JUNE
THE
28, 1919
MeSIC
TRADE
57
REVIEW
NEW FEIST PROFESSIONAL STUDIOS
New Quarters of Professional Department Most
Elaborate in Every Particular-The Formal
Opening Celebrated Last Week
In June Prepare lor
September!
The Fa,rnl er must plant bis seeds months
before he can ga.ther his crOll. The iUusic
Deale r Jllust lay his plans and tra.de fonnda.
tions months b efore he ca·n reaHze on them,
whi(' h Jeads to th e logi c al advice
Plant "Century Edition" Now
The big feature of the convention of the Feist
managers last week, and for that matter a dis
tinct feature in the pop ular music and theatrical
world, was the opening of the elaborate new
Feist professional studios at 711, Seventh ave
nue. A. lthough the n ew offices have be en occu
pied for several weeks the formal opening was
delayed until everything was complete.
The n~\\ s tudio s, which occupy an e ntire floor,
are without question the m ost elaborate of their
kind in th e country. The entrance is through
an Italian Re naiss ance doorway, paved with '
ground Caen sto ne, and opcninf" into th e main
rec eption room or rialto. The rialto itself is a
mos tela bora te creation, wa lied in imi ta tion
You h.now "CENTl·Ry"-the Nationally Ad
l'ertised Etlition that insures you a profit of
150 % and m a lces every custOlner a. friend of
your llouse.
Timely?
We'll Say It Is
"LET;S KNOCK THE
BULL OUT OF THE
BOLSHEVIKI" .
DEALERS-Write for Bulletin
and Prices
" ' rite for particulars now-get ready for
September and the months that will follow.
LEO. FEIST. Inc., FEIST Bldg., New York
Century 'Music Pub. Co.
231-235 West 40th Street, NEW YORK
"DADDIES" NOW IN SONG FORM
Chas. K. Harris Secures Rights ·to New Num
ber Based on Successful Play
C has. K. Ha rris ha s secured the publishing
rights to a new song, entitled "Da ddies," writ
ten by .\bel Gree n and Sam Coslow. The num
ber is taken from a comedy of the same name
produced under th e direction of David Belasco,
which is' still pl aying in th e L yceum Theatre,
New York, and scoring big. .
The lyric and music closely follow the play
and the title page is taken from one of th e
scen es . Ina smuc h as t.his show will tour the
road from coast to coast for several seaso ns
the song will be long before the public.
.\ new song entitled "Breezes" ("Blow My
Baby Back to Me" ) is being rushed into print
by Shapiro, Bernstein & Co., Tnc. The number
has been received with enthusiasm by both the
professional and sales staff of the firm and it
is predicted th at it will be one of the bigge st
sellers of th e year.
ALWAYS IN DEMAND
The Rialto
stone, with a frieze made up of a score or
more Mural paintings by John Wenger, an
artist of llational rep utati on . Th e paintings arc
illuminated with concealed electric lights. .'\
beautiful pergola covered with green vines and
flowers adds to the s plen dor of the effect.
Stretching down fr om the rialt o is a wide cor-
The Pergola
ridor which provid es a passageway for the vari
ous professional studio s, a dozen or more in
llumber, each individual in its decoration and
furni s hings.
At one end of the 'rialto is the professional
copy and band an d orchestra depart ment, and
McKinley's New Song Success
GREATEST "JAZZ" SONG EVER PUBLISHED
SECULAR
Evening Bringt!! Rest and You
There's A Long, Long Trail
The ~I .. glc of Your Eyes
i\ly Rosary for You
Mother Machree
J{iss Me Again
Starlight J~o\'e
Can't 1.'0' Heab lUe Cullin', Caroline
Iting Out! Sweet Bells of Peace
Spring's a Lo\'able LadJ'e
Dear Little Boy of Mine
Sorter Miss You
Smilin' Through
Who ){ uow.?
\'alu~s
SACRED
To Pray
Come To Thee
The Silent \'oice
A Little While
It Was For Me
E\'t'r At Hest
at tlie -other end the office of Ph il Kornheiser,
the manager. A beautifully decorated ce iling,
stained glass windows, a handsome fountain of
Rockwood potte ry, and elaborate lighting fix;
tures serve to add to th e general effect. The
One of the Studios
entire plan of the establishmetit was conceived
by Leo Feist himself, who spared no expensp. in
carrying out th e idea, and he is enti tled to sin
c<"rest co ngratula tions.
Just to insure good luck, the anci ent Swastika
symbol appears at frequent intervals in th e
decorative sche me, and although official atten
tion has not been called to th e fact, the num
ber 71 J, the address, . is not in any sense to be
considered a s an omen o f ill luck. Those mys
tic figur es have brought good fortune to more
than one man who lik'es to take chances in
!tying his luck.