Music Trade Review
Issue: 1917 Vol. 64 N. 9 - Page 57
Supplement THE MUSIC TRADE REVIEW, March 3, 1917
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
LONE
The
ltn,e,
"Within the throats of all human kind
Is a musical instrument by God designed,
Through it man avoos woman and she shapes man's mind."
Plato said hundreds of years ago that "Music is to the
mind as air is to the body." Today there is nothing so sus-
taining as to feel, after training and practice, that one's
vocal chords are producing sweeter and sweeter music.
ARTo SONG Rolls, when combined with a player
piano, furnish one of the most efficient and certainly the
most economical and convenient, mediums of vocal
instruction. Professional singers are employing this com-
bination in their practise work.
I he i'laytr
l'tan<>
I
Ar-D
"God's melodies e'en sound through human skill
In nature's elements harnessed to man's nvill,
These ivondrous instruments echo His celestial music still."
Instructions for Use of
ARTo SONG Rolls
FECT
regular music staff extends lengthwise of
the roll upon which the words are so arranged
that the initial letters thereof indicate the exact
tone or pitch in which each word is to be sung.
•^•"Shown at left and rig
^
spaces between the words indicate the
duration of tone of each word.
^ s shown at left, each w o r d is located
opposite its melody carrying perforation so that
you are guided by both the eye and the ear as
to exactly when and how to sing each word.
No other instructions than those contained in the three
preceding paragraphs are necessary for a proper and delightful
use of an ARTo SONG Roll. You can commence practicing
immediately. ARTo SONG Rolls make you ting.
pfp
U
Mtr
Tr
rtF
T
™
p 0
©
As simplification is now recognized as the highest form
of invention, these new word song rolls mark the highest
possible development of the art of music. They interpret, in
a manner universally understandable, the language which is
worshiped by all mankind—the language of song.
ANDANT1N
A
CF
E NP
tr
C
Some of the Exclusive Advantages
of ARTo'SONG Rolls
I—They
greatest
and, by
the best
embody the actual playing of many of the world's
pianists, who virtually act as your accompanists,
their wonderful playing, lead and instruct you in
method of rendering a particular song.
C
.' -Every ARTo Song roll is so recorded as to serve either
as a song accompaniment or as a solo instrumental rendition.
3—Every world standard composition is rendered instructive,
non-tearable, non-soilable and highly artistic in appearance
by the patented leader end shown at the left.
NON
SOIL-ABLE
4—While the prompt issuance of the latest popular songs
compels us to omit the patent leader ends thereon, they
embody all of the other advantages mentioned above.
5—Every ARTo roll has a containing box which is in itself
a work of art.
-ARTBISTIC
COMPARATIVELY
WHEN
INEXPENSIVE
6 ARTo roll§ cost no more than the ordinary kind.
"Che Artist's own
e
H an d-Pl v ayin g
(lit in the Ro
ROLLS
r'Oi
LIST OF WORD
Latest POPULAR Songs
No.
!»,"!>
«:*«
870
•)(>0
H54
816
SO!)
741
XXI
it'ii
!>.-)K
XI4
Title
Composer
•Don't Liave Me Daddy. Fox Trot, Jazz-Rag,
Key of C
Verges
*IInnjj Kung. F o x Trot, Key of F. Chinese Love
Suntr. .lazz-Rag Chorus.Von Holstein and Sanders
"HOIK lulu, America Loves You. Key of C, Ja/z-
Monaco
n IX (die Step
ind You Among the Roses, Waltz Ballad.
K •y of It Fiat
Pitman
I Ki o\v I Got More Than My Share. Ballad.
K y of
Clarke
Irela nd Must Be Heaven for My Mother Came
Key of f C O
Fischer
from There. K
F
i
•Keei Your Eye on the Girlie You L o v e . . . .Schuster
e Step. Key of E Flat. Jazz-Rag Chorus.
My Own Iona. .One Step, Key of F Sharp,
Friedland-Morgan
•Naughty. Naughty, Nauplity
Vincent
Fox Trot, Key of A Flat. Jazz-Rag Chorus.
Poor Butterfly. Jazz-Ras Fox Trot, Key of A.
Hubbell
Sweetheart. Waltz Song, Key of E Flat
Heller
•There's a Little Bit of Bad in Every
Fischer
XXI) • T h e y ' r e W e a r i n g T h e m
Higher
in H a w a i i . . . . M o h r
One Step, Key of E Flat, Jazz-Rag Chorus.
•What Do You Want to Make Those Eyes At
Me For? Fox Trot. Key of E
Monaco
•For Both Singing and Dancing.
Played by Pr i« # e
Mackey
.75
No.
100
105
Walter
.75
488
Weston
.70
Delaney
.715
Walter
.70
Fecher
Elliott
.75
.75
144
684
liH
567
.0.
