Music Trade Review
Issue: 1881 Vol. 5 N. 7 - Page 8
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSICAL CRITIC AND TRADE REVIEW.
86
SUBSCRIPTION RATES.
November 5th,
'* Some proverb-maker—I lorget who—
says God to some men giveth wisdom and
understanding-, and to others the art ot
playing on the iiddle."-PARK'S DOGMAS
OF THE CONSTITUTION.
UNITED STATES AND CANADA.
The rates for subscription to the MUSICAL CRITIC
AND TRADE REVIEW in the United States and Canada
ANX>
are:
1 YEAR (includingpostage)
6 MOS.,
"
"
3 MOS.,
"
"
TRADE REVIEW.
$2.OO
l.OO
5O
THE
Musical Critic & Trade Review
FOREIGN COUNTRIES.
With which is incorporated THE MUSIC TRADE JOURNAL.
HAVK BEEN
In all foreign countries included in the Postal Union
the rates for subscription to this paper are:
1 YEAR [including postage)
$2.50
It MOS.,
"
"
1.25
3 MOS.,
"
"
6 5 To
T H E OHQAJST
Of the Musicians
ALL THE ABOVE RATES MUST INVARIABLY BE PAID
IN ADVANCE.
SINGLE COPIES
1 0 CENTS.
AND THE MUSIC TRADES OF AMERICA.
NOTICE TO SUBSCRIBERS, No. I.
OFFICES
OF THE
REMOVED
864 Broadway, East Side,
Three doors above 17th Street,
To which number all communications should
Toe addressed.
We wish to be particularly emphatic in our statement
PUBLISHED on THE 5th & 20th OF EACH MONTH to the public that subscriptions for the MUSICAL CRITIC
AND TRADE REVIEW must invariably be paid in ad-
At 864 Broadway, bet. 17th and 18th Sts.
vance.
MUSICAL CULTURE.
i n VERY art is divided into schools, which dif.
In future NO NAMES WILL B E ENTERED ON OUR -•—J fer in their respective dogmas to be applied
SUBSCRIPTION BOOKS UNTIL THE PRICE FOR THE
FULL PERIOD OF SUBSCRIPTION HAS BEEN RECEIVED in the improvement leading to the gradual per-
CHARLES AVERY WELLES,
BY us.
This rule will not be deviated from in any case. fection of the art.
Editor and Proprietor.
NOTICE TO SUBSCRIBERS, No. II.
All communications should be addressed to the editor,
School and dogma are identi-
cal, each leading to the same result, when practic-
ally carried out.
We sometimes receive complaints from subscribers that
Checks and Post-Office Orders should be made payable to the MUSICAL CRITIC AND TRADE REVIEW does not Differences of opinions are the cause of that
CHARLES AVERY WELLES, Proprietor.
come to them regularly.
incessant activity displayed in the acquisition of
We are not responsible for the return of rejected manu-
To these we must reply that thefauli can hardly lie at
script.
Correspondence must always be accompanied by the name this end of the line, as our wrapping and mailing depart musical knowledge. As competition in commerce
and address of the sender, not necessarily for publication, but ments are very carefully supervised.
as a guarantee of good faith.
In most cases we have found that papers have been has been the source of an increased activity, so
Trade reports, items and communications, relating to the removed from their wrappers bg parties to whom they
the efforts of rival schools in music have tended to
music trade, are solicited from all parts of the world.
were not addressed.
Whenever copies of the MUSICAL CRITIC AND TRADE the energetic diffusion of the art among all classes.
REVIEW fail to reach subscribers regularly, we trust There exists no parallel in our times to the great
NEW YORK, NOV. 5 to NOY. 20, 1881. they
willpromptly notify us.
and constantly increasing number of pupils and
CHARLES AVERY WELLES, 864 Broadway, N. Y. City.
ADVERTISING RATES.
NOTICE TO SUBSCRIBERS, No. III.
students occupied in this one pursuit.
There are
The following is the schedule of advertising rates for
When a subscriber to the MUSICAL CRITIC AND of course a larger number of students in the scien-
5 MUSICAL CRITIC AND TRADE REVIEW :
TRADE REVIEW receives his paper in a WHITE WRAP- tific institutions, but we venture to say, that there
PER, it is a notification that the SUBSCRIPTION HAS EX-
PIRED. If it is desired to CONTINUE THE SUBSCIP- is no one branch of science that can produce as
OOVEE PAGES.
TION, NOTIFY US ACCORDING TO " N O T I C E TO SUB-
The four pages of the cover are divided into two col- SCRIBERS, NO. I . "
umns to a page.
