Presto

Issue: 1940 2296

FIVE GENERATIONS OF STEINWAYS
Men Devoted
To The
Making Of
Fine Pianos
And To
Musical
Culture
Theodore D. Steinivay, 4th generation, son of
Theodore E. Steinway, Factory apprentice.
Charles G. Steinway, 5th generation, son of
Charles F. M. Steinway, Office assistant.
should be denied no opportunity for advancement from appren-
tice to president, but his rise to power was dependent solely upon
his ability to do that which was necessary to maintain the
standard set by his ancestors.
There never was a time in the long history of the House that
the active control was not vested in members of the Steinway
family, and today it remains under this same direction.
Those who do not bear the name of Steiuway are sons of
the daughters of Stein ways.
It is the fond hope of the present directors that the fame of
Steinway shall rest on the shoulders of the future generations that
are born into the family, thereby carrying out the wish of Henry
Engelhard Steiiway, that the reputation that he bequeathed to
the name should always remain in possession of his children's
children.
Ever since the first piano that bore the name of Steinway was
made, the business control has been in the hands of members of
the Steinway family.
For five generations these lineal descendants of the founder,
Henry Engelhard Steinway, have worked and studied to improve
the construction and tone qualities of the Steinway Piano.
Through well nigh a century there has been in each generation
a sense of pride in upholding the quality of the instrument and
the name of Steinway.
When each member of the family became of working age,
he entered the factory and began his practical training in piano
building. As the years progressed he advanced from one po-
sition to another, finally taking up the highest work that his
capabilities permitted.
It has been a rule through all these years that a Steinway
The name "Steinway" on a piano
means more than the word "Sterling"
on silver, because there are different
grades of sterling and different
weights, but there is only one Stein-
way, and that the best.
There is real satisfaction in the
ownership of a Steinway Piano. Its
possession carries with it not only the
personal pride of the owner himself,
but also the appreciation of all those
who listen to its exquisite tone. The
world over, it is a recognised fact that
the name "Steinway" on an instru-
ment is an invaluable credential.—
*
*
*
From
The Revised Edition of
Henry Z. Steinivay, 4th generation, son of
Theodore E. Steinway, Factory apprentice.
OCTOBER, 1940
"The Steinways Of Today"
Steinway & Sons
Founded 1853
John H. Steinway, 4th generation, son of
Theodore E. Steinway, Factory apprentice.
rA(5K ELEVEN
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
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A National
Defense Program
to Protect American Music
''We need a National Defense Program for the protection of
American Music!"
That was the emphatic comment of conductor Raymond Paige
in an interview, in which he took issue with the National Com-
mittee for Music Appreciation over the fact that in the list
of recordings it has selected for nation-wide distribution in a
campaign on behalf of good music—THERE IS NOT O N E
AMERICAN WORK.
The Committee is described as an organization with a total
membership embracing more than two thousand of American's
civic, cultural, and educational leaders, who state that "on Am-
erica rests the burden of defending the cultural heritage of
civilization" and "this is one of the most cultural achievements
in the history of New York." BUT T H E MUSIC THEY
SELECT IS EXCLUSIVELY FOREIGN
"Isn't it amazing," asks Paige, "that in this movement, by
an American group, to foster American culture, by means of
American recordings, for American listeners—EVERYTHING
IS AMERICAN BUT T H E MUSIC?"
"Of course there is no reason why we should not continue to
enjoy the masterpieces of other lands, but we should not con-
tinue to be under the cultural domination of Europe, and listen
to foreign music to the exclusion of works by our own talented
artists.
"I think it's high time for a new American Declaration of
Independence, this time a musical one. With Europe engulfed
in war and tragedy, we will have to carry the banner of culture
for some time to come no doubt, and the only way our artists
can flourish is through recognition. Traditionally, the tide of
music flows from one country to another. England, France,
Germany, Italy—each has had its period of musical supremacy.
Now I feel the United States ought to have its inning. Our
American writers are prepared to do their part—let them be
encouraged—let them be HEARD.
"In this movement of the National Committee of Music Ap-
preciation," Raymond Paige concluded, "to increase our public's
love for fine music, let these 'phonograph-needle inoculations'
use a little good old American cultural serum too."
BUY CHRISTMAS SEALS
CHRISTMAS SEALS
MUSICAL INSTRUMENT CO.
1640 WALNUT STREET
CHICAGO
BUY CHRISTMAS
SEALS
The campaign against tuberculosis has been an important fac-
tor in the headway made against the disease. In 1907, when
the first Seal Sale was held, tuberculosis was the leading cause of
death. Now it stands in seventh place, but it still kills more peo-
ple between the ages of 15 and 43 than any other disease. So,
while the campaign for the prevention and control of tuberculosis
has achieved much, it is obvious that the fight must continue.
The National Tuberculosis Association and its 2,000 affiliated
state, county and city associations throughout the country receive
their entire support from the sale of Christmas Seals. Your
cooperation and interest are deeply appreciated.
Help to Protect Your
Home from Tuberculosis
PA THIS IS A MOST WORTHY CAUSE.
WE ALL REALIZE THE SOCIAL BENEFITS FROM
THIS FIGHT AGAINST
TUBERCULOSIS.
LET US ALL BUY AS MANY SEALS AS POSSIBLE.
PRESTO Ml'SIC TIMES
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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