Music Trade Review

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VOL. LXIX. NEW YORK, DECEMBER 6, 1919
No. 23
The Welte-Mignon
Has a Faculty
of One Hundred and Fifty-Six
Instructors in Piano Playing
The WELTE-MIGNON can be likened to a college for teaching
the art of playing the piano.
This college has a faculty of one hundred fifty-six instructors—the
leading pianists of this generation.
These master pianists have interpreted over five thousand different
pieces of the best musical literature of all ages of which each inter-
pretation is an authoritative instruction in
the playing of that particular composition
Among Those Who Have Re-
—a final lesson in the art of finished piano
corded Their IMayiiiR l'"or
The Welte-MiRiion are
playing.
I. .T. l'aderewski
.losef Hofmann
The WELTE-MIGNON is the means
Teiesa Carrefio
Ferruccio ISusoni
through which this great storehouse of cor-
Fannie Bloomfleld-Zeisler
Vladimir rect and artistic piano playing is given to
Josef Lhoviiine
Volando Jlerii
the public—the student and layman, alike.
Riinul I'ugno
Camille Saint-Saens
Alfred
Reisenauer
All of the great musical conservatories of
Emil Saner
Claude Debussy
the world, if taken together, could not com-
Ossip Oabrilowitsch
Rudolph Gnuz
mand a faculty of such combined power
Arthur Friedhelm
Olga Samaroff
and genius as the faculty of piano inter-
Xaver Scharwenka
Tlieodor Leschetizky
pretation employed by the W E L T E -
Mark Hamhourg
MIGNON.
Ernest Schellinsr
A. Eugene d'Albert
r=V
Nor can all the combined musical schools find it within
their means to render the great masterpiece's of musical
literature with such authority as can the WELTE-
MIGNON.
Myrtle Elvyn
Carl Frieberg
\n<\ 132 Other Artists
Of
fyike Kntinpnrt*
M. WELTE & SONS, Inc.
SIX SIXTY-SEVEN FIFTH AVE.,
NEW YORK
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