Coin Slot Magazine - #016 - 1976 - March [International Arcade Museum]
Model 500 was really the first
Wurlitzer Juke Box to use a
moving light cylinder behind the
onyx-yellow plastics
Model 600 was an economy model
for smaller locations.lt was
lighter and did not feature the
moving lights.
The era of this classic machine was ended by Seeburg with its "100l!play
jukebox, introduced in 1949. Like earlier Seeburgs, it was aesthetically un
distinguished. However, Seeburg had finally compensated for its inferior
design with a major functional breakthrough. Wurlitzer, stuck in the same 24
play groove for ten years, was caught looking at the phenominal sales records
of its post war 1015. It lost, never to regain, the dominance it had achieved
during the early 194OHs.
Jukeboxes, as art, had died.
Many early nickelodeon and player piano manufacturers successfully made
the transition ot jukeobxes including Seeburg, Mills and Rock-Ola. Others,
such as Capehart, Packard, Rowe and Aireon introduced jukeboxes in the
1930's and 1940!s. Wurlitzer, however, became the 1940!s dominant force and
has emerged today as the consensus Cadillac of that era. In today!s market,
old Wurlitzers command the highest prices.
om
m.c
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s
Wurlitzer achieved rapid
from its earliest model, the
mu progress
d fro technical
-
e
10 play P-10 introduced
in 1933, d to
the first 24 play machine, the model 24,
e
d
a
lo During
introduced in 1938.
rca succeeding ten years, Wurlitzer focused its
.a the
own w design
w
attention on D cabinetry
making only modest changes to its basic
w "24 while
/
mechanism. Wurlitzer's
play era" includes 13 different models, obtaining
/
:
p
one of each being
htt the'-goal of many serious collectors. These 13 boxes include
the much sought after 1941 model 850, and the post-World War II 1015, Wur
litzer's all time best seller and probably the most resellable machine in to -
day's market.
© The International Arcade Museum
http://www.arcade-museum.com/