1.76
Schmidliii
Walter
.G5
.75
Weston
Walter
.85
.75
Rowley
Elliott
•? 5
.75
K00
ix.->
!»57
546
0H0
05
303
648
101
Famous STANDARD Songs
Title
Composer
A Dream. Key of .F
Bartlett
A Little Love, A Little Kiss. (Un Peu d'Amour),
Key of I)
Silesu
Aloha Oe (Farewell to Thee). Key of B Flat,
Lilloukalani
A Perfect Day. Key of A Flat
Jaco!>n-Bord
Absent. Key" of A . . . . '
Metcalf
Annie Laurie. Key-of D Flat
Scott
Answer. Key of F
;•
Robyn
Auld Lang Syne: (Should Old Acquaintance
lie Forgot). Key of F
Believe Me If All Those Endearing Young
( harms. Key of (J
Stevenson
Clr.ihirihin. (Cheereebeereebin). Key of F.Pestalozza
Home, Sweet Home. Key of E Flat
Bishop
J Heaj- You Calling Me. Key of B F l a t . . .Marshall
Little Grey Home in the West. Ballad, Key
of E Flat
Lphr
Love Here Is My Heart. (Mon Coeyr est Pour
Toi).
Key of E Flat
,-
Silesu
Macushla. Key of A Flat
MacMurrough
Old Black Joe. Key of D
Foster
Silver Threads Among the Gold. Key of B
Flat
.Dunks
Somewhere a Voice Is Calling. Key of F
Tate
Sunshine of Your Smile, The. Key of F
Ray
Sweetest St«*r5 Ever Told, The. Key of D
Flat
:
•
St ults
When You and I Were Young, Maggie. Key
of
Standard Music Roll Co.,
Played by
St:ilman
Price
Medvedlev
.05
Feeher
Schwartz
Burlow
Burlovv
Walter
.70
.05
.60
.75
.85
.05
Rankin
.65
Schwartr
d'Arola
Fee her
Medvediev
.75
.05
.75
.85
Delaney
.85
Schwartz
Burlow
Ran kin
.85
.75
.85
Stillman
Walttr
Fecher
.05
.85
.75
Stillman
.75
Schwartz
.95
Sing with
ARTo
SONG
Rolls
— and let them
help make your
voice into a glo-
rious, perfect in-
strument that will
biing you pleas-
ure, joy and ad-
miration.
Orange, N. J.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
LONE
The
ltn,e,
"Within the throats of all human kind
Is a musical instrument by God designed,
Through it man avoos woman and she shapes man's mind."
Plato said hundreds of years ago that "Music is to the
mind as air is to the body." Today there is nothing so sus-
taining as to feel, after training and practice, that one's
vocal chords are producing sweeter and sweeter music.
ARTo SONG Rolls, when combined with a player
piano, furnish one of the most efficient and certainly the
most economical and convenient, mediums of vocal
instruction. Professional singers are employing this com-
bination in their practise work.
I he i'laytr
l'tan<>
I
Ar-D
"God's melodies e'en sound through human skill
In nature's elements harnessed to man's nvill,
These ivondrous instruments echo His celestial music still."
Instructions for Use of
ARTo SONG Rolls
FECT
regular music staff extends lengthwise of
the roll upon which the words are so arranged
that the initial letters thereof indicate the exact
tone or pitch in which each word is to be sung.
•^•"Shown at left and rig
^
spaces between the words indicate the
duration of tone of each word.
^ s shown at left, each w o r d is located
opposite its melody carrying perforation so that
you are guided by both the eye and the ear as
to exactly when and how to sing each word.
No other instructions than those contained in the three
preceding paragraphs are necessary for a proper and delightful
use of an ARTo SONG Roll. You can commence practicing
immediately. ARTo SONG Rolls make you ting.
pfp
U
Mtr
Tr
rtF
T
™
p 0
©
As simplification is now recognized as the highest form
of invention, these new word song rolls mark the highest
possible development of the art of music. They interpret, in
a manner universally understandable, the language which is
worshiped by all mankind—the language of song.
ANDANT1N
A
CF
E NP
tr
C
Some of the Exclusive Advantages
of ARTo'SONG Rolls
I—They
greatest
and, by
the best
embody the actual playing of many of the world's
pianists, who virtually act as your accompanists,
their wonderful playing, lead and instruct you in
method of rendering a particular song.
C
.' -Every ARTo Song roll is so recorded as to serve either
as a song accompaniment or as a solo instrumental rendition.
3—Every world standard composition is rendered instructive,
non-tearable, non-soilable and highly artistic in appearance
by the patented leader end shown at the left.
NON
SOIL-ABLE
4—While the prompt issuance of the latest popular songs
compels us to omit the patent leader ends thereon, they
embody all of the other advantages mentioned above.
