Automatic Age
Issue: 1939 July - Page 75
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• ~ ,V/I-j; ..^ '- 'r.o ^ t
.'-.w. •
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BEFORE YOU INVEST IN A N Y P H O N O G R A P H
GREATER VALUE
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ASK YOURSELF THESE QUESTIONS
0 « / y WURLI TZER
HONO
WURLITZER G P
RAPH A
PHONO
PHONO
GRAPH B GRAPH C
D o e s i t h a v e 24 re c o rd s t h e r e b y e n a b l i n g M u s i c
M e r c h a n t s t o m a k e m o r e m o n e y b y o f f e r in g
g r e a t e r s e le c tio n a n d m a k i n g p r o f i t a b l e u s e
o f o ld r e c o rd s ?
YES
NO
NO
NO
D o e s i t h a v e a c o m p le t e ly v is ib le r e c o r d
c h a n g e r t h a t a t t r a c t s m o r e n ic k e ls b e c a u s e
p e o p le lik e t o see i t w o r k ?
YES
NO
NO
NO
H a s t h e R e c o rd C h a n g e r M e c h a n is m b e e n
t r ie d a n d p r o v e n b y 5 y e a rs o f c o n t i n u o u s
s e rv ice i n t h e fie ld ?
YES
NO
NO
NO
m
1
D o e s i t h a v e a p ia n o ty p e k e y b o a r d
IN D E S T R U C T IB L E M E T A L keys?
YES
NO
NO
NO
ft
f
D o e s i t h a v e i l l u m i n a t e d c o in s lo t s t o lu r e a l l
t h e n ic k e ls i n d i m l y li g h t e d lo c a t io n s ?
YES
YES
YES
YES
D oes i t h av e a “ R e c o rd N o w P la y in g ” i n d i
c a t o r w h ic h e n a b le s p a t r o n s t o s p o t re c o rd s
YES
YES
YES
YES
YES
NO
NO
NO
PHONOGRAPHS have
. . . w ith
they like and play them again?
H f
W
Is t h e c a b in e t case s t u r d i ly c o n s t r u c t e d
t h r o u g h o u t w i t h p ly w o o d t h a t w o n ’t s p l i t ,
crack or w arp?
1
1
A re c a b in e t j o i n t s b o t h g lu e d a n d s c re w e d fo r
e x tr a s t r e n g t h ?
YES
NO
NO
YES
I s t h e c a b in e t c o m p le t e ly b r a c e d a n d
i o n e d t o p r e v e n t r a t t le s a n d p o o r t o n e ?
YES
NO
NO
NO
YES
YES
NO
YES
YES
NO
NO
NO
YES
NO
NO
NO
YES
NO
NO
YES
YES
NO
NO
YES
YES
NO
NO
NO
YES
NO
NO
NO
YES
NO
NO
NO
iS s ffto S
cush
A re t h e c a b in e t s b u i l t b y t h e p h o n o g r a p h
m a n u f a c t u r e r i n h is o w n p l a n t t o h is o w n
r ig id s ta n d a r d s ?
Pl>jy
H a s i t a s t u r d y k ic k - p r o o f m e t a l g r ille p r o t e c t
i n g t h e s p e a k e r a g a in s t d a m a g e ?
Is t h e c a b in e t e x te r io r f i n i s h e d i n a l i g u o r
r e s is t in g la c g u e r a n d h a n d r u b b e d t o a m i r r o r
lik e f i n i s h ?
\
1
A
Is b r i l l i a n t i l l u m i n a t i o n o b t a in e d w i t h plas-
t ic s w i t h o u t s a c r if ic in g c a b in e t s t r e n g t h b y
t h e excessive u s e o f p la s tic s ?
A
Is t h e c a b in e t s t r e a m lin e d fo r e a s y c l e a n in g ?
Is t h e m o v i n g i l l u m i n a t i o n o p e r a t e d b y a
p o w e r d r iv e n m o t o r t h e r e b y e l i m i n a t i n g a n y
c h a n c e o f i t s s t i c k in g o r w h i r l i n g t o o f a s t ?
M
■
■
■
D o e s i t o ffe r H I - F I D E L I T Y t o n e w i t h E a r C o m -
p e n s a t e d V o lu m e C o n t r o l t h a t e n c o u r a g e s
p e o p le t o p la y i t a g a in a n d a g a in b e c a u s e o f i t s
m a r v e lo u s m u s i c ?
'
D o e s i t h a v e a N e e d le S e t t e r a s s u r in g a c c u r a t e
p o s i t i o n i n g o f t h e n e e d le , m i n i m u m re c o r d
w e ar a n d co rrect to n e ?
