Automatic Age

H A R R Y JA M E S (C olum bia 36412)
Y ou’ve Changed (Ft-Vc)
Nobody Knows The Trouble I ’ve Seen
( F t)
A breathtaking string background
for trum pets and trombones in the
first one. “Nobody Know s” is a spir­
itual in an engaging fox trot arrange­
ment.
E D D Y D U C H IN (Colum bia 36423)
E v ’ry Time (Ft-Vc)
This Time The Dream ’s On Me (Ft-
Vc)
Two show hit tunes, which Eddy
turns to good advantage. “ D ream ’s
On M e” is especially danceable.
H O R A C E H E ID T (Colum bia 36403)
Let’s W altz As We Say Goodnight
(W-Vc)
Don’t Ju s t Stand There! (Ft-Vc)
A
double-barreled
combination.
“Let's W a ltz ” contains a haun tin g
vocal chorus by Charles Goodman.
Second one is a cute novelty.
E D D Y H O W A R D (C olum bia 36409)
I Got It Bad (Ft-Vc)
Y ou’re A N a tu ra l (Ft-Vc)
A bang-up job of first record by
E ddy H ow ard and his orchestra, w ith
Eddy han dling the vocals, for which
he has long been a favorite. “ I Got
I t B a d” is the up and com ing novelty
from “J u m p W ith Jo y .” “Y o u ’re A
N a tu ra l” from “ N avy Blues” is a
natural fo r Eddy.
C L A U D E T H O R N H IL L
(Colum bia
36413)
Baby Mine (Ft-Vc)
Miss You (Ft-Vc)
“ Baby M ine” is a sparkling a r­
rangem ent, punctuated w ith Claude’s
rip p lin g piano work. The oldie “Miss
Y o u ” is done up in a new outfit.
G E N E K R U P A (Okeh 6438)
The W alls Keep T alking (Ft-Vc)
Come Be My Love (Ft-Vc)
On the first one A n ita and Roy,
Gene’s vocal com bination, do some
gut-bucket vocalizing in a spooky
melodic atmosphere. Second one is
a strong ballad, song by How ard Du
Lany.
r u
HOWDY
p o pular
by
band
leader, gets
M ills
N o ve lty
L A W R E N C E W E L K (Decca 4018)
Nickel Polka (Polka-Vc)
Raise The W indow Down (Polka-Vc)
F irs t one could bring back the
popularity of the first popular stomp
tune; vocal chorus handled by Jo Ann
H ubbard and Parnell Grina. Second
one’s vocal is by Jo A n n and Trio.
G R IF F W IL L IA M S (Okeh 6433)
H aw aiian Sunset (Ft-Vc)
I Forgive But Can’t Forget You
(Ft-Vc)
Two good examples of w hat this
band is capable of; both are arranged
for easy dancing. G riff’s strings give
some excellent passages.
A N D R E W S S IS T E R S (Decca 4008)
E lm er’s Tune (V )
Honey (V )
Two lively numbers in the usual
Andrews’ vim and verve, accom pani­
m ent by Vic Schoen and his orchestra.
PRICE $17.95
DAKOTA
THI S
C o.
w ith
the
Panoram
Soundie, a u tom a tic movie
Slcinnay has made several subjects fo r the
Panoram, among them "L a m p lig h t."
One-third cash Balance COD.
M achine
WATCH
Ennis,
m anufactured
Shake hands with your friends when you
meet? Sure. When you see “Howdy” you
shake hands. It’s the natural thing to do. A
legal penny machine— sensational earnings.
Try an advance sample.
A
N ational
Handshaking
Slcinnay
machine
M A C H IN E C O M P A N Y
Huron, South Dakota
SPACE
54
NEXT
I SSUE.
AUTOMATIC AGE
© International Arcade Museum
C H A R L IE S P IV A K (Okeh 6431)
Under Y our W indow (Ft-Vc)
In The D ark O f The Moon (F t)
A n excellent vocal job w ith the
ballad, “ U n d e r Y o u r W i n d o w . ”
Second is an all-instrum ental arrange­
m ent w ith swell horn w ork by Charlie.
B IN G C R O S B Y (Decca 4033)
Day D ream ing (V )
Clem entine (V )
B ing at his best w ith dreamy and
sentim ental tunes; assisted by the
Music Maids and H a l w ith John Scott
T rotter and orchestra.
S T A N L E Y K E N T O N (Decca
This Love O f Mine (Ft-Vc)
The N ango (F t)
F rom the film, “W eek E nd
vana,” first one features vocal
D orris; m ate is a swingy,
m ental.
4037)
In H a ­
by Red
in stru ­
J IM M I E L U N C E F O R D (Decca 4032)
H i Spook ( F t)
Y ard Dog M azurka ( F t)
A couple of instrum entals which
are extremely danceable.
F R A N C E S L A N G F O R D (Decca 4020)
S m ilin ’ Thru (V )
A L ittle Love, A L ittle Kiss (V )
From M G M film “ S m ilin T hru,” this
pair is taken and arranged to bring
sentim ental
thoughts.
Accom pani­
m ent by V ictor Y oung and his or­
chestra.
IN K SPOTS (Decca 3987)
I Don’t W a n t To Set The W orld On
Fire (V )
Hey Doc! (V )
Instrum ental accom paniment to the
favorite In k Spots’ vocalizing. The
first tune is top hit, and can stay
there a long tim e, w ith this one con­
tributing.
November, 1941
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