Music Trade Review
Issue: 1921 Vol. 73 N. 9 - Page 10
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
AUGUST 27, 1921
MUSIC OF THE MONTH—(Continued from page 9)
SONG WORD
'*45 MUSIC
I
ROLLS
FOR SEPTEMBER
7064 EVERY GIRLIE WANTS TO BE A
SALLY (From "Selwyn's Snap Shots").
Gerber and Franklin.
7072 IN A BOAT (For Two).
Ruby, Lange and Klapholz.
Fox-trot
7065 I WANT YOU MORNING. NOON AND
NIGHT (From "Gus Ed wards' Re-
view.") Fox-trot. Cobb and Edwards.
7063 MON HOMME (My Man).
Fox-trot.
Willemetz, Charles and Train.
7061 NEAR ME.
Fisher.
Fox trot.
Timberg
and
7068 PLANTATION LULLABY.
A South-
ern Waltz Ballad.
Stephens, Gillette
and Holmer.
Fox-trot
7070 8ATURDAY.
Brooks.
Mitchell
7062 SECOND HAND ROSE (From
feld Follies 1921"). Fox-trot
and Hanley.
7071 STOLEN KISSES.
and Snyder.
Fox-trot.
and
"Zieg-
Clarke
Wheeler
7069 STRUT MISS LIZZIE (From "Zieg-
feld Follies 1921"). F o x t r o t Creamer
and Layton.
7067 SWEETHEART.
Johnson.
Fox-trot
Davis and
7074 THERE'S A CORNER UP IN HEAVEN.
Fox-trt>t.
Irving Berlin.
7073 WHEN THE SUN GOES DOWN.
trot
Stoneham and Bloom.
Fox-
7066 WHO'LL BE THE NEXT ONE (To
Cry Over You). Fox-trot. Johnny S.
Black.
HAND PLAYED ROLLS
20851 BESSORABIA HANGA.
Perlstein.
20852 PIONEER
Luta.
BAND
Jewish Dance.
MARCH.
Geo. B.
FOREIGN EDITION
•3861 LA BELLA BRUNA.
Folka-Ghilar-
denghi. Arr. by G. Camerlingo.
•3864 ROMA.
•3865 FURORE
Slnfoniea.
Marcia.
(Italian)
D'UNA BAN DA.
O. IasilU.
L. Musso.
Marcia
*3866 IL PIFFERO Dl MONTAGNA. (Ital-
ian Word Roll) Raffaele Viviani.
•3867 'A SERENATA D'O CAFONE (Strofe
Camiche) (Italian Word Roll)
Carlo
Meola.
'3368 AIQ.A. Part I.: 1. Celeste Aitia. 2.
Quale insolita gioga. 3. Su! del nilo
al sacro Udo. 4. L' insana parole.
VerdL Arr. by S. A. Perry.
"3869 Al DA. Part II.: 1. Possente Ftha!
2. Sacred dance of Priestesses.
3.
Nume custode e vindice. 4. Charms
of women and dance of Moorish Slaves.
•
5. Ajnore, Amore.
Verdi.
Arr. by
8. A. Perry. "
•3870 AIDA.
Part III.
1.
Triumphal
Chorus and PnoceBsion. 2. Gloria all
Bgit.U). 3. Ballad Music. Verdi. Arr.
by S.. A. Perry.
•3871 AIDA. Part IV.: 1. Ma tu Re.
Struggi o Renueste ciurme ferocL
Innl leviamo ad Iside. 4. O*leli
auri.
5. Rivedrai le forest*
balsamente.
6. Pur ti riveggo
dolce Aida.
Verdi.
Arr. by S.
Perry.
2.
3.
az-
im-
mia
A.
player-piano. And we say quite sincerely, in the
belief that the statements are well founded, that
the commercial interests have absolutely nothing
to fear from the intrusion of this or any future
similar method into their domains. It has been
supposed that unscrupulous dealers might use
these machines for the purpose of "dubbing."
Those wiho are acquainted with the history of
the talking machine business are aware that at
one time, during the cylinder days, "dubbing"
was in that industry a menace—for a short time.
But after considerable practical experience with
the perforators we are of the matured opinion
that, even if their makers would lend themselves
to any discreditable practices (in itself quite out
ot the question), the thing could not be done in
any competitive manner. Music rolls can never
be cut privately as cheaply or as efficiently as
they can be bought. That is as certain as any-
thing human can be. No one who really under-
stands the ins and outs of the music roll game
could for a moment be deceived in this respect.