5—Every ARTo roll has a containing box which is in itself
a work of art.
-ARTBISTIC
COMPARATIVELY
WHEN
INEXPENSIVE
6 ARTo roll§ cost no more than the ordinary kind.
"Che Artist's own
e
H an d-Pl v ayin g
(lit in the Ro
ROLLS
r'Oi
LIST OF WORD
Latest POPULAR Songs
No.
!»,"!>
«:*«
870
•)(>0
H54
816
SO!)
741
XXI
it'ii
!>.-)K
XI4
Title
Composer
•Don't Liave Me Daddy. Fox Trot, Jazz-Rag,
Key of C
Verges
*IInnjj Kung. F o x Trot, Key of F. Chinese Love
Suntr. .lazz-Rag Chorus.Von Holstein and Sanders
"HOIK lulu, America Loves You. Key of C, Ja/z-
Monaco
n IX (die Step
ind You Among the Roses, Waltz Ballad.
K •y of It Fiat
Pitman
I Ki o\v I Got More Than My Share. Ballad.
K y of
Clarke
Irela nd Must Be Heaven for My Mother Came
Key of f C O
Fischer
from There. K
F
i
•Keei Your Eye on the Girlie You L o v e . . . .Schuster
e Step. Key of E Flat. Jazz-Rag Chorus.
My Own Iona. .One Step, Key of F Sharp,
Friedland-Morgan
•Naughty. Naughty, Nauplity
Vincent
Fox Trot, Key of A Flat. Jazz-Rag Chorus.
Poor Butterfly. Jazz-Ras Fox Trot, Key of A.
Hubbell
Sweetheart. Waltz Song, Key of E Flat
Heller
•There's a Little Bit of Bad in Every
Fischer
XXI) • T h e y ' r e W e a r i n g T h e m
Higher
in H a w a i i . . . . M o h r
One Step, Key of E Flat, Jazz-Rag Chorus.
•What Do You Want to Make Those Eyes At
Me For? Fox Trot. Key of E
Monaco
•For Both Singing and Dancing.
Played by Pr i« # e
Mackey
.75
No.
100
105
Walter
.75
488
Weston
.70
Delaney
.715
Walter
.70
Fecher
Elliott
.75
.75
144
684
liH
567
.0.
1.76
Schmidliii
Walter
.G5
.75
Weston
Walter
.85
.75
Rowley
Elliott
•? 5
.75
K00
ix.->
!»57
546
0H0
05
303
648
101
Famous STANDARD Songs
Title
Composer
A Dream. Key of .F
Bartlett
A Little Love, A Little Kiss. (Un Peu d'Amour),
Key of I)
Silesu
Aloha Oe (Farewell to Thee). Key of B Flat,
Lilloukalani
A Perfect Day. Key of A Flat
Jaco!>n-Bord
Absent. Key" of A . . . . '
Metcalf
Annie Laurie. Key-of D Flat
Scott
Answer. Key of F
;•
Robyn
Auld Lang Syne: (Should Old Acquaintance
lie Forgot). Key of F
Believe Me If All Those Endearing Young
( harms. Key of (J
Stevenson
Clr.ihirihin. (Cheereebeereebin). Key of F.Pestalozza
Home, Sweet Home. Key of E Flat
Bishop
J Heaj- You Calling Me. Key of B F l a t . . .Marshall
Little Grey Home in the West. Ballad, Key
of E Flat
Lphr
Love Here Is My Heart. (Mon Coeyr est Pour
Toi).
Key of E Flat
,-
Silesu
Macushla. Key of A Flat
MacMurrough
Old Black Joe. Key of D
Foster
Silver Threads Among the Gold. Key of B
Flat
.Dunks
Somewhere a Voice Is Calling. Key of F
Tate
Sunshine of Your Smile, The. Key of F
Ray
Sweetest St«*r5 Ever Told, The. Key of D
Flat
:
•
St ults
When You and I Were Young, Maggie. Key
of
Standard Music Roll Co.,
Played by
St:ilman
Price
Medvedlev
.05
Feeher
Schwartz
Burlow
Burlovv
Walter
.70
.05
.60
.75
.85
.05
Rankin
.65
Schwartr
d'Arola
Fee her
Medvediev
.75
.05
.75
.85
Delaney
.85
Schwartz
Burlow
Ran kin
.85
.75
.85
Stillman
Walttr
Fecher
.05
.85
.75
Stillman
.75
Schwartz
.95
Sing with
ARTo
SONG
Rolls
— and let them
help make your
voice into a glo-
rious, perfect in-
strument that will
biing you pleas-
ure, joy and ad-
miration.
Orange, N. J.
Future scanning projects are planned by the International Arcade Museum Library (IAML).