GET THESE GREATER V A L U E S W O R K I N G
W U R L I T Z E R ’S
luseum
FOR Y O U
M O D E R N IZ A T IO N
UNDER
P R O G R A M
http://www.arcade-m useum.com/
j
• ~ ,V/I-j; ..^ '- 'r.o ^ t
.'-.w. •
?ca, ^^.•2-
BEFORE YOU INVEST IN A N Y P H O N O G R A P H
GREATER VALUE
(C o m pute th e l/a lu e
ASK YOURSELF THESE QUESTIONS
0 « / y WURLI TZER
HONO
WURLITZER G P
RAPH A
PHONO
PHONO
GRAPH B GRAPH C
D o e s i t h a v e 24 re c o rd s t h e r e b y e n a b l i n g M u s i c
M e r c h a n t s t o m a k e m o r e m o n e y b y o f f e r in g
g r e a t e r s e le c tio n a n d m a k i n g p r o f i t a b l e u s e
o f o ld r e c o rd s ?
YES
NO
NO
NO
D o e s i t h a v e a c o m p le t e ly v is ib le r e c o r d
c h a n g e r t h a t a t t r a c t s m o r e n ic k e ls b e c a u s e
p e o p le lik e t o see i t w o r k ?
YES
NO
NO
NO
H a s t h e R e c o rd C h a n g e r M e c h a n is m b e e n
t r ie d a n d p r o v e n b y 5 y e a rs o f c o n t i n u o u s
s e rv ice i n t h e fie ld ?
YES
NO
NO
NO
m
1
D o e s i t h a v e a p ia n o ty p e k e y b o a r d
IN D E S T R U C T IB L E M E T A L keys?
YES
NO
NO
NO
ft
f
D o e s i t h a v e i l l u m i n a t e d c o in s lo t s t o lu r e a l l
t h e n ic k e ls i n d i m l y li g h t e d lo c a t io n s ?
YES
YES
YES
YES
D oes i t h av e a “ R e c o rd N o w P la y in g ” i n d i
c a t o r w h ic h e n a b le s p a t r o n s t o s p o t re c o rd s
YES
YES
YES
YES
YES
NO
NO
NO
PHONOGRAPHS have
. . . w ith
they like and play them again?
H f
W
Is t h e c a b in e t case s t u r d i ly c o n s t r u c t e d
t h r o u g h o u t w i t h p ly w o o d t h a t w o n ’t s p l i t ,
crack or w arp?
1
1
A re c a b in e t j o i n t s b o t h g lu e d a n d s c re w e d fo r
e x tr a s t r e n g t h ?
YES
NO
NO
YES
I s t h e c a b in e t c o m p le t e ly b r a c e d a n d
i o n e d t o p r e v e n t r a t t le s a n d p o o r t o n e ?
YES
NO
NO
NO
YES
YES
NO
YES
YES
NO
NO
NO
YES
NO
NO
NO
YES
NO
NO
YES
YES
NO
NO
YES
YES
NO
NO
NO
YES
NO
NO
NO
YES
NO
NO
NO
iS s ffto S
cush
A re t h e c a b in e t s b u i l t b y t h e p h o n o g r a p h
m a n u f a c t u r e r i n h is o w n p l a n t t o h is o w n
r ig id s ta n d a r d s ?
Pl>jy
H a s i t a s t u r d y k ic k - p r o o f m e t a l g r ille p r o t e c t
i n g t h e s p e a k e r a g a in s t d a m a g e ?
Is t h e c a b in e t e x te r io r f i n i s h e d i n a l i g u o r
r e s is t in g la c g u e r a n d h a n d r u b b e d t o a m i r r o r
lik e f i n i s h ?
\
1
A
Is b r i l l i a n t i l l u m i n a t i o n o b t a in e d w i t h plas-
t ic s w i t h o u t s a c r if ic in g c a b in e t s t r e n g t h b y
t h e excessive u s e o f p la s tic s ?
A
Is t h e c a b in e t s t r e a m lin e d fo r e a s y c l e a n in g ?
Is t h e m o v i n g i l l u m i n a t i o n o p e r a t e d b y a
p o w e r d r iv e n m o t o r t h e r e b y e l i m i n a t i n g a n y
c h a n c e o f i t s s t i c k in g o r w h i r l i n g t o o f a s t ?
M
■
■
■
D o e s i t o ffe r H I - F I D E L I T Y t o n e w i t h E a r C o m -
p e n s a t e d V o lu m e C o n t r o l t h a t e n c o u r a g e s
p e o p le t o p la y i t a g a in a n d a g a in b e c a u s e o f i t s
m a r v e lo u s m u s i c ?
'
D o e s i t h a v e a N e e d le S e t t e r a s s u r in g a c c u r a t e
p o s i t i o n i n g o f t h e n e e d le , m i n i m u m re c o r d
w e ar a n d co rrect to n e ?
GET THESE GREATER V A L U E S W O R K I N G
W U R L I T Z E R ’S
luseum
FOR Y O U
M O D E R N IZ A T IO N
UNDER
P R O G R A M
http://www.arcade-m useum.com/
j
Future scanning projects are planned by the International Arcade Museum Library (IAML).