Any alarm, in our judgment, is quite unneces-
sary.
Making Player Prospects
But, on the other hand, we think it ought to
be said that there is a real reason for encourag-
ing the private cutting of music rolls. From
practical experience we can say that no one who
can buy a roll of any number is ever going to
cut it himself. But there is an immense amount
of wanted but unobtainable music. Violinists
and singers especially, as well as other instru-
mentalists, have wants as to accompanimental
music which can scarcely, if at all, be filled on
a commercial scale until the sale of player-pianos
among the professional musicians has vastply in-
creased. Meanwhile every time a musician w'ho
plays some stringed or wind instrument, or who
sings, finds that he or she can get accompani-
mental help from the player-piano another pros-
pect is ready for the player-piano dealer; and
the benefit is general.
These observations have seemed to be neces>-
sary in view of some apprehension and uncer-
tainty as to the probable effect of the perforators
on the music roll business. We trust that we
have been able to quiet the apprehensions and-
resolve the uncertainties.
- V;
AEOLIAN CO.
Tihe Aeolian Co.'s September bulletin is
divided into three sections, one of word rolls
another of accompaniment rolls and the third
of song and dance rolls, all the lists being care-
fully selected and well balanced, as a perusal
will prove:
Composer
Title
Played by
John Metcalf—Absent (Song Roll)
Erno Rapee
H. M. Queen Liliuokalani—Aloha Oe (Farewell to
Thee) (Song Roll)
Ed London
Georg Friedrich Handel—Harmonious Blacksmith,
Harold Bauer
Harry Tierney—In My Sweet Little Alice Blue Gown
(From "Irene")
Erno Rapee
Sigmund Romberg—Sweetheart (From "Maytitne"),
Erno Rapee
Fritz Kreisler—The Old Refrain (Viennese Popular
Song)
Rudolph Ganz
James L. Molloy—Love's Old Sweet Song (Song Roll),
Henry Lange
Wilson G. Smith—Scene d'Amour (Romance), Op. 61,
No. 2
Moissaye Bogiisla wski
Edward MacDowell—Shadow Dance, Op. 39, No. 8,
Winifred Byrd
Lillian Ray—The Sunshine of Your Smile (Song Roll),
Phil Ohman
Joseph Wicniwaski—Valse de Concert, On. 3,
E. Robert Schmitz
ACCOMPANIMENT ROLLS
Gabriel Faure—Apres un Reve (Mezzo-soprano in C
minor)
Coenraad V. Bos
Frederic Clay—I'll Sing Thee Songs of Araby (So-
prano in A-flat)
Eleanor Shaw
David Popper—Arlequin (For violin or 'cello),
Maurice Dambois
SONG AND DANCE ROLLS
Rudolf Friml—Bring Back My Blushing Rose—Fox-
trot
Frank Banta
Louis Hirsch—Learn to Smile—-Fox-trot
Henry Lange
Eubie Blake—Love Will Find a Way (From "Shuffle
Along")—Fox-trot
Phil Ohman
Con Conrad—Mimi—Fox-trot
Frank Milne
Maurice Yvain—Mon Homme (My Man)—Fox-trot,
Phil Ohman
Vincent Youmans—Oh Me! Oh My! (From "Two
Little Girls in Blue")—Fox-trot
Phil Ohman
Ted Snyder—Stolen Kisses—Fox-trot
Cliff Hess
Lou Traveller—Ti-O-San-—Fox-trot
Henry Lange
AMERICAN PIANO CO.
The Field of Research
In a word, the invasion of the field by small
perforators cannot hurt anyone. It cannot, in
fact, do anything but stimulate interest in the
player-piano; and to the extent that it does that
everybody will be helped. And, finally, let it be
noted that these perforators can at this time
perform a great and essential service to the de-
velopment of the entire industry, for they can
enable musicians to experiment in the new art
of composition for the player-piano. The prin-
ciples of that art have already been laid down
by Dr. Schaaf in his recent series in this Player
Section; and it is no secret that he has found
the perforator very useful in translating theory
into practice.
A half-dozen instrumental recordings of the
better sort, each played by a pianist of note:
three new standard records, with words, and a
dozen popular songs in word roll form are all
offered by the American Piano Co. for Septem
ber. It is a list of unusual interest and in its
entirety is us follows:
WHITE, SON CO.
