Presto

Issue: 1941 2298

BUSINESS THRIOUT THE NATION
PIANO SALES INCREASED 25%
San Antonio, Texas
We enjoyed the finest December business we have had
for twelve years. Our piano sales running 25 per cent above
December, 1939. The year was very satisfactory indeed es-
pecially from August 1st until December 31st. We also
showed substantial increase in our radio, band instrument,
and record sales. I have no doubt these same results were
obtained by every wide awake merchant in our country.
We found, however, this business had to be definitely
planned. We did, so we think, a very consistently good job
in advertising all through the year in newspapers, radio, and
direct mailing of different pieces of literature to selected lists.
There seems to be no question that the tremendous outlay
of cash by the Government has already begun to make itself
felt in the United States even so far as the great State of
Texas. We were blessed with an abundance of rainfall dur-
ing the latter part of the year without which we would have
found the business of selling merchandise much more diffi-
cult.
I am extremely optimistic for the coming year for the
reasons I have stated, but our efforts for the year are going
to be just the same as they have always been and that is a
carefully thought out sales program for the entire year—
conservative, consistent and with an open mind to meet the
rapid and ever-changing conditions internationally and
nationally.
I trust it will interest you to know that we arc planning
to open a store in Houston. Texas, in the very near future.
We will then have stores in San Antonio, Corpus Christi.
Harlingen, Austin, Victoria, Laredo, and Houston, Texas.
It is not going to be our policy to go after big volume as
much as it is a sound, sane, conservative business built upon
a secure foundation.
With all good wishes to you for the coining year, we
remain,
Yours very truly,
San Antonio Music Company.
Paul H. Cagle, General Manager.
1941 IS OPPORTUNITY YEAR FOR AGGRESSIVE
MUSIC MERCHANTS
Peoria, Illinois
A glance at the operating statement for 1940 (which was
on hand January 3rd) tells the story. There was no increase
in sales over 1939 but a 50 per cent increase in net profit.
Normal improvement in management which comes with each
succeeding year and better salesmanship account for this
gain. 1940 was a good year for all retailers from whom I
have any information.
The year 1941 will be an "opportunity" year for aggres-
sive music merchants, their best in fifteen years. The big
question about 1941 is whether or not the music dealers are
going to "cash in" on their opportunities.
Increasing public interest in music and musical equip-
ment, new musical merchandise which is creating new mar-
kets, and the splendid national advertising on pianos and
organs particularly, are a few of the factors within the in-
dustry which are paving the way for better music business
in 1941 and throughout the present prosperous period.
During th:s year our dealers should make some money,
get their accounts in order, get out of debt, and thus preserve
their investments and business through the lean years which
inevitably follow periods of stimulated economic conditions.
Kick off for a big year. Polish up your selling technique.
There is no shortage of prospects this year.
Yours very truly,
George L. Byerly, Pres : dent
Byerly Bros. Music Company
FKHRIAKY. NINKTKKN FORXY-OXE
Jerome F. Murphy,,
A Former Presi-
dent of the Xation-
al Association of
AIu sic Merchants,
Inc.
PIANO BUYERS MORE DISCRIMINATING
Boston, Mass.
Our business in 1940 was considerably ahead of any year
since 1929; and not only were we ahead in the number of
units sold and the dollar volume, but the character of the
sales seems to have shown marked improvement.
In the
piano department, 1 was very much pleased to note that the
average dollar value of our unit sales in 1940, was considerably
ahead of any year during the past five years, indicating that
the buying public is a bit more discriminating than it was a
short time ago. That, of course, is pleasing to us and should
be to any dealer.
The manufacturers, too, seem to appreciate that the market
has practically completed the cycle of "cheap" instruments,
and their efforts to make better pianos has met with very
gratifying results.
I am confidently anticipating a continuation of this good
business in 1941.
With assurances of my esteem, I am, cordially,
JEROME F. MURPHY.
PIANO MERCHANDISING ON MOST
PROGRESSIVE BASIS
Chicago, Illinois
It is my firm conviction that 1941 will see piano merchan-
dising on the most progressive basis in its history. I believe,
too, that this progressiveness, together witli improved instru-
ments and better business conditions, will send piano sales
even higher than in 1940.
The trend toward more aggressive methods in piano re-
tailing has been evidenced in the enthusiastic reception given
the sales clinics sponsored by the National Piano Manufac-
turers Association. Everywhere I have found music mer-
chants eager to learn more about selling and attentive to new
promotional ideas.
