "Love Birds" reopens for its new sea-
son at the Majestic Theatre, Brooklyn, on Au-
gust 29, the popular comedian and singer, Pat
the Winter Garden, San Francisco
Rooney, will introduce a new song which he has
no Fiske O'Hara show would be complete with- written in conjunction with the well-known hit-
out some songs, and in this newest production writers, Kendis and Brockman. "Molly O'Mal-
he has five most attractiye numbers which he ley and Me" is the name of this new venture and
sings in his own characteristic and thoroughly it is described as an unusually attractive little
enjoyable style. The music of all five songs waltz song. Pat Rooney will sing it himself,
was furnished by Ernest R. Ball, who has of course, and hopes to make it one of the
achieved a world-wide reputation as a composer biggest successes in this altogether delightful
of Irish songs.' They are: "I'm Always in Love musical play.
With Someone, but That Someone Could Al-
ways Be You," a number with a haunting waltz
NEW EDITION OF "PEGGY O'NEIL"
melod'y; "Let Me Remember," "In the Good Old
Days of Long Ago," "Little Man" and "Laddie Elaborate Title Page to Bear Portrait in Colors
Buck of Mine." George Graff, Jr., supplied the
of Popular Actress
lyrics for the first four numbers, and J. Keirn
Brennan the lyrics for the last song.
Leo Feist, Inc., is bringing out another edi-
All the songs in the O'Hara show are pub- tion of "Peggy O'Neil" with a brand-new title
lished by M. Witmark & Sons, who, on the page adorned with the portrait in colors of
morning following the opening, received the fol- Peggy O'Neil herself. Miss O'Neil has been
lowing telegram from their Chicago representa- the belle of the London stage this season, ap-
tive :
pearing in "Paddy, the Next Best Thing," at
"Fiske O'Hara opened to-night to big house; the Savoy Theater, and has arranged to have a
show went over great. Songs all received with song bearing her name played between the acts.
enthusiasm. 'Laddie Buck,' 'Little Man,' 'Let She reports that over twenty-five of her ad-»
Me Remember' all good, but 'I'm Always in mirers have taken occasion to send her copies
Love' best of all. They are fine and proving of the song "Peggy O'Neil."
tremendous sellers. Details Century to-morrow.
Best wishes.
(Signed) Tom Quigley."
CARUSO SONG FEATURED AT PALACE
The new song published by Jack Mills, Inc.,
entitled "They Needed a Song Bird in Heaven,
Percy Wenrich and Gus Kahn have placed So God Took Caruso Away," designed as a
two new songs with Jerome H. Remick & Co. memorial to the late tenor, was presented for the
The titles are "Barefoot Boy" and "Shores of first time to the public at the Palace Theatre,
Minnetonka," and it is understood that they will New York, by Jack Boyle, of Kramer and Boyle,
and was received with enthusiasm by the audi-
be featured in a big way.
ence, some of whom were greatly affected, it is
John Abbott, manager of the music publishing said. The song was written by George A. Lit-
house of Francis, Day & Hunter, London, is ex- tle and Jack Scanlan, the idea being suggested
pected to reach New York on a business visit by George Walter Brown. The number is now
ready for delivery.
shortly.
.
_.. i.
PLACE TWO SONGS WITH REMICK
THE MUSIC TRADE REVIEW
48
AUGUST 27, 1921
THAT
FOX TROT
FASCINATING
LYRIC BY
FLETA JAN BROWN
music e>y
HERBERT SPENCER
MEW Y O R K
EDWARDS' SONG A HIT
"Morning, Noon and Night" Scoring Great Suc-
cess on Pacific Coast
Gus Edwards has pulled his musical trigger
again and scored another instantaneous popular
song hit. The Pacific Coast has risen en masse
to give an uproarious greeting to his "Morning,
Noon and Night" and they are playing and sing-
SONG HITS IN NEW^ O'HARA SHOW
SONS
STRONG PUBLICITY IN THE WEST
Well-known Actor-Singer Featuring Five Ex- Irving Berlin Numbers Being Featured by Three
Strong Acts on Orpheum Circuit
cellent Irish Songs by Ernest R. Ball in His
Latest Production, "The Happy Cavalier"
Several of the leading numbers of the catalog
Fiske O'Hara, the popular actor-singer, pre- o>f ^Irving Berlin, Inc., are to be featured
sented his latest production, "The Happy Cava- strongly in the West during the next few weeks.
lier," in Chicago on Sunday evening, August 14, Clark and Bergman, together with Morris and
and registered an immediate success. Of course, Campbell, have started over the Orpheum cir-
cuit from Chicago on the same bill, and both
acts are using "All by Myself," "Tuck Me to
Sleep in My Old Tucky Home," "Cry Baby
Blues" and "I've Got the Joys." At the same
time Mellinger and Meyers have started over
the Orpheum circuit from San Francisco, using
"Tuck Me to Sleep" and "Cry Baby Blues,"
Geo. Meyers, of the team, being the composer.
