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Music Trade Review

Issue: 1905 Vol. 41 N. 23 - Page 46

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE: MUSIC TRADE:
REVIEW
bers with which tne production fairly teems.
Here are the vocal selections: "Tokio" (song),
"Conspirators Are \ve" (duet), "Pity My Pitiful
One in Which Sheet Music is Held Upright.
Plight," "Cheer Up, Everybody" (song), "Toast
Sheet music, on account of being handled so to the Moon" ("Round Red Moon"), "I Wouldn't
often, soon becomes torn, and the destruction is Do That, Would You?" (trio), "The Tale of a
even greater when no suitable cabinet is pro- Monkey" (song), "They Kiss," "When the Ocean
vided in which it can be neatly arranged, as the Breezes Blow" (song), "Foolishness" (song),
more the sheets are mussed the easier they are "Is Marriage a Failure?" (duet), "I Like You"
torn. In a music cabinet recently placed on the (song), "Josie From Joliet" (duet), "The Silver
market the sheet music is held in an upright Sea of Love" (.duet), and "Cruising home"
position and readily accessible.
(trio). The instrumental numbers are: Selec-
Another advantage is that large quantities of
tion, march, waltzes, lanciers and vocal score. M.
the music can be stored in a comparatively small Witmark & Sons publish the entire music of this
space. This cabinet is supported upon a base of
sparkling opera.
ornamental construction, a vertical partition di-
viding the cabinet into two sections. The com-
REVIEWOGRAPHS.
partments holding the music are supported within
the frame formed by the base and the top, and
It has been suggested that if Jerome H. Remick
are arranged to swing outward from the parti- & Co., with their sheet music and perforated roll
tion beyond the sides to permit of easy access interests in a chain of department stores Bast
to the sheets of music. A novel feature of the and West, would only add a talking machine an-
cabinet is a false bottom.
nex in these respective establishments, they
would have a full business hand, and a handful
RICHARD CARLE'S LATEST SUCCESS.
of business besides.
NEW MUSIC CABINET.
One of the very few modern "Admirable Crich-
tcns" of the stage is Richard Carle, who, as
author, actor, singer, stage manager—even com-
poser, on occasion—is always "the man who de-
livers the goods." Mr. Carle's latest success and
reigning musical triumph is the farcical Japanese
ALL PUBLISHED BY REMICK & CO.
Estelle X. Wills has been extremely success-
ful with the new coon song, "Sympathy," and
Anna Laughlin, of the "Wizard of Oz" fame, re-
cently introduced Lenox & Sutton's new song,
"Won't You Take Me Home With You?" at the
Alhambra Theatre, and scored immediate suc-
cess. This song is especially suited to her style.
Carl Anderson, with "McFadden's Flats," is
featuring "My Irish Molly O," while Mary Baker,
of the same company, has been very successful
Should things animate and inanimate not go with "Bright Eyes, Gooy-bye," and "My Hindoo
awry, Sol Bloom will soon be in his new building Man," and Ovey and Horner, with "More to Be
at 3 East 42d street, New York, ready for business. Pitied Than Scorned" company, are using "Sym-
The entire front of the structure has been re- pathy," "Bright Eyes, Good-by," "In Dear Old
modeled and the interior also changed through- Georgia" and "Dear Old Dixie Land," and Caro-
out and decorated in a handsome manner. The line Hull, with the "Winning Girl" company, is
premises will accommodate Sol Bloom's music using the novel song with the short title and a
publishing business, and also a branch of the whole lot of melody entitled "Sympathy."
Libbey Arnold Blondell has introduced "Sym-
talking machine department, in which a marked
success has been scored, as well as the general pathy" and "Silver Heels," the new number by
offices of the company. The professional depart- the writers of "Hiawatha." She is meeting with
ment will remain in the New Amsterdam Theater continued success in vaudeville.
building.
ROSEY'S POPULAR MARCH AND WALTZ.
The continued appreciation of the magnificent
opera, "The Mayor of Tokio," the book of which values which are being given at the various Proc-
is by Campbell, Skinner and Carle, and the music tor theaters in New York City is evident in the
by William F. Peters.
crowded houses at all performances. At the 23d
This production, after making a splendid rec- Street and 58th Street theaters the vaudeville is
ord on the road, having been on tour since its most refined and entertaining, while at the Fifth
initial production in Chicago, since early in the Avenue and 125th Street theaters the dramas and
season, opened at the New York Theater, NeAv comedies, which are being presented, are of the
York, Monday evening, and is now one of the highest standard, and interpreted by histrions of
reigning metropolitan successes.