In coming weeks, eleven more of these clinics for mer-
chants and salesmen will be held in St. Louis, Fort Worth,
Los Angeles, San Francisco. Portland, Washington, Chicago.
Cincinnati. Atlanta, New York and Boston. Thus, no mat-
ter where he is located every music merchant is within easy
(ravelling distance of a sales clinic.
There is more money in circulation and more persons at
work than at any time since the fabulous "Twenties." That
is a combination which should spell prosperity for the musi-
cal instrument retailer, especially when the music men are
putting progressive sales and operating technique to work for
them.
Cordially yours,
Lawrence H. Selz,
The Selz Organization
PACK SKVKX
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^rrom ^Jhe Edit or 5
AMERICA: THE WORLD MUSIC CENTER
"The United States has become the world center for mus-
ical culture and the refuge for outstanding musicians." Thus
spoke Prof. Georg Schneevoight, Conductor of the Stockholm
Orchestra, Sweden. Dr. Schneevoight has recently come to
this country, having flown here from Australia where he was
during recent months directing the organization of symphonic
orchestras in Syndey and Melbourne. With his wife, Mme.
Sigrid Schneevoight, a famous European pianist, he had left
Stockholm last February.
Gives Interview In New York
Just a few days ago Dr. Schneevoight gave an interview
on the subject of the condition of music throughout the world.
After asking to be excused from making an observation about
the war situation, he launched into the subject of music in
America. He said that the nations of Europe at war or on
the edge of war were using all their energies in the life con-
suming conflict and consequently had no time nor money to
devote to music. He added that many of Europe's leading
musicians were in the United States.
War Is Retarding Music
Dr. Schneevoight said: "The war is retarding music in
. many ways. Its development has been arrested in Europe
indefinitely. Music is a luxury in Europe as people must use
all their money for war purposes or defense and for the barest
necessities of living. And after the war it will take many
years to repair the awful damages and to build up a surplus
for culture."
Music, The Universal Language
He continued: "But music is the universal language—
without words—of all countries. The music of one country
cannot be destroyed by another country. In the last fifty
years America had become too dependent on German, French,
and Italian music. That is because music w r as a business in
those countries. But in Scandinavia, it is an art because we
Scandinavians are not in such a hurry as some other peo-
ples. We have many rehearsals and the performances are of
a higher standard."
Dr. Schneevoight was born in Viborg. Finland, in 1878.
He believes the greatest folk music in the world has arisen
among the people of Finland, due to the influence of Finland's
natural charms; her thousands of lakes, rivers, forests, snows,
rugged coast lines, and islands.
As a young" boy Dr. Schneevoight when he studied at the
Conservatory at Helsingfors, Finland, knew Sibelius. He
says that Sibelius, "captured the beautiful fantasies and
dreamy wistfulness of the land as the somber note of struggle
and recurring tragedy among the people."
IN T H E SILENT HALLS OF HISTORY, 1940!
People often appear to have the idea that Time is like a
long log that is cut up into small sections called years, and
that when a piece — a year — has been cut off it becomes a
thing of the past, a section of time that is past and dead. Not
so! The year 1940 will always remain a living, vital force in
the long stretch of time which is more like a mighty rivet"
ever flowing on and changing rather than a log.
What About 1940?
First, it was the beginning of a new decade that probably
will be as full of revolutionary forces as was the decade of the
last World War, namely, 1910. There are some powerful
groups in Europe who aim to carry their particular revolu-
tions forward to fulfillment in this decade. How far this
revolutionary power may go no one can tell today. Other
forces are just as eager and determined to maintain the demo-
cratic system or way of life and to extend its sway. And
how far that movement may go no man knoweth.
Blitzkrieg: A World Change !
The German word for lightening and crushing battle has
now become a universal word known by all peoples. Last
April I had a man explain to me how it would be absolutely
impossible for any enemy to invade Holland. Yet within a
month from that very day. Holland had been overcome and
the conquest took only a "few days. We mention this simply
to show that 1940 marks the greatest changes in warfare ever
known to take place in. so short a period. The year 1940 will,
therefore, be known for the lightening use of world transform-
ing military implements and techniques.
Terrible Destruction ! That will be a fact associated with
1940. Some of the greatest monuments of Europe have been
destroyed or injured during the past year. If the war con-
tinues, this destruction will increase. Museums, churches,
sculptures, parliament buildings, and many old, beautiful, and
important structures and objects will be wiped out.
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PRESTO MUSIC TIMES
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
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