Music Trade Review
Issue: 1914 Vol. 58 N. 11 - Page 55
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
USERS ESTEEM IT
It is only after you
handle
"Century Edition"
that you learn to ap-
preciate t h e high
esteem in which it is
held by those who
use it!
Century Music Pub. Go.
231 -235 West 40th St., New York City
1 0 NEW 1914 SONG HITS
Please Leave Mama Dear.
Rebecca of Sunnybrook Farm.
When the Whole World Has
Gone Back on You (Come
to Me).
Oh, Mister Railroad Man (Won't
You Take Me Back to Ala-
bam) ?
The Good Ship Mary Ann.
I Want to Go Back to Dixieland.
What D'ye Mean, You Lost Yer
Dog?
Daddy Did a Wonderful Thing.
Willie Had a Motor Boat (Putt-
putt, Putt-putt).
You're Never Too Old to Love.
Jerome H. Remick & Co.
219 W. 46th Street
NEW YORK
68 Library Avenue
DETROIT, MICH.
fls Played by the Leading Orchestras
THANKSffiLOBSTER
( Merc/ du tiomard)
ONE OR TWO-STEP OR TANGO
55
M REVIEW MEARS
THAT Gilbert & Sullivan's "H. M. S. Pinafore"
is to be given on a stupendous scale at the New
York Hippodrome and under modern conditions,
with an immense tank of real water as the setting.
THAT if some ambitious composer doesn't try to
BURKE and LORRAINE
write "improved" or "modern" music for the piece
we will have much to be thankful for.
THAT the Edgar Selden Music Co. is now get-
at the
ting settled rapidly in its commodious new quarters
at 1560 Broadway.
Fifth Avenue Theatre
THAT all the song writers who are song writers,
with very few exceptions, took part in the big con-
all this week
test in the Bronx on Thursday evening.
THAT, once having been shown the way, national
advertising campaigns by local publishers of popu-
featuring
lar music are becoming quite common these days.
n
THAT in most cases the advertisements should
ISLS D f AMOUR"
prove great trade boosters for the music depart-
ments of the ten-cent stores.
THAT having twenty or more publishers of pop-
ular music located in one building saves the profes-
sional a lot of walking for his supply of music.
THAT opinions' in the trade regarding the value
of the new American Society of Authors, Com- LEO. FEIST, Inc., - NEW YORK
posers and Publishers still remains about equally
divided.
THAT, in the meantime, the agents of the new
society are steadily adding recruits to the ranks.
THAT an old waltz number dug out of the dust
of the stock shelves and with "hesitation" added regarding the use of copyrighted music would react
to the title does not mean that it is really a hesi- against the interests of the smaller concerns and
tation waltz because the measure of the dance has that they have treated the publishers with great
something to do with the music.
fairness. They also claim that the composer often
suffers through assigning this royalty rights to the
publisher, so there you are.
THE BRITISH COPYRIGHT LAW
In view of the jcsuit of experiments in improv-
As Viewed by Chappell & Co., Ltd., the Prom-
ing
copyright protection in other countries, it
inent Music Publishers in a Letter to Lon-
would appear that the United States law, although
don Newspapers—Provisions of the Law So
not an ideal measure, is a pretty good law for all
Complex That It Is Costing Thousands of
interests.
Dollars to Secure Court Opinions Regarding
Its Various Phases.
Richard Strauss has completed the score of his
ballet. It is now being printed as his opus 63
LONDON, ENU., February 28.—An interesting let- under the title of "Eine Josephsiegende," by
ter from Chappell & Co., Ltd., one of the leading- Adolph Fiirstner in Paris. The duration of the
music publishing houses, appeared recently in the work will be about the same as that of "Salome."
The first performance is to be in Paris, by Rus-
London press, and (in part) reads as follows:
" * * * At the time of the passing of the sian dancers.
Copyright Act in 1911 we repeatedly urged upon
gramophone companies that it was to their own trade
OUR NEW CATALOGUE IS
interests to be able under the act to purchase from
JUST OFF THE PRESS
copyright owners a monopoly in their works. The
trade jealousies of the different gramophone com-
and describes at length—
panies compelled them to reject our recommenda-
7 High Class Popular Songs
4 Semi-Classic Concert Song*
tion. We believe that they already realize thei--
1 Folio of College Songs
error.
