Music Trade Review

(\>C7V|
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized
with support from namm.org
VOL. LX.
NEW YORK, JUNE 12, 1915.
No. 24.
The Knabe—with its Wonderful
Player Mechanism
The day of the player-piano has arrived—is here now.
No argument there, and the player-piano is the one capable of
not only playing loud—that is the possibility of every player—but
capable also of playing the lightest pianissimo•, maintaining through
all the phrasings unimpaired capacity for graceful accentuation
and delicate interpretation.
That describes the powers of the Knabe player mechanism,
and right here we desire to call the attention of piano merchants
to what the Knabe, with its superb player mechanism means to
them. When you take into consideration that today it is possible
to purchase a Knabe piano in the various models of uprights and
grands, enriched with its player mechanism, to know that there is
no deviation in the case architecture, that the Knabe details are
perfect and chaste as they always have been, you begin to realize
what business building powers the Knabe has for the piano
merchants of 1915.
Analyze every player claim made, rake the whole player prop-
osition with a fine tooth-comb if you will, and you will get back
to the Knabe as embodying the greatest opportunity, the best
security and the largest possibility of anything which is presented
to you in the player line.
The price at which Knabe player combinations are listed to
you enables you to make profits which will be entirely satisfactory.
In other words, you will realize when you know
all the details, that you were wise in making
immediate investigation of our claims as to
Knabe business building powers.
WM.
KNABE & CO.
DIVISION AMERICAN PIANO CO.
NEW YORK
BALTIMORE
LONDON