Worcester Wind MotorCo.
Manufacturers of
INSTRUMENTAL RECORDINGS
Composer
Title
Played by
Dohnanyi—Rhapsodic, Op. 11, No. 2
Erno Dohnanyi
Poldini—Waltzing Doll (Poupee Valsante),
Fanny Bloomfield Zeisler
Gaertner-Kreisler—Viennese Melody
Fritz Kreis!er
Scharwcnka—Polish National Dance, Op. 3, No. 1,
Zaver Scharwenka
Grunfeld—Little Serenade
Howard Brockway
Bishop—Home, Sweet Home
Leopold Godowsky
STANDARD RECORDINGS WITH WORDS
Tschemacher-d'Hardelot—Because—ballad. .Edgar Fairchild
Rowe-MacMurrough—Macushla—Ballad. -Howard Brockway
WORCESTER, MASS.
Maker* of Absolutely Satisfactory
WIND MOTORS for PLAYER-PIANOS
Also all kinds of Pneumatics and Supplies
ORGAN AND PLAYER-PIANO
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIIIII!
LEATHERS
CONNORIZED
The Roll of Rolls
530-540 Atlantic Ave., BOSTON, MASS.
CONNORIZED MUSIC CO.
New York
144th Street and Austin Place
1234 Olive Street
St. Louis. Mo.
INTRODUCED IN
•3872 AIDA. Part V.: 1. Notturno. 2. Lat-
ra foreste vergini. 3. Gia i sacerdatti
adunausi.
4. Oh! tu dei vivere. 5.
Radames e' declso.il tuo fato. 6. Morir!
si pura e belle. Verdi. Arr. by S.
A. Perry.
. -
•Italian
Selections.
.
Made by die pioneers and
leaders in the plqyerjnano
industry
Hove wonderful patented
devices and exclusive
features.
CONNORIZED MUSIC CO.
144th Street and Austin Place, New York
1234 Olive Street
St, Louis, Mo.
e WILCOX ® WHITE Co.
EtbAbihed 1877
MBKIDEN CONN.
A j n d N sD ovw tf» UbriA
THE MUSIC TRADE REVIEW
AUGUST 27, 1921
MUSIC OF THE MONTH—(Continued from page 9)
SONG WORD
'*45 MUSIC
I
ROLLS
FOR SEPTEMBER
7064 EVERY GIRLIE WANTS TO BE A
SALLY (From "Selwyn's Snap Shots").
Gerber and Franklin.
7072 IN A BOAT (For Two).
Ruby, Lange and Klapholz.
Fox-trot
7065 I WANT YOU MORNING. NOON AND
NIGHT (From "Gus Ed wards' Re-
view.") Fox-trot. Cobb and Edwards.
7063 MON HOMME (My Man).
Fox-trot.
Willemetz, Charles and Train.
7061 NEAR ME.
Fisher.
Fox trot.
Timberg
and
7068 PLANTATION LULLABY.
A South-
ern Waltz Ballad.
Stephens, Gillette
and Holmer.
Fox-trot
7070 8ATURDAY.
Brooks.
Mitchell
7062 SECOND HAND ROSE (From
feld Follies 1921"). Fox-trot
and Hanley.
7071 STOLEN KISSES.
and Snyder.
Fox-trot.
and
"Zieg-
Clarke
Wheeler
7069 STRUT MISS LIZZIE (From "Zieg-
feld Follies 1921"). F o x t r o t Creamer
and Layton.
7067 SWEETHEART.
Johnson.
Fox-trot
Davis and
7074 THERE'S A CORNER UP IN HEAVEN.
Fox-trt>t.
Irving Berlin.
7073 WHEN THE SUN GOES DOWN.
trot
Stoneham and Bloom.
Fox-
7066 WHO'LL BE THE NEXT ONE (To
Cry Over You). Fox-trot. Johnny S.
Black.
HAND PLAYED ROLLS
20851 BESSORABIA HANGA.
Perlstein.
20852 PIONEER
Luta.
BAND
Jewish Dance.
MARCH.
Geo. B.
FOREIGN EDITION
•3861 LA BELLA BRUNA.
Folka-Ghilar-
denghi. Arr. by G. Camerlingo.
•3864 ROMA.
•3865 FURORE
Slnfoniea.
Marcia.
