Music Trade Review
Issue: 1915 Vol. 61 N. 22 - Page 78
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
78
FEIST ISSUES "ALONG THE RIALTO."
Attractive New Dance Folio Contains Dance
Arrangements of Ten Feist Successes and Is
to Sell for Ten Cents—Looks Like a Winner.
There are several features of particular interest
about "Along the Rialto," the new "all-hits" dance
folio just issued by Leo Feist, Inc., but none more
so than the price for the folio is designed to sell
OUT=STRAUSSING STRAUSS.
NEW MUSIC OF THE MONTH.
Advance descriptions of Richard Strauss' latest
composition, "An Alpine Symphony," which was
produced by the orchestra of the Dresden Royal
Opera Co., in that city some weeks ago, would indi-
cate that the creator of "Elecktra" and "Salome"
has out-Straussed Strauss. It appears that he has
introduced a thunder machine into the orchestra,
which consists of 105 musicians in sight and four-
teen for supplementary noisemaking behind the
scenes. A din will be produced by eight horns,
four trumpets, four trombones, two base tubas, two
harps, an organ and celesta, bass drums, kettle-
drums, bells, cymbals, triangle, tomtom and a
shepherd's bell. There are at least eighteen first
violins, sixteen second violins, twelve violas, ten
violoncellos, eight double basses, two large flutes,
oboes and clarinets.
"It is claimed that Strauss has contrived to re-
produce the sound of waterfalls by the strings,
harps, wood and the dainty clang of the celesta,
combined with the tremolo of the triangle.
JEROME H. REMICK & CO.,
219 West 46th St., New York.
VOCAL.
And That's How We Love in Old Ireland (Henry I.
Marshall-Amy Clark)
?0
Because It's You (Helen Trix)
Bring Along Your Dancing Shoes (Grace Le Boy-Gus
Kahn)
Everybody Loves a Little Bit of Irish (Chester W.
Smith-Louis Weslyn)
In the Valley of the Nile (Richard Whiting)
I Want You, Just You (Herman Paley- Lou Klein)...
I Want to Watch Over You (Albert Gumble-Alfred
Bryant)
Kentucky Sal (Grace Le Boy-Will Mar)
Memories (Egbert Van Alstyne-Gustave Kahn)
On the Trail to Santa Fe (E. Van Alstyne-Gus. Kahn..
Rose of the World (Charlotte Blake-Luella L. Moore)
When I Found You (Anita Owen)
When the Stars in the Skies (Robert B. Stirling-
Richard Bartow)
You're Just Homesick, That's All (Theodore Morsel).
A. Esrom)
INSTRUMENTAL.
The Kaggy Fox Trot (Laurence E. Goffin)
I'.imba Mia (William T. C. Lewis)
Come Along (Egbert Van Alstyne) . ' . . . . . '
(loinif to Pieces ( Karl, Kaf fer)
Souvenir Waltzes (E *M. Rosner)
Tinkle Pell (E. M. Rosner)
The Kangaroo Hop (Melville Morris)
"TWO IS COMPANY" ON TOUR.
Brown (to Dobbs, who produced the great sen-
sational opera)—Well, old man, how did your
piece go?
Dobbs—First class. T know several men who
were present every night and who sat through the
whole performance.
"Is that so? Who were they?"
"The Musicians."—T,ondon Standard.
"Two Is Company," the latest Philipp operetta,
which was presented some time ago at the Lyric
Theatre, New York, will shortly be sent on a tour
of the country with a capable cast. The music of
"Two Is Company," which has many attractive
,numbers, is published by Jerome H. Remick
& Co.
HARDMAN, PECK
The HARDMAN Grand Piano
Cover of Feist's " A l l Hits" Dance Folio.
for ten cents—one thin dime—with the usual profit,
or better, for the dealer.
Ten of the recognized Feist successes are in-
cluded in the volume, among them being "When
You Wore a Tulip and I Wore a Big Red Rose,"
"There's a Little Spark of Love Still Burning,"
"I Want to Go to Tokio," "All I Can Do Is Just
Love You," "If We Can't Be the Same Old Sweet-
hearts," and "Down Among the Sheltering Palms,"
all arranged for one-step, two-step or trot; "If the
World Should End To-morrow" and "When It's
Moonlight in Mayo," for hesitation waltz, and "I
Want to Be There" and "Bum Diddle-De-Utn-Bum,
That's It," for fox-trot.
Special attention has been given to the arrange-
ment of the various selections for dancing and the
volume is provided with a striking title page that
should attract immediate attention when displayed.
In all ways "Along the Rialto" is an unusual pro-
duction.
"ALOHA OE"JVERY POPULAR.
The
HARDMAN
& COMPANY
Autotone
The
HARDMAN Upright Piano
The Parlor Grand, The Baby Grand,
The Perfect Plaver-Piano
Made in three sizes and a variety of
y
The Small Grand.
artistic cases.
