Presto

Issue: 1933 2269

PRESTO-TIMES
PRESTO PUBLISHING CO.
Publishers
417 So. Dearborn St.
Chicago, 11L
ISSUED THE
FIFTEENTH OF
PUBLICATION MONTH
FRANK D. ABBOTT
Jan.-Feb., 1933
Editor
Telephones, Local and Long Distance, Harrison 0234.
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mercial Cable Co.'s Code), "PRESTO," Chicago.
Entered as second-class matter April 9, 1932, at the
Post Office at Chicago, 111., under act of March 3, 1879.
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tising on application.
Items of news and other matter are solicited and If of
general Interest to the music trade will be paid for at
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smaller cities are the best occasional correspondents, and
their assistance Is invited.
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torial or news columns of Presto-Times.
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Address all communications for the editorial or business
departments to PRESTO PUBLISHING CO., 417 South
Dearborn Street. Chicago, III.
The last form of Presto-Times goes to press at 11 a. m
three days preceding publication day. Any news trans-
piring after that hour cannot be expected in the current
issue. Nothing received at the office that is not strictly
news of importance can have attention after 9 a. m. of
that date. If they concern the interests of manufactur-
ers or dealers such Items will appear the issue following.
CHICAGO, JAN.-FEB., 1933
A group of music trade men, mostly piano men, sat together at a recent music trade
gathering discussing, naturally, the trend of the times today and the bearing of the conditions
on the music business, a consensus of which remarks would be that:
There are today more families throughout the country, from coast to coast, without
In a lecture given at the annual meeting of the pianos than ever before. That:
Chicago Kiwanis Club, William M. Lewis, president
More old pianos are meeting home requirements than ever before. That there are:
of the La Fayette College, Easton, Pa., was telling
Fewer
families, newly married couples, and new homes pianoless today than ever before.
how a man out of work could improve his time by
study and research. He illustrated the point brought That:
out in his lecture by relating how the automatic musi-
More pianos have been taken back within the past three or four years, for non-payment,
cal instrument was popularized. Speaking of the in-
repossessions,
etc., than ever before in the history of the music trade.
vention of these automatic instruments he said: "It
was during a time of depression and this man got
These conditions, it was plainly shown, have produced more prospects for sales than ever
permission to use the workshop of a pipe organ fac- have existed before and the old pianos still being used are more junkable than ever before.
tory, which was idle. In six months he had perfected
All persons who go over the situation carefully these days invariably come to the conclu-
the idea of the automatic player."
The gentleman referred to was, of course, the late
sion that with the revival of better times, revival of employment, and some money coming in,
William B. Tremaine and the statement made is about there will be a golden era in the music trades and industries.
correct.
Our esteemed contemporary and the leading music
trade paper of Germany, "Zeitschrift Fur Instrumen-
tenban," published at Leipzig, in a set of illustrations
of piano trucks used for long distance delivery, is
shown the Steinway & Sons' truck from the Steinway
factory at Hamburg, Germany.
There has been a good deal of cutting out of branch
stores in the music business the past year. Generally
this change in the operation of moving of goods has
been the taking over by dealers generally of the con-
cerns which formerly represented the branch houses.
Notable among these discontinuances have been
the C. G. Conn Company's stores heretofore con-
ducted as branch stores. The W. W. Kimball Com-
pany have also given up most of their branch houses
and in some cases the former managers have become
local representatives.
Perhaps one hundred and fifty thousand pianos, old,
new and what-not, were sold during the past twelve
months, a statement that has not been satisfactorily
challenged, but what share of these sales was fac-.
tory output within the same period is also not clearly
defined. However, be these estimates as they may, it
is certain that the piano supply men have been sor-
rowing with harrowing tribulations these many days,
and the trade papers are among the mourners.
The New York Evening Journal recently gave a double column editorial to the interests of
piano music in the home. The subheading of this article was, "There should be some musical
instrument for every child." The piano was the main topic discussed, that instrument being
the foundation instrument or, as might be said, the master instrument of musical creation. The
Journal goes on to say that Henry Ford, who, himself, plays the violin, said, "Every child
should be taught to play some kind of musical instrument; merely to listen to music is not
enough; merely to enjoy it is not enough"; his idea being that one who plays an instrument
not only enjoys the music himself, but gives pleasure to listeners by really creating the music
he produces.
This Journal story goes on to say that, "A good piano"—and observe that the paper applies
the adjective "good" to the piano—"should be in the center of the family group." Around
this piano may be gathered other musical instruments to form a little band or miniature
orchestra. A photograph was reproduced with this story showing a distinguished British
family, each member playing an instrument. The picture is Lady Instone, who is at the piano,
and her five daughters with the eminent Sir Frederic Cowen as leader of this little band of
players.
The Journal editorial is, indeed, a beautiful tribute to the piano and to musical instru-
ments in the home.
tions by radio. Members of this society, however, MR. WRIGHT HERE AND MR. WRIGHT
reap their share of license fees paid for broadcasting
THERE
and, by the way, only persons who have written or
composed as many as five successful compositions are
Among the interesting visitors to Chicago recently
eligible for membership. The ban on copyrights was Mr. Leonard Wright, whose home is in Boston;
applies almost solely to musical compositions, prin- a son of A. M. Wright, at the head of the Mason &
cipally of so-called popular sheet music. The limiting Hamlin Company up to the time of its change of
There is inquiry in the trade and there seems to be, of productions of popular music has its advantages, ownership and close association with American Piano
really, some anxiety as to whether Steinway & Sons particularly as applied to semi-musical productions Company interests.
will put out a small grand piano. Nobody seems to where if the musical selections of such plays were
Mr. Wright, Jr., was the guest of members of the
be able to give a satisfactory reply to this inquiry, broadcast freely the music might become either worn Cable Piano Company at the annual Chicago Piano.
out
-V-
popularized
in
advance
of
future
stage
per-
but it can be safely stated that a smaller grand will
& Organ Association banquet in January. Speak-
not be placed on the market unless Steinway & Sons formances.
ing of his father, Mr. Wright says that he is still at
are absolutely sure that a smaller instrument than
his St. Petersburg, Fla., home, where he remains
their present 5 ft. 7 can be a perfect instrument and
each year up to about the first of May. Early in
give perfect satisfaction.
It has recently been made public that upwards of May Mr. and Mrs. Wright return to Boston and oc-
45,000 composers, authors and publishers of musical cupy their apartment there until the beginning of
works at home and abroad have made their compo- summer, when they go to the seashore, usually up
The same week that the Chicago Automobile Show sitions available to the American public through the Maine-way, for two or three months until late fall,
was held the daily papers reported that for that week American Society of Composers, Authors and Pub- then return to Boston and later to their Florida home
fifteen hundred tuild'ng permits were issued, a mere lishers. Foreign musical works cannot legally be at St. Petersburg, where they have been going each
bagatelle for ordinary times when oftentimes 50,000 used in the United States without license of copy- winter for the past ten years.
and more permits are issued.
right owner, the same as American songs cannot law-
Mr. Wright has become one of the best golf players
fully be used abroad without permission. All this in the St. Petersburg-Tampa district, and is so much
work of licensing song production by radio is done by occupied with his pastimes generally that he is quite
Through the American Society of Composers, Au- uniting with the Society's representatives. The rusty no music trade news and affairs, but when he
thors and Publishers, the members of this organiza- American Society, for instance, licenses the use in does chance to meet an old friend from the fra-
tion and, incidentally, some who are not members, this country of the music owned by members of all ternity "he has the time of his life," as Mr. Wright,
are able to regulate performances of their composi- the affiliated foreign