When you get yours
"Meanwhile, they compelled the Government to
USE IT
pass the act in such a mutilated form that, although
If you don't get one
it is not yet two years old, it is costing unhappy
Write for it.
copyright owners and others thousands of pounds
in the law courts in a desperate endeavor to dis-
ASSOCIATED SONG WRITERS,
cover what half its complicated clauses really do
mean. Truly a triumph of up-to-date legislation!'"
For' their part the talking machine people, on the
other hand, claim that the privilege of monopoly
THE TALK OF NEW YORK
(Special to The Review.)
CHAS. K. HARRIS* TWO BALLAD HITS
BUY YOUR WiJSIC FROM
BOSTON
Publishers
WALTER JACOBS
BOSTON, MASS.
Publisher of
„
"Kiss of Spring," "Some Day When Dreams Come True,
And Some Others World Famous.
Piano 50
Orchestra (10 parts) 75
Frank K.RootS Co.
CHICAGO
NEWTORK
McKINLEY MUSIC CO.'S Bid HIT.
OLIVER
DITSON
AND
"Not TUI Then Will I Cease To Love You"
You can order them from your nearest
jobber, or direct from the Publisher
167 Tremont S t .
CLARENCE JONES.
"Don't You Wish You Were Back Home Again?"
COMPANY
BOSTON
NEW YORK
Anticipate and Supply Every Requirement of Mmic Dealers
WHITE-SMITH MUSIC PUB. GO.
PUBLISHERS, PRINTERS, & ENGRAVERS OF MUSIC
Main Offices: 68-84 Stanhope St., Boston.
Branch Houses: New York and Chicago.
CHAS. K. HARRIS
Broadway and 47th Street
N e w York
MEYER COHEN, Mgr.
ROBERT TELLER SONS & DORNER
Mnslc Engravers and Printers
SEND MANUSCRIPT AND IDEA OF TITLE
FOR ESTIMATE
226 West 26th Street, New York City
THE MUSIC TRADE REVIEW
USERS ESTEEM IT
It is only after you
handle
"Century Edition"
that you learn to ap-
preciate t h e high
esteem in which it is
held by those who
use it!
Century Music Pub. Go.
231 -235 West 40th St., New York City
1 0 NEW 1914 SONG HITS
Please Leave Mama Dear.
Rebecca of Sunnybrook Farm.
When the Whole World Has
Gone Back on You (Come
to Me).
Oh, Mister Railroad Man (Won't
You Take Me Back to Ala-
bam) ?
The Good Ship Mary Ann.
I Want to Go Back to Dixieland.
What D'ye Mean, You Lost Yer
Dog?
Daddy Did a Wonderful Thing.
Willie Had a Motor Boat (Putt-
putt, Putt-putt).
You're Never Too Old to Love.
Jerome H. Remick & Co.
219 W. 46th Street
NEW YORK
68 Library Avenue
DETROIT, MICH.
fls Played by the Leading Orchestras
THANKSffiLOBSTER
( Merc/ du tiomard)
ONE OR TWO-STEP OR TANGO
55
M REVIEW MEARS
THAT Gilbert & Sullivan's "H. M. S. Pinafore"
is to be given on a stupendous scale at the New
York Hippodrome and under modern conditions,
with an immense tank of real water as the setting.
THAT if some ambitious composer doesn't try to
BURKE and LORRAINE
write "improved" or "modern" music for the piece
we will have much to be thankful for.
THAT the Edgar Selden Music Co. is now get-
at the
ting settled rapidly in its commodious new quarters
at 1560 Broadway.
Fifth Avenue Theatre
THAT all the song writers who are song writers,
with very few exceptions, took part in the big con-
all this week
test in the Bronx on Thursday evening.
THAT, once having been shown the way, national
advertising campaigns by local publishers of popu-
featuring
lar music are becoming quite common these days.
n
THAT in most cases the advertisements should
ISLS D f AMOUR"
prove great trade boosters for the music depart-
ments of the ten-cent stores.