Owning and Controlling E. G. Harrington & Co., Est., 1872, makers of
The HARRINCJTON Piano
and
The HENSEL Piano
Supreme among moderately priced instruments
An admirable instrument at a price all can afford
and also owning and controlling the Autotone Co., makers of
The AUTOTONE
The only Player-Piano of reputation made throughout "Flayer" as well as "Piano" by Piano makers of acknowl
edged reputation. The Autotone has only two Basic Pianos, the Hardman and the Harrington.
433 FIPTH AVENUE, NEW YORK
Founded 1842
724-730 REPUBLIC BUILDING, CHICAGO, ILL.
" T H E P I A N O with the Weather Defying
Action." Artistic in design and tone quality.
MUND1
PIANO CO.
FACTORY:
Eleventh and Winnebago Streets
JSecher JSros.
Grade Pianos aid Player Piano
MILWAUKEE, WIS.
Factory and
Wareroomt:
767-769
10th
NEW
"A LEADER
AMONG
LEADERS"
MEHLIN
1 he present craze for Hawaiian songs is strongly
PAUL G. MEHLIN & SONS
reflected in the demand being experienced by the
FaotorUs:
Century Music Publishing Co. for "Aloha Oe"
Main OHlo. an d W.r.room:
Broadway from 20th to 21st Streets
(Farewell to Thee), which was composed by Queen
WEST NEW YORK, N. J .
Liliuokalani of Hawaii, and which has proven ex- 27 Union Square, NEW YORK
JOHN H. LUDDEN, Western Traveling Representative
ceptionally popular. "Aloha Oe" has been recorded
6 1 0 1 KIMBARK AVENUE, CHICAGO, ILL.
by the talking machine companies with real Ha-
waiian artists, and has gained additional publicity
UNIFORMLY 8000
ALWAYS RELIABLE
through that medium.
SoeyyihmaTCrjowrf jrtJKusje'
ROGART
PIANOS
PLAYER
PIANOS
IANO
BOQART PIANO CO.
452-456 Tenth Ave., New York
9.1 1 Canal Plaoe
THE fr. R A D L E
CHICAGO
ESSENTIALLY
F. RADLE,
A HIGH
GRADE
•T-
NEW YORK
PIANO
PRODUCT
aoB-011
We)»l Mill •
,„.., N e w York City
(Invito deciters to write
A I R l l RIQ
for fatest Catafoqs. | | E RIUAQ
I I I V Mil 9M
fjf I U
IM
llU
PIANOS
N.w Factory. 1S4thlo1 «S«h*te.aad Willow Av«.
(dMtltrNNrUiHiHiuu)
NEW YORK CITY
THE MUSIC TRADE REVIEW
78
FEIST ISSUES "ALONG THE RIALTO."
Attractive New Dance Folio Contains Dance
Arrangements of Ten Feist Successes and Is
to Sell for Ten Cents—Looks Like a Winner.
There are several features of particular interest
about "Along the Rialto," the new "all-hits" dance
folio just issued by Leo Feist, Inc., but none more
so than the price for the folio is designed to sell
OUT=STRAUSSING STRAUSS.
NEW MUSIC OF THE MONTH.
Advance descriptions of Richard Strauss' latest
composition, "An Alpine Symphony," which was
produced by the orchestra of the Dresden Royal
Opera Co., in that city some weeks ago, would indi-
cate that the creator of "Elecktra" and "Salome"
has out-Straussed Strauss. It appears that he has
introduced a thunder machine into the orchestra,
which consists of 105 musicians in sight and four-
teen for supplementary noisemaking behind the
scenes. A din will be produced by eight horns,
four trumpets, four trombones, two base tubas, two
harps, an organ and celesta, bass drums, kettle-
drums, bells, cymbals, triangle, tomtom and a
shepherd's bell. There are at least eighteen first
violins, sixteen second violins, twelve violas, ten
violoncellos, eight double basses, two large flutes,
oboes and clarinets.
"It is claimed that Strauss has contrived to re-
produce the sound of waterfalls by the strings,
harps, wood and the dainty clang of the celesta,
combined with the tremolo of the triangle.
JEROME H. REMICK & CO.,
219 West 46th St., New York.
VOCAL.
And That's How We Love in Old Ireland (Henry I.
Marshall-Amy Clark)
?0
Because It's You (Helen Trix)
Bring Along Your Dancing Shoes (Grace Le Boy-Gus
Kahn)
Everybody Loves a Little Bit of Irish (Chester W.
Smith-Louis Weslyn)
In the Valley of the Nile (Richard Whiting)
I Want You, Just You (Herman Paley- Lou Klein)...
I Want to Watch Over You (Albert Gumble-Alfred
Bryant)
Kentucky Sal (Grace Le Boy-Will Mar)
Memories (Egbert Van Alstyne-Gustave Kahn)
On the Trail to Santa Fe (E. Van Alstyne-Gus. Kahn..
Rose of the World (Charlotte Blake-Luella L. Moore)
When I Found You (Anita Owen)
When the Stars in the Skies (Robert B. Stirling-
Richard Bartow)
You're Just Homesick, That's All (Theodore Morsel).