(Italian)
D'UNA BAN DA.
O. IasilU.
L. Musso.
Marcia
*3866 IL PIFFERO Dl MONTAGNA. (Ital-
ian Word Roll) Raffaele Viviani.
•3867 'A SERENATA D'O CAFONE (Strofe
Camiche) (Italian Word Roll)
Carlo
Meola.
'3368 AIQ.A. Part I.: 1. Celeste Aitia. 2.
Quale insolita gioga. 3. Su! del nilo
al sacro Udo. 4. L' insana parole.
VerdL Arr. by S. A. Perry.
"3869 Al DA. Part II.: 1. Possente Ftha!
2. Sacred dance of Priestesses.
3.
Nume custode e vindice. 4. Charms
of women and dance of Moorish Slaves.
•
5. Ajnore, Amore.
Verdi.
Arr. by
8. A. Perry. "
•3870 AIDA.
Part III.
1.
Triumphal
Chorus and PnoceBsion. 2. Gloria all
Bgit.U). 3. Ballad Music. Verdi. Arr.
by S.. A. Perry.
•3871 AIDA. Part IV.: 1. Ma tu Re.
Struggi o Renueste ciurme ferocL
Innl leviamo ad Iside. 4. O*leli
auri.
5. Rivedrai le forest*
balsamente.
6. Pur ti riveggo
dolce Aida.
Verdi.
Arr. by S.
Perry.
2.
3.
az-
im-
mia
A.
player-piano. And we say quite sincerely, in the
belief that the statements are well founded, that
the commercial interests have absolutely nothing
to fear from the intrusion of this or any future
similar method into their domains. It has been
supposed that unscrupulous dealers might use
these machines for the purpose of "dubbing."
Those wiho are acquainted with the history of
the talking machine business are aware that at
one time, during the cylinder days, "dubbing"
was in that industry a menace—for a short time.
But after considerable practical experience with
the perforators we are of the matured opinion
that, even if their makers would lend themselves
to any discreditable practices (in itself quite out
ot the question), the thing could not be done in
any competitive manner. Music rolls can never
be cut privately as cheaply or as efficiently as
they can be bought. That is as certain as any-
thing human can be. No one who really under-
stands the ins and outs of the music roll game
could for a moment be deceived in this respect.
Any alarm, in our judgment, is quite unneces-
sary.
Making Player Prospects
But, on the other hand, we think it ought to
be said that there is a real reason for encourag-
ing the private cutting of music rolls. From
practical experience we can say that no one who
can buy a roll of any number is ever going to
cut it himself. But there is an immense amount
of wanted but unobtainable music. Violinists
and singers especially, as well as other instru-
mentalists, have wants as to accompanimental
music which can scarcely, if at all, be filled on
a commercial scale until the sale of player-pianos
among the professional musicians has vastply in-
creased. Meanwhile every time a musician w'ho
plays some stringed or wind instrument, or who
sings, finds that he or she can get accompani-
mental help from the player-piano another pros-
pect is ready for the player-piano dealer; and
the benefit is general.
These observations have seemed to be neces>-
sary in view of some apprehension and uncer-
tainty as to the probable effect of the perforators
on the music roll business. We trust that we
have been able to quiet the apprehensions and-
resolve the uncertainties.
- V;
AEOLIAN CO.