-
IN THE WIDTH OF A SINGLE COLUMN ON THESE
COVER PAGES THE RATE I S
many students as the conservatories and teachers
of music have at this day.
In every large city of
the globe we find numerous young people actively
$ 2 O PER INCH for one quarter (3 months.)
CORRESPONDENTS.
occupied in the study of music, either'studying
for public purposes, or adding that precious accom-
INSIDE PAGES.
plishment to their general culture.
The inside pages are divided into three columns to a
page.
NOTICE TO CORRESPONDENTS, No. I.
IN THE WIDTH OF A SINGLE COLUMN ON THESE
INSIDE PAGES THE RATE IS
The constant
and increasing demand for musical instruments is
We need a few more experienced parties to furnish in itself prima facie evidence of the growth and
musical and trade correspondence from all parts of the
extension of this art throughout every quarter of
world.
Forward applications immediately, and when our de-
the globe.
cision is made credentials will at once be given.
$ 1 4 PER INCH for one quarter (3 months).
DIEEOTOET.
Including subscription to the MUSICAL CRITIC AND
TRADE REVIEW.
It naturally follows from this, that an impetus
NOTICE TO CORRESPONDENTS, No. II.
is given to all kinds of musical performances.
In the ''Directory of the MUSICAL PROFESSION AND
THE Music TRADES," a space of THREE LINES,
Letters from correspondents intended for publication Music must be heard in order that musical knowl-
NEITHER MORE NOR LESS, IS ALLOWED FOR A SINGLE in the issues of Nov. 20th, Dec. 5th and 20th, and Jan.
CARD. These cards will not be taken for a shorter time 5lh and 20th, must positively reach us on the following edge should become diffused, and consequently
than one year, and their wording cannot be altered after dates in order to insure publication: Nov. 12th and
musical performances are demanded. Not satisfied
the first insertion, except in the case of a change of ad- 2Uh, Dec. 10th and 24th, and Jan. 14th.
dress, or something equally necessary. Payment for
Letters must be bright, concise, and full of telling mat- with the entertainments offered by the social circle
these cards MUST INVARIABLY BE MADB IN A D - ter. " Padding" will not be tolerated. Deal with news
VANCE. They will not be inserted until paid for.
and gossip, rather than with attempts at criticism of and the home, the lovers of music and the diUetante
threadbare topics. We are living in the year 1881 not in
T H E RATE FOR A SINGLE CARD IS
crowd the concert halls and opera houses.
1798. Discuss live topics, not technicalities.
$12,
THREE LINES, ONE YEAR, INCLUDING ONE
YEAY'S SUBSCRIPTION TO THE MUSICAL CRITIC AND
Properly accredited correspondents who do not forward
TRADE REVIEW, INVARIABLY IN ADVANCE.
us information regularly will be considered to have re-
signed their positions.
NOTICE TO ADVERTISEBS, No. I .
But the most convincing proof of the populariz-
ation of the art, is found in the readiness with
which all kinds of musical organizations have been
We particularly desire to call attention to the fact that
and are constantly being formed.
we carry no " D E A D WOOD," OR UNPAID ADVERTISE-
MENTS IN THIS PAPER.
All our advertisements are
properly contracted for.
BINDERS.
The Musical
Festival Societies; the Chorus and Oratorio Socie-
Our patrons are taking such a lively interest in the ties; the German and other singing societies; the
It would be an act of the GROSSEST INJUSTICE TO
ADVERTISERS WHO PAY TO INSBET THE ADVERTISE-
MENTS OF OTHER PARTIES WHO PAY NOTHING, OR
NEXT TO NOTHING.
NOTICE TO ADVERTISEBS, No. II.
We do not take pianos, organs, or any description of
musical merchandise, in payment for advertisements in
MUSICAL CRITIC AND TRADE R E V I E W that they are
faithfully preserving the back numbers of the paper. In amateur orchestras and bands, and the many
answer to frequent inquiries we may say that we will vocal and instrumental quartette clubs, present a
supply handsome embossed cloth binders, suitable for
holding the numbers of this paper for two years, for formidable array of musical organizations.
$1.00. Orders must be accompanied by cash.
It must be remembered that the great majority
of these societies do not exist for the purpose of
money-making, but simply and purely for the
NOTE WELL.
not engaged in renting out musical instruments, nor in
gelling them upon the installment plan.
This is the ONLY INDEPENDENT PAPER published in purpose of musical culture. The amount of good
Neither do we pay our printer's or other bills in pianos America DEVOTED EXCLUSIVELY to MUSIC, MUSICIANS done by them cannot be estimated, as in addition
or organs taken for advertising.
and the MUSIC TRADES.
the, MUSICAL CRITIC AND TRADE REVIEW.