A. Esrom)
INSTRUMENTAL.
The Kaggy Fox Trot (Laurence E. Goffin)
I'.imba Mia (William T. C. Lewis)
Come Along (Egbert Van Alstyne) . ' . . . . . '
(loinif to Pieces ( Karl, Kaf fer)
Souvenir Waltzes (E *M. Rosner)
Tinkle Pell (E. M. Rosner)
The Kangaroo Hop (Melville Morris)
"TWO IS COMPANY" ON TOUR.
Brown (to Dobbs, who produced the great sen-
sational opera)—Well, old man, how did your
piece go?
Dobbs—First class. T know several men who
were present every night and who sat through the
whole performance.
"Is that so? Who were they?"
"The Musicians."—T,ondon Standard.
"Two Is Company," the latest Philipp operetta,
which was presented some time ago at the Lyric
Theatre, New York, will shortly be sent on a tour
of the country with a capable cast. The music of
"Two Is Company," which has many attractive
,numbers, is published by Jerome H. Remick
& Co.
HARDMAN, PECK
The HARDMAN Grand Piano
Cover of Feist's " A l l Hits" Dance Folio.
for ten cents—one thin dime—with the usual profit,
or better, for the dealer.
Ten of the recognized Feist successes are in-
cluded in the volume, among them being "When
You Wore a Tulip and I Wore a Big Red Rose,"
"There's a Little Spark of Love Still Burning,"
"I Want to Go to Tokio," "All I Can Do Is Just
Love You," "If We Can't Be the Same Old Sweet-
hearts," and "Down Among the Sheltering Palms,"
all arranged for one-step, two-step or trot; "If the
World Should End To-morrow" and "When It's
Moonlight in Mayo," for hesitation waltz, and "I
Want to Be There" and "Bum Diddle-De-Utn-Bum,
That's It," for fox-trot.
Special attention has been given to the arrange-
ment of the various selections for dancing and the
volume is provided with a striking title page that
should attract immediate attention when displayed.
In all ways "Along the Rialto" is an unusual pro-
duction.
"ALOHA OE"JVERY POPULAR.
The
HARDMAN
& COMPANY
Autotone
The
HARDMAN Upright Piano
The Parlor Grand, The Baby Grand,
The Perfect Plaver-Piano
Made in three sizes and a variety of
y
The Small Grand.
artistic cases.
Owning and Controlling E. G. Harrington & Co., Est., 1872, makers of
The HARRINCJTON Piano
and
The HENSEL Piano
Supreme among moderately priced instruments
An admirable instrument at a price all can afford
and also owning and controlling the Autotone Co., makers of
The AUTOTONE
The only Player-Piano of reputation made throughout "Flayer" as well as "Piano" by Piano makers of acknowl
edged reputation. The Autotone has only two Basic Pianos, the Hardman and the Harrington.
433 FIPTH AVENUE, NEW YORK
Founded 1842
724-730 REPUBLIC BUILDING, CHICAGO, ILL.
" T H E P I A N O with the Weather Defying
Action." Artistic in design and tone quality.
MUND1
PIANO CO.
FACTORY:
Eleventh and Winnebago Streets
JSecher JSros.
Grade Pianos aid Player Piano
MILWAUKEE, WIS.
Factory and
Wareroomt:
767-769
10th
NEW
"A LEADER
AMONG
LEADERS"
MEHLIN
1 he present craze for Hawaiian songs is strongly
PAUL G. MEHLIN & SONS
reflected in the demand being experienced by the
FaotorUs:
Century Music Publishing Co. for "Aloha Oe"
Main OHlo. an d W.r.room:
Broadway from 20th to 21st Streets
(Farewell to Thee), which was composed by Queen
WEST NEW YORK, N. J .
Liliuokalani of Hawaii, and which has proven ex- 27 Union Square, NEW YORK
JOHN H. LUDDEN, Western Traveling Representative
ceptionally popular. "Aloha Oe" has been recorded
6 1 0 1 KIMBARK AVENUE, CHICAGO, ILL.
by the talking machine companies with real Ha-
waiian artists, and has gained additional publicity
UNIFORMLY 8000
ALWAYS RELIABLE
through that medium.
SoeyyihmaTCrjowrf jrtJKusje'
ROGART
PIANOS
PLAYER
PIANOS
IANO
BOQART PIANO CO.
452-456 Tenth Ave., New York
9.1 1 Canal Plaoe
THE fr. R A D L E
CHICAGO
ESSENTIALLY
F. RADLE,
A HIGH
GRADE
•T-
NEW YORK
PIANO
PRODUCT
aoB-011
We)»l Mill •
,„.., N e w York City
(Invito deciters to write
A I R l l RIQ
for fatest Catafoqs. | | E RIUAQ
I I I V Mil 9M
fjf I U
IM
llU
PIANOS
N.w Factory. 1S4thlo1 «S«h*te.aad Willow Av«.
(dMtltrNNrUiHiHiuu)
NEW YORK CITY
Future scanning projects are planned by the International Arcade Museum Library (IAML).