Tihe Aeolian Co.'s September bulletin is
divided into three sections, one of word rolls
another of accompaniment rolls and the third
of song and dance rolls, all the lists being care-
fully selected and well balanced, as a perusal
will prove:
Composer
Title
Played by
John Metcalf—Absent (Song Roll)
Erno Rapee
H. M. Queen Liliuokalani—Aloha Oe (Farewell to
Thee) (Song Roll)
Ed London
Georg Friedrich Handel—Harmonious Blacksmith,
Harold Bauer
Harry Tierney—In My Sweet Little Alice Blue Gown
(From "Irene")
Erno Rapee
Sigmund Romberg—Sweetheart (From "Maytitne"),
Erno Rapee
Fritz Kreisler—The Old Refrain (Viennese Popular
Song)
Rudolph Ganz
James L. Molloy—Love's Old Sweet Song (Song Roll),
Henry Lange
Wilson G. Smith—Scene d'Amour (Romance), Op. 61,
No. 2
Moissaye Bogiisla wski
Edward MacDowell—Shadow Dance, Op. 39, No. 8,
Winifred Byrd
Lillian Ray—The Sunshine of Your Smile (Song Roll),
Phil Ohman
Joseph Wicniwaski—Valse de Concert, On. 3,
E. Robert Schmitz
ACCOMPANIMENT ROLLS
Gabriel Faure—Apres un Reve (Mezzo-soprano in C
minor)
Coenraad V. Bos
Frederic Clay—I'll Sing Thee Songs of Araby (So-
prano in A-flat)
Eleanor Shaw
David Popper—Arlequin (For violin or 'cello),
Maurice Dambois
SONG AND DANCE ROLLS
Rudolf Friml—Bring Back My Blushing Rose—Fox-
trot
Frank Banta
Louis Hirsch—Learn to Smile—-Fox-trot
Henry Lange
Eubie Blake—Love Will Find a Way (From "Shuffle
Along")—Fox-trot
Phil Ohman
Con Conrad—Mimi—Fox-trot
Frank Milne
Maurice Yvain—Mon Homme (My Man)—Fox-trot,
Phil Ohman
Vincent Youmans—Oh Me! Oh My! (From "Two
Little Girls in Blue")—Fox-trot
Phil Ohman
Ted Snyder—Stolen Kisses—Fox-trot
Cliff Hess
Lou Traveller—Ti-O-San-—Fox-trot
Henry Lange
AMERICAN PIANO CO.
The Field of Research
In a word, the invasion of the field by small
perforators cannot hurt anyone. It cannot, in
fact, do anything but stimulate interest in the
player-piano; and to the extent that it does that
everybody will be helped. And, finally, let it be
noted that these perforators can at this time
perform a great and essential service to the de-
velopment of the entire industry, for they can
enable musicians to experiment in the new art
of composition for the player-piano. The prin-
ciples of that art have already been laid down
by Dr. Schaaf in his recent series in this Player
Section; and it is no secret that he has found
the perforator very useful in translating theory
into practice.
A half-dozen instrumental recordings of the
better sort, each played by a pianist of note:
three new standard records, with words, and a
dozen popular songs in word roll form are all
offered by the American Piano Co. for Septem
ber. It is a list of unusual interest and in its
entirety is us follows:
WHITE, SON CO.
Worcester Wind MotorCo.
Manufacturers of
INSTRUMENTAL RECORDINGS
Composer
Title
Played by
Dohnanyi—Rhapsodic, Op. 11, No. 2
Erno Dohnanyi
Poldini—Waltzing Doll (Poupee Valsante),
Fanny Bloomfield Zeisler
Gaertner-Kreisler—Viennese Melody
Fritz Kreis!er
Scharwcnka—Polish National Dance, Op. 3, No. 1,
Zaver Scharwenka
Grunfeld—Little Serenade
Howard Brockway
Bishop—Home, Sweet Home
Leopold Godowsky
STANDARD RECORDINGS WITH WORDS
Tschemacher-d'Hardelot—Because—ballad. .Edgar Fairchild
Rowe-MacMurrough—Macushla—Ballad. -Howard Brockway
WORCESTER, MASS.
Maker* of Absolutely Satisfactory
WIND MOTORS for PLAYER-PIANOS
Also all kinds of Pneumatics and Supplies
ORGAN AND PLAYER-PIANO
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIIIII!
LEATHERS
CONNORIZED
The Roll of Rolls
530-540 Atlantic Ave., BOSTON, MASS.
CONNORIZED MUSIC CO.
New York
144th Street and Austin Place
1234 Olive Street
St. Louis. Mo.
INTRODUCED IN
•3872 AIDA. Part V.: 1. Notturno. 2. Lat-
ra foreste vergini. 3. Gia i sacerdatti
adunausi.
4. Oh! tu dei vivere. 5.
Radames e' declso.il tuo fato. 6. Morir!
si pura e belle. Verdi. Arr. by S.
A. Perry.
. -
•Italian
Selections.
.
Made by die pioneers and
leaders in the plqyerjnano
industry
Hove wonderful patented
devices and exclusive
features.
CONNORIZED MUSIC CO.
144th Street and Austin Place, New York
1234 Olive Street
St, Louis, Mo.
e WILCOX ® WHITE Co.
EtbAbihed 1877
MBKIDEN CONN.
A j n d N sD ovw tf» UbriA
Future scanning projects are planned by the International Arcade Museum Library (IAML).