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Music Trade Review

Issue: 1882 Vol. 5 N. 11 - Page 10

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
January 5th, 1882.
THE MUSICAL CRITIC AND TRADE REVIEW.
SUBSCRIPTION RATES.
"methods," while at the same time these teachers,
or the great majority of them, know nothing
whatever about "voice culture."
In the first place, the great majority of singing
UNITED STATES AND CANADA.
The rates for subscription to the MUSICAL CRITIC teachers have not the slightest conception of the
AND TRADE KEVIEW in the United States and Canada physiology of the vocal organs,—they know
AND
are:
1 YEAR (including postage)
$ 2 . 0 0 nothing of the system of respiration, which forms
6 MOS.,
"
"
l.OO a principle in vocal instruction.
3 MOS.,
••
"
5O
The preparation of a physiological chart of the
various
vocal organs, their structures, functions,
FOREIGN COUNTRIES.
With which is incorporated THE MUSIC TRADE JOURNAL.
In all foreign countries included in the Postal Union and their relations to each other, would be as
the rates for subscription to this paper are:
much of an enigma to them as a map of the moon
1 YEAR (including postage)
$2.50
"
"
1.25 would be to a student of Roman inscriptions.
3 MOS.,
"
"'
O5
Another great proportion of singing teachers
ALL THE ABOVE RATES MTJST INVAEIABLY BE PAID
IN ADVANCE.
here have no musical education. Not alone that
SINGLE COPIES
1 0 CENTS.
they succeed in destroying the natural vocal
AND THE MUSIC TRADES OF AMERICA.
method which, if retained in its purity, will not
NOTICE TO SUBSCRIBERS.
injure the voice; but by replacing it with their
When a subscriber to the MUSICAL CRITIC AND
own abominable systems (besides inculcating a .
PUBLISHED on THE 5th & 20th OF EACH MONTH TRADE
REVIEW receives his paper in a WHITE WRAP-
PER, it is a notification that the SUBSCRIPTION HAS EX- taste for trashy and commonplace music, which
At 864 Broadway, bet. 17th and 18th Sts.
PIRED. If it is desired to CONTINUE THE SUBSCIP-
TION, NOTIFY US AND SEND THE PRICR OF SUB- the pupil acquires and cannot afterward abandon),
SCRIPTION IN ADVANCE BY CHECK OR REGISTERED they develop the voice in a wrong direction.
LETTER
Each one of this array of incompetents has his
Editor and Proprietor.
favorite school or method, and each one succeeds
All communications should be addressed to the editor,
in ruining so many voices per annum. Parents
CORRESPONDENTS.
CHARLES AVERY WKLI.ES, 804 Broadway, N. Y. City.
Checks and Post-Office Orders should be made payable to
whose children have good voices ^should be ex-
CHARLES AVERY WELLES, Proprietor.
We are not responsible for the return of rejected manu-
ceedingly discreet in placing their children under
script.
NOTICE TO CORRESPONDENTS, No. I.
Correspondence must always be accompanied by the name
the tutelage of so-called vocal teachers. There
and address of the sender, not necessarily for publication, but
as a guarantee of jjood faith.
We need a few more experienced parties to furnish are comparatively few competent vocal instruc-
Trade reports, items and communications, relating to the musical and trade correspondence from all parts of the
music trade, are solicited from all parts of the world.
tors, and but few reliable "vocal methods." Those
world.
Forward applications immediately, and when our de- generally accepted by the intelligent musical
cision is made credentials icill at once be given.
NEW YORK, JAN. 5 TO JAN. 20, 1882.
world are known, and the majority of the others
NOTICE TO CORRESPONDENTS, No. II.
are dangerous to the pupil, the practice of the
ADVERTISING RATES.
Letters from correspondents intended for publication same always ruining the voice.
Tie Musical Critic
TRADE REVIEW.
THE
Of the Musicians
CHARLES AVERY WELLES,
The following is the schedule of advertising rates for in the issues of Jan. 20£A and Feb. 5th, must positively
reach us on the following dales in order to insure publi-
cation: Jan. 10M and Jan. 2&th.
Letters must be bright, concise, and fill of lellingmat-
COVEB PAGES.
ter. " Padding" wilt not be tolerated. Deal with news
The four pages of the cover are divided into two col- and gossip, rather than with attempts at criticism of
threadbare topics. IVe are living in the year 1881 not in
