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PUBLIC
ASTOR, LENOX
THE
FIFTY=TWO PAGES
REVIEW
MUJ1C TIRADE
V O L . LIII. N o . 5
Published Every Saturday by Edward Lyman Bill at 1 Madison Ave., New York, Aug. 5,1911
The Knowing How
No individual, firm or corporation has a monopoly of
either woods, metals or men; so that, where capital can
easily control all of these, it should be possible to produce
a high-grade piano.
That statement sounds logical, BUT—
the possession of canvas, paints and brush does not neces-
sarily enable their owner to create a world's masterpiece.
A P A I N T I N G T H A T LIVES requires the fine touch
of A MASTER HAND.
It is T H E K N O W I N G H O W to combine the right
materials that produces the most perfect results. It is
that finished touch—that perfectly balanced combination—
that fine art—that knowledge of a true adjustment of all
parts—which makes l H i l S T E I N W A \
nAl\O
different from all others, and has made it the recognized
STANDARD O F T H E W O R L D .
In brief, it is T H E K N O W I N G H O W .
STEINWAY & SONS
LONDON
NEW YORK
BERLIN
HAMBURG
CINCINNATI