Music Trade Review

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THE MUSIC TRADE REVIEW
THE
gVERETT piANO
w h i c h w a s played this
w e e k at t h e ^ > •>* •?*
Worcester
Musicals
Festival
By the distinguished virtuoso
R
B
ICHARD hSURMEISTER
scored, with
that
m a s t e r of the k e y b o a r d .
An Unequivocal
RICHARD
uccess
BURMEISTER.
WHAT BURMEISTER SAYS OF THE EVERETT PIANO
NEW YORK,
June 25, 1900.
EVERETT PIANO CO.
GENTLEMEN—Coming home from my last concert in Des
Moines, Iowa, I will not leave for Europe before having ex-
pressed to you my sincerest admiration for your excellent New
Everett Concert Grand Piano which I have used at all my public
performances of the past season.
The name " N e w " Concert Grand is indeed justified, as
your make offers something entirely new in the art of Piano-
forte building. It is the rare combination of a very sonorous
and pure singing tone in all, cantabile, passages and the great-
est power and brilliancy in the " con bravura " playing.
It
delighted me to find that the beautiful singing tone of your
piano reached the most distant parts of the largest Concert Halls
and that the " fortissimos " never produced those noisy or bangy
sounds which are so often the result of attacking a " brilliant"
piano.
The action of your instrument is the most perfect as to
evenness and the absolute "keeping in tune" made me feel
very confident no matter how long and taxing a program I had
to play.
It gives me pleasure to state that I owe much of my success
of this season to the magnificent qualities of your piano and,
after my return to New York next fall, it will make me very
happy to have again an ' ' Everett " at my home as a dear friend
of the house as well as at my Concert-tours as a faithful
travelling companion.
Believe me, gentlemen,
Yours very sincerely,
R. BURMEISTER.
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