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Music Trade Review

Issue: 1918 Vol. 67 N. 24 - Page 10

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE REVIEW
DECEMBER 14,
1918
There Is No Substitute for Quality
Wartime conditions have forced substitution in many lines—
substitution that had for its purpose the releasing of some product
or material which was essential to the winning of the war. Many
new substitutes have been discovered which proved almost equal
to the original product, but even the war did not lead to the dis-
covery of a substitute for that all-important factor called quality.
Poole pianos have always been
built according to the most
stringent rules for producing
instruments of quality, and
over a quarter century of care-
ful piano-making has made
the master-workmen who are
responsible for the instru-
ments bearing the Poole name
experts in creating pianos
and players of unquestioned
quality.
Poole quality has been abso-
lutely maintained throughout
the entire period of the war.
There has been no substitu-
tion—there is no substitute
that will take the place of the
quality of workmanship, tone
and design upon which the
reputation of Poole pianos
and players has been built.
POObE
The coming of peace finds
the Poole piano unchanged—
the Poole organization intact
—the Poole traditions upheld
—and the public esteem for
Poole quality maintained and
enhanced.
Dealers handling the Poole
line have found their clientele
steadily increasing, and have
known that the unchanging
quality of the instruments
sold by them has constantly
added to their standing as
merchants of reliability and
reputation.
The absolute adherence to
the Poole standard of quality
which characterizes every in-
strument built by the Poole
organization assures the piano
merchant of all the benefits
to be obtained by handling
a prestige-making line.
Poole Piano Company
Sidney St., Cambridge A Branch
Boston, Mass.
BOSTON
U.S.A.

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