umns to a page.
IN THE WIDTH OF A SINOLE COLUMN ON THESE 1798. Discuss live topics, not technicalities.
Properly accredited correspondents who do not forward
OOVER PAGES THE RATE IS
us information regularly will be considered to have re-
$ 2 0 PER INCH for one quarter (3 months)
signed their positions.
the MUSICAL (JRITIC AND TRADE EEVIEW :
INSIDE PAGES.
The inside pages are divided into three columns to a
page.
THE WOOD MUSICAL COLLEGE.
QURROGATE CALVIN'S decision, admitting
^ 3 tho will of the late Samuel Wood to pro-
bate, has excited great interest in musical cir-
cles. The sum of $1,500,000 should be ample
to establish a College of Music that would not be
inferior to any conservatory in the world.
Whether this princely endowment will be prop-
erly spent, is, of course, an important question.
Our patrons are taking such a lively interest in the The present outlook is, that it will not. The
$ 1 4 PER INCH for one quarter (3 months).
MUSICAL CRITIC AND TRADE REVIEW that they are Board of Trustees is mainly composed of gentle-
faithfully preserving the back numbers of the paper. In
DIRECTORY
answer to frequent inquiries we may say that we will men who take a livelier interest in the fluctuations
Including subscription to the MUSICAL CRITIC AND supply handsome embossed cloth binders, suitable for
holding the numbers of this paper for two years, for of the stock-market than in the advancement of
TRADE EEVIEW.
$1.00. Orders must be accompanied by cash.
musical culture.
In the "Directory of the MUSICAL PROFESSION AND
THE Music TRADES," a space of THREE LINES,
The physician whose name has been identified
NEITHER MORE NOR LESS, IS ALLOWED FOR A SINGLE
CARD. These cards will not be taken for a shorter time
with the college, has not hitherto been considered
than one year, ami their wording cannot be altered after
NOTE WELL.
an authority on musical matters, and if the
the first insertion, except in the case of a change of ad-
This
is
the
ONLY
INDEPENDENT
PAPER published in
dress, or something equally necessary. Payment for
scheme must depend upon him, a sorry con-
these cards MUST INVARIABLY BE MADB IN AD America DEVOTED EXCLUSIVELY to MUSIC, MUSICIANS
and the MUSIC TRADES.
VANCE. They will not be inserted until paid for.
servatory of music is likely to be the result.
THE RATE FOR A SINGLE CARD IS
The American News Company are sole Agents for
It is to be hoped that the composition of the
$12,
THREE LINES, ONE YEAR, INCLUDING ONE
YEAY'S SUBSCRIPTION TO THE MUSICAL CRITIC AND the sale of THE MUSICAL CRITIC AND TRADE REVIEW. Board of Trustees will be entirely altered, and
To
be
had
at
all
news-stands.
TRADE REVIEW, INVARIABLY IN ADVANCE.
that those who now compose it will immediately
resign, in order that their places may be filled by
VOCAL METHODS.
THE OFFICES
NQUIRIES reach us continually, asking our gentlemen who know something about music and
OF THE
opinion about so-called "Vocal Methods," the needs of an American conservatory.
BINDERS.
IN THE WIDTH OF A SINGLE COLUMN ON THESE
INSIDE PAGES THE RATE IS
Musical Critic & Trade Review
HATE BEEN
REMOVED
To 864
Broadway,
East Side,
Three doors above 17 th Street,
To which number all communications should
be addressed.
I
or works on "Voice Culture," and we are obliged,
in every instance, to state that we find no differ-
ence between the "Vocal Method " referred to by
our correspondents and the many other extant.
There is, in this respect, as much humbug
practiced upon the unwary as we find in many
other branches of musical education.
Hundreds of vocal teachers are giving lessons
in this country according to their own or others'
There was a small audience at the Brooklyn Park
Theatre December 19 to witness the performance
of Audran's opera, "The Mascotte," by the Wilbur
Opera Company. The Bettina of Miss Louisa
Searle was a fair piece of acting and earned several
encores. Harry Brown as Lorenzo X/Flost no
opportunity to interpolate as many "gags" as
possible. He was outdone, however, by Ed. Chap-
man, as Farmer Rocco. The singing of Miss Lillie
West, as Fiametla, and Mr. J. E. Conly's Prince of
Pisa was villainous. The chorus was so-so. The
orchestra was decidedly amateurish.

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