Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE REVIEW
I - M O S T ihree quarteri ol a ceftlury have
pitted
(WKC V/itbam Knabe !. brought to bear hi*
on lire art of piano-m&lcing.
T h e Knabe ha*
srl ihe pace in ftS thing* that go toward ntalung
the pwfwl pi«no.
From l « 3 7 . whrn the
taenth c«Mittiry WM but in in infancy, llw K
f*iano ha» gone forward, Hcnntinit i w «
hX^^^^^T^a
L»
/
doing tlitng*
mercialiwn to arttftk endeavor and excefleocc-
i not c«ni«it with doing A."t« «*1. but intenl oo
fast.
The poabon whith live knab* Piw>o occupiei
in the beginning tJt ihc twent»eth frfttury ihowt that thew effort*
toward continual betterment have met with devrved nitrrw.
William K i u b e l>rgan h u M n g pwnot in
years ago. They were ihr Wsl piano* in the world d»cn. Today
William K M K / I grwifiwini arc building laanos in Baltimore, utd
ihey occupy in the reafao u& i««io» ihr «rntf rxwbon wxorded the
Must: i» A r
and by stt pm^ilrt. l u powrr i* grc*l*r iWn th.it o( kin«», and rt>
influence more w i d f ^ c a d ih«n th*t wF wbllr rtatcwiwn. Through
tU rni-todirs aB rfwr human emoiion* are tteprlmi; it is u*rd oft
R
y
1 o( d^rp WJITOW, lu u v »nd tlw ^ircad
WwwWdee has l>ccn m proponjon to ih* r^dnnwnl and civibz*-
f the (>coi>lr who h»vf come
r i>n (he rudr- ^itinir ol « « K «h«H». by wl>K h lh« South S r ,
»c «KA1 ur^-t. him to bnttlc and to
•laughter
Irwn rtu\ lo ll»* rij^-tins swrrtnem D( a Knabc PWDO in
h«» cultural. » a fcmg, loo* step ~ n
Bui it illuttr*iri the |K»w«r of mu»k and