Gothamites acknowledged ability with scenic accessories of
have now the opportunity of hearing for the first the best. The secret of Proctor success is to be
time, the fetching songs and other musical num- found in the fact that there is no deterioration
in the quality of the different "shows." They
Complete vocal score and Separate Numbers of
are all high grade.
"THE ROSE OF THE ALHAMBRA"
Book and Lyrics by CHAS. EMERSON COOK.
Music by LUCIUS HOSMER.
Featuring the well-known prima donna,
Mme. LILLIAN BLAUVELT.
Supplementary Songs in the following productions :
EDNA MAY'S New Musical Hay.
"THE CATCH OP THE SEASON."
"RAINING"
By Jerome I"). Kern
SIIUBEHT Buns.' English Musical Comedy Success,
"THE EARL AND THE GIRL."
"HOWD YOU LIKE TO SPOON WITH ME."
Max. C. Eugene's hit, "IN ROSELAND" Intermezzo
Published by
T.
A few of the latest from the press of the F. B.
Haviland Publishing Co., of which the sales are
most flattering, include 1he following: Vocal—
"Paddle Your Own Canoe" and "Daddy's Little
Girl," by Theodore Morse; "I'm So Sleepy," by
Harry Kelly; "You Don't Seem Like the Girl
We Used to Know," by Henry Frantzen. Instru-
mental—"The Girl of the Golden West," by Will-
iam Frust; "A Summer Evening," intermezzo, by
Rose Morris.
"Isn't this refreshing," says the New York
Herald: 'The management of the Richard Carle
Co. respectfully begs to inform the public that
'The Mayor of Tokio,' a farcical opera given at
the New York Theater, contains no sextet, no
show girls, no 'Indian' musical number, no jokes
about mother-in-law, no naval lieutenant with a
tenor voice. Isn't this the age of comic opera
miracles?"
JUCHARD CABLE.
B. H A R M S C O .
126 West 44th St.
the list is a long one—but personally as an agree-
able, companionable gentleman, whom it is a
pleasure to meet, consequently he has been over-
whelmed with congratulations from all parts of
the country on his double good fortune, of which
the lady herself is considered of chief value by
her happy husband. Gus will continue right
along in his chosen profession, of which he is one
of the brightest ornamenis, though possibly few
know what close study he has given music, and
at the hand of the best equipped teachers. The
Review adds its felicitations with pleasure.
NEW YORK
" The House Melodious."
GUS EDWARDS
MUSIC PUBLISHING CO.
Publishers of Lillian Russell's and the Sea-
sons Song Hits,
" I f a Girl Like You Loved a Boy Like Me."
"Somebody's Sweetheart I Want to Be,"
and "Napoli,' and Italian Love Story.
Our Hew Issues
"Pocahontas" (Tammany's sister). " I n a little Canoe
with Y o u " being featured by all the leading acts 7 in
Vaudeville. "When the Green Leaves turn to Gold a
Beautiful Rustic Ballad.
Gus Edwards Music Pub. Co.
1512 Broadway, New York.
Papers were secured Monday week in the suit
of Willis Woodward & Co. against the Paul Dres-
ser Publishing Co., the complainant claiming
$10,000 damages for alleged fraudulent and mis-
leading statements in connection with a contract
between the two companies, in the sale of the de-
fendant's music to the trade. The suit is brought
in the New York Supreme Court, first depart-
ment, and is one of three contemplated by the
plaintiffs.
The Gremsen-Seaman Co. have been organized
in La Crosse, Wis., to publish the music written
by Harry Gremsen and Louis Seaman, the pro-
prietors. Mr. Seaman is manager of the North
American Telegraph Co., of that city, while Mr.
Gremsen is a composer of some local celebrity,
having written "Daisies," "Mother," "'School
Days" and the "Message of the Dove."
Wednesday of last week Gus Edwards, of the
Gus Edwards Publishing Co. (the "House Melo-
dious"), was married at the City Hall, New York,
lo Mrs. Lily Bleiman, who is credited with pos-
sessing a fortune of half a million dollars. Every-
body knows Gus, not only as a writer of many
successful compositions in the lighter vein—and
George Rosey's "Juggler" march has apparently
developed into a two-step the dancing public has
1 een longing for. The demand for this number
upon all terpsichorean occasions is inevitable, and
(he sale of this tuneful composition has certainly
come up to the most sanguine expectations of the
publishers. Mr. Rosey is at present working
upon a new waltz, on the order of his famous
"Espanita."
May Alpine and Picks are featuring "The
Leader of the German Band."
DO YOU KNOW ?
ALICE DARLING !
SWEETHEARTS FOREVER !
MISSES AND KISSES !
TANGLEFOOT JOE !
THE GALLANT BRIGADE !
If not—send Ten Cents in Stamps
and Get Acquainted !
The Moore Music Co., Inc.
Frank B. Perry, Mgr.
1345 Broadway.
NEW YORK.
JEROME H. REHICK & CO.
ANNOUNCE
"MY
IRISH MOLLY O"
BY JEROriE & SCHWARTZ
The terrific hit In "Sergeant Brue," sung
by Blanche Ring, and other big hits by Je
rome & Schwartz.
JEROHE H. REHICK & CO.
DETROIT and CHICAGO.
45 West 28th Street,
-
NEW YORK

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