NEW SONG FOR PAT ROONEY
Popular Comedian Will Use "Molly O'Malley
and Me" in "Love Birds"
Gus Edwards and His Company at
ing it and dancing to it morning, noon and
night, with little or no let-up. The craze started
when Gus Edwards himself appeared in his
"Song Revue" at the Orpheum in San Francisco
and gave tremendous prominence to this new
number of his, which is published by M. Wit-
mark & Sons. In fact, "Morning, Noon and Night"
is the big numlber of the act and its choruses
are done over and over again in all sorts of dif-
ferent ways. After the first performance at the
Orpheum practically every orchestra and dance
leader in town lost not a minute in featuring
this melodious number, both as a dance and in
various cabaret reviews. One of the most re-
markable demonstrations of all occurred at the
huge Winter Garden on the occasion of the
American Legion Dance. Special arrangements
were made whereby Gus Edwards and his en-
tire company appeared here and sang "Morn-
ing, Noon and Night" to a crowd of 5,000 dancers.
It was the talk of the town. The accompanying
picture gives some idea of the crowd at the
Winter Garden that applauded the new Gus Ed-
wards hit. The composer-singer and his boys
and girls may be seen in the immediate fore-
ground. Several very striking window displays
in San Francisco and Los Angeles featured this
new "find." Among them was Johnston's Ye
Harmony Shoppe, in Los Angeles, whose win-
dow was entirely devoted to the song.
SECURE RIGHTS TO OLD TITLE
Jerome H. Remick & Co. have arranged for
the right to the song title, "Daddy, Won't
You Buy Me a Bow Wow?" which was a fa-
miliar tune two decades ago. It is understood
that Sidney Mitchell and Lew Pollack will write
a new song with that title for the new Century
Roof production.
When "Love Birds" reopens for its new sea-
son at the Majestic Theatre, Brooklyn, on Au-
gust 29, the popular comedian and singer, Pat
the Winter Garden, San Francisco
Rooney, will introduce a new song which he has
no Fiske O'Hara show would be complete with- written in conjunction with the well-known hit-
out some songs, and in this newest production writers, Kendis and Brockman. "Molly O'Mal-
he has five most attractiye numbers which he ley and Me" is the name of this new venture and
sings in his own characteristic and thoroughly it is described as an unusually attractive little
enjoyable style. The music of all five songs waltz song. Pat Rooney will sing it himself,
was furnished by Ernest R. Ball, who has of course, and hopes to make it one of the
achieved a world-wide reputation as a composer biggest successes in this altogether delightful
of Irish songs.' They are: "I'm Always in Love musical play.
With Someone, but That Someone Could Al-
ways Be You," a number with a haunting waltz
NEW EDITION OF "PEGGY O'NEIL"
melod'y; "Let Me Remember," "In the Good Old
Days of Long Ago," "Little Man" and "Laddie Elaborate Title Page to Bear Portrait in Colors
Buck of Mine." George Graff, Jr., supplied the
of Popular Actress
lyrics for the first four numbers, and J. Keirn
Brennan the lyrics for the last song.
Leo Feist, Inc., is bringing out another edi-
All the songs in the O'Hara show are pub- tion of "Peggy O'Neil" with a brand-new title
lished by M. Witmark & Sons, who, on the page adorned with the portrait in colors of
morning following the opening, received the fol- Peggy O'Neil herself. Miss O'Neil has been
lowing telegram from their Chicago representa- the belle of the London stage this season, ap-
tive :
pearing in "Paddy, the Next Best Thing," at
"Fiske O'Hara opened to-night to big house; the Savoy Theater, and has arranged to have a
show went over great. Songs all received with song bearing her name played between the acts.
enthusiasm. 'Laddie Buck,' 'Little Man,' 'Let She reports that over twenty-five of her ad-»
Me Remember' all good, but 'I'm Always in mirers have taken occasion to send her copies
Love' best of all. They are fine and proving of the song "Peggy O'Neil."
tremendous sellers. Details Century to-morrow.
Best wishes.
(Signed) Tom Quigley."
CARUSO SONG FEATURED AT PALACE
The new song published by Jack Mills, Inc.,
entitled "They Needed a Song Bird in Heaven,
Percy Wenrich and Gus Kahn have placed So God Took Caruso Away," designed as a
two new songs with Jerome H. Remick & Co. memorial to the late tenor, was presented for the
The titles are "Barefoot Boy" and "Shores of first time to the public at the Palace Theatre,
Minnetonka," and it is understood that they will New York, by Jack Boyle, of Kramer and Boyle,
and was received with enthusiasm by the audi-
be featured in a big way.
ence, some of whom were greatly affected, it is
John Abbott, manager of the music publishing said. The song was written by George A. Lit-
house of Francis, Day & Hunter, London, is ex- tle and Jack Scanlan, the idea being suggested
pected to reach New York on a business visit by George Walter Brown. The number is now
ready for delivery.
shortly.
.
_.. i.
PLACE TWO SONGS WITH REMICK
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