THAT having twenty or more publishers of pop-
ular music located in one building saves the profes-
sional a lot of walking for his supply of music.
THAT opinions' in the trade regarding the value
of the new American Society of Authors, Com- LEO. FEIST, Inc., - NEW YORK
posers and Publishers still remains about equally
divided.
THAT, in the meantime, the agents of the new
society are steadily adding recruits to the ranks.
THAT an old waltz number dug out of the dust
of the stock shelves and with "hesitation" added regarding the use of copyrighted music would react
to the title does not mean that it is really a hesi- against the interests of the smaller concerns and
tation waltz because the measure of the dance has that they have treated the publishers with great
something to do with the music.
fairness. They also claim that the composer often
suffers through assigning this royalty rights to the
publisher, so there you are.
THE BRITISH COPYRIGHT LAW
In view of the jcsuit of experiments in improv-
As Viewed by Chappell & Co., Ltd., the Prom-
ing
copyright protection in other countries, it
inent Music Publishers in a Letter to Lon-
would appear that the United States law, although
don Newspapers—Provisions of the Law So
not an ideal measure, is a pretty good law for all
Complex That It Is Costing Thousands of
interests.
Dollars to Secure Court Opinions Regarding
Its Various Phases.
Richard Strauss has completed the score of his
ballet. It is now being printed as his opus 63
LONDON, ENU., February 28.—An interesting let- under the title of "Eine Josephsiegende," by
ter from Chappell & Co., Ltd., one of the leading- Adolph Fiirstner in Paris. The duration of the
music publishing houses, appeared recently in the work will be about the same as that of "Salome."
The first performance is to be in Paris, by Rus-
London press, and (in part) reads as follows:
" * * * At the time of the passing of the sian dancers.
Copyright Act in 1911 we repeatedly urged upon
gramophone companies that it was to their own trade
OUR NEW CATALOGUE IS
interests to be able under the act to purchase from
JUST OFF THE PRESS
copyright owners a monopoly in their works. The
trade jealousies of the different gramophone com-
and describes at length—
panies compelled them to reject our recommenda-
7 High Class Popular Songs
4 Semi-Classic Concert Song*
tion. We believe that they already realize thei--
1 Folio of College Songs
error.
When you get yours
"Meanwhile, they compelled the Government to
USE IT
pass the act in such a mutilated form that, although
If you don't get one
it is not yet two years old, it is costing unhappy
Write for it.
copyright owners and others thousands of pounds
in the law courts in a desperate endeavor to dis-
ASSOCIATED SONG WRITERS,
cover what half its complicated clauses really do
mean. Truly a triumph of up-to-date legislation!'"
For' their part the talking machine people, on the
other hand, claim that the privilege of monopoly
THE TALK OF NEW YORK
(Special to The Review.)
CHAS. K. HARRIS* TWO BALLAD HITS
BUY YOUR WiJSIC FROM
BOSTON
Publishers
WALTER JACOBS
BOSTON, MASS.
Publisher of
„
"Kiss of Spring," "Some Day When Dreams Come True,
And Some Others World Famous.
Piano 50
Orchestra (10 parts) 75
Frank K.RootS Co.
CHICAGO
NEWTORK
McKINLEY MUSIC CO.'S Bid HIT.
OLIVER
DITSON
AND
"Not TUI Then Will I Cease To Love You"
You can order them from your nearest
jobber, or direct from the Publisher
167 Tremont S t .
CLARENCE JONES.
"Don't You Wish You Were Back Home Again?"
COMPANY
BOSTON
NEW YORK
Anticipate and Supply Every Requirement of Mmic Dealers
WHITE-SMITH MUSIC PUB. GO.
PUBLISHERS, PRINTERS, & ENGRAVERS OF MUSIC
Main Offices: 68-84 Stanhope St., Boston.
Branch Houses: New York and Chicago.
CHAS. K. HARRIS
Broadway and 47th Street
N e w York
MEYER COHEN, Mgr.
ROBERT TELLER SONS & DORNER
Mnslc Engravers and Printers
SEND MANUSCRIPT AND IDEA OF TITLE
FOR ESTIMATE
226 West 26th Street, New York City
Future scanning projects are planned by the International Arcade Museum Library (IAML).