We are
THE MUSICAL CRITIC AND TRADE REVIEW.
86
SUBSCRIPTION RATES.
November 5th,
'* Some proverb-maker—I lorget who—
says God to some men giveth wisdom and
understanding-, and to others the art ot
playing on the iiddle."-PARK'S DOGMAS
OF THE CONSTITUTION.
UNITED STATES AND CANADA.
The rates for subscription to the MUSICAL CRITIC
AND TRADE REVIEW in the United States and Canada
ANX>
are:
1 YEAR (includingpostage)
6 MOS.,
"
"
3 MOS.,
"
"
TRADE REVIEW.
$2.OO
l.OO
5O
THE
Musical Critic & Trade Review
FOREIGN COUNTRIES.
With which is incorporated THE MUSIC TRADE JOURNAL.
HAVK BEEN
In all foreign countries included in the Postal Union
the rates for subscription to this paper are:
1 YEAR [including postage)
$2.50
It MOS.,
"
"
1.25
3 MOS.,
"
"
6 5 To
T H E OHQAJST
Of the Musicians
ALL THE ABOVE RATES MUST INVARIABLY BE PAID
IN ADVANCE.
SINGLE COPIES
1 0 CENTS.
AND THE MUSIC TRADES OF AMERICA.
NOTICE TO SUBSCRIBERS, No. I.
OFFICES
OF THE
REMOVED
864 Broadway, East Side,
Three doors above 17th Street,
To which number all communications should
Toe addressed.
We wish to be particularly emphatic in our statement
PUBLISHED on THE 5th & 20th OF EACH MONTH to the public that subscriptions for the MUSICAL CRITIC
AND TRADE REVIEW must invariably be paid in ad-
At 864 Broadway, bet. 17th and 18th Sts.
vance.
MUSICAL CULTURE.
i n VERY art is divided into schools, which dif.
In future NO NAMES WILL B E ENTERED ON OUR -•—J fer in their respective dogmas to be applied
SUBSCRIPTION BOOKS UNTIL THE PRICE FOR THE
FULL PERIOD OF SUBSCRIPTION HAS BEEN RECEIVED in the improvement leading to the gradual per-
CHARLES AVERY WELLES,
BY us.
This rule will not be deviated from in any case. fection of the art.
Editor and Proprietor.
NOTICE TO SUBSCRIBERS, No. II.
All communications should be addressed to the editor,
School and dogma are identi-
cal, each leading to the same result, when practic-
ally carried out.
We sometimes receive complaints from subscribers that
Checks and Post-Office Orders should be made payable to the MUSICAL CRITIC AND TRADE REVIEW does not Differences of opinions are the cause of that
CHARLES AVERY WELLES, Proprietor.
come to them regularly.
incessant activity displayed in the acquisition of
We are not responsible for the return of rejected manu-
To these we must reply that thefauli can hardly lie at
script.
Correspondence must always be accompanied by the name this end of the line, as our wrapping and mailing depart musical knowledge. As competition in commerce
and address of the sender, not necessarily for publication, but ments are very carefully supervised.
as a guarantee of good faith.
In most cases we have found that papers have been has been the source of an increased activity, so
Trade reports, items and communications, relating to the removed from their wrappers bg parties to whom they
the efforts of rival schools in music have tended to
music trade, are solicited from all parts of the world.
were not addressed.
Whenever copies of the MUSICAL CRITIC AND TRADE the energetic diffusion of the art among all classes.
REVIEW fail to reach subscribers regularly, we trust There exists no parallel in our times to the great
NEW YORK, NOV. 5 to NOY. 20, 1881. they
willpromptly notify us.
and constantly increasing number of pupils and
CHARLES AVERY WELLES, 864 Broadway, N. Y. City.
ADVERTISING RATES.
NOTICE TO SUBSCRIBERS, No. III.
students occupied in this one pursuit.
There are
The following is the schedule of advertising rates for
When a subscriber to the MUSICAL CRITIC AND of course a larger number of students in the scien-
5 MUSICAL CRITIC AND TRADE REVIEW :
TRADE REVIEW receives his paper in a WHITE WRAP- tific institutions, but we venture to say, that there
PER, it is a notification that the SUBSCRIPTION HAS EX-
PIRED. If it is desired to CONTINUE THE SUBSCIP- is no one branch of science that can produce as
OOVEE PAGES.
TION, NOTIFY US ACCORDING TO " N O T I C E TO SUB-
The four pages of the cover are divided into two col- SCRIBERS, NO. I . "
umns to a page.
-
IN THE WIDTH OF A SINGLE COLUMN ON THESE
COVER PAGES THE RATE I S
many students as the conservatories and teachers
of music have at this day.
In every large city of
the globe we find numerous young people actively
$ 2 O PER INCH for one quarter (3 months.)
CORRESPONDENTS.
occupied in the study of music, either'studying
for public purposes, or adding that precious accom-
INSIDE PAGES.
plishment to their general culture.
The inside pages are divided into three columns to a
page.
NOTICE TO CORRESPONDENTS, No. I.
IN THE WIDTH OF A SINGLE COLUMN ON THESE
INSIDE PAGES THE RATE IS
The constant
and increasing demand for musical instruments is
We need a few more experienced parties to furnish in itself prima facie evidence of the growth and
musical and trade correspondence from all parts of the
extension of this art throughout every quarter of
world.
Forward applications immediately, and when our de-
the globe.
cision is made credentials will at once be given.
$ 1 4 PER INCH for one quarter (3 months).
DIEEOTOET.
Including subscription to the MUSICAL CRITIC AND
TRADE REVIEW.
It naturally follows from this, that an impetus
NOTICE TO CORRESPONDENTS, No. II.
is given to all kinds of musical performances.
In the ''Directory of the MUSICAL PROFESSION AND
THE Music TRADES," a space of THREE LINES,
Letters from correspondents intended for publication Music must be heard in order that musical knowl-
NEITHER MORE NOR LESS, IS ALLOWED FOR A SINGLE in the issues of Nov. 20th, Dec. 5th and 20th, and Jan.
CARD. These cards will not be taken for a shorter time 5lh and 20th, must positively reach us on the following edge should become diffused, and consequently
than one year, and their wording cannot be altered after dates in order to insure publication: Nov. 12th and
musical performances are demanded. Not satisfied
the first insertion, except in the case of a change of ad- 2Uh, Dec. 10th and 24th, and Jan. 14th.
dress, or something equally necessary. Payment for
Letters must be bright, concise, and full of telling mat- with the entertainments offered by the social circle
these cards MUST INVARIABLY BE MADB IN A D - ter. " Padding" will not be tolerated. Deal with news
VANCE. They will not be inserted until paid for.
and gossip, rather than with attempts at criticism of and the home, the lovers of music and the diUetante
threadbare topics. We are living in the year 1881 not in
T H E RATE FOR A SINGLE CARD IS
crowd the concert halls and opera houses.
1798. Discuss live topics, not technicalities.
$12,
THREE LINES, ONE YEAR, INCLUDING ONE
YEAY'S SUBSCRIPTION TO THE MUSICAL CRITIC AND
Properly accredited correspondents who do not forward
TRADE REVIEW, INVARIABLY IN ADVANCE.
us information regularly will be considered to have re-
signed their positions.
NOTICE TO ADVERTISEBS, No. I .
But the most convincing proof of the populariz-
ation of the art, is found in the readiness with
which all kinds of musical organizations have been
We particularly desire to call attention to the fact that
and are constantly being formed.
we carry no " D E A D WOOD," OR UNPAID ADVERTISE-
MENTS IN THIS PAPER.
All our advertisements are
properly contracted for.
BINDERS.
The Musical
Festival Societies; the Chorus and Oratorio Socie-
Our patrons are taking such a lively interest in the ties; the German and other singing societies; the
It would be an act of the GROSSEST INJUSTICE TO
ADVERTISERS WHO PAY TO INSBET THE ADVERTISE-
MENTS OF OTHER PARTIES WHO PAY NOTHING, OR
NEXT TO NOTHING.
NOTICE TO ADVERTISEBS, No. II.
We do not take pianos, organs, or any description of
musical merchandise, in payment for advertisements in
MUSICAL CRITIC AND TRADE R E V I E W that they are
faithfully preserving the back numbers of the paper. In amateur orchestras and bands, and the many
answer to frequent inquiries we may say that we will vocal and instrumental quartette clubs, present a
supply handsome embossed cloth binders, suitable for
holding the numbers of this paper for two years, for formidable array of musical organizations.
$1.00. Orders must be accompanied by cash.
It must be remembered that the great majority
of these societies do not exist for the purpose of
money-making, but simply and purely for the
NOTE WELL.
not engaged in renting out musical instruments, nor in
gelling them upon the installment plan.
This is the ONLY INDEPENDENT PAPER published in purpose of musical culture. The amount of good
Neither do we pay our printer's or other bills in pianos America DEVOTED EXCLUSIVELY to MUSIC, MUSICIANS done by them cannot be estimated, as in addition
or organs taken for advertising.
and the MUSIC TRADES.
the, MUSICAL CRITIC AND TRADE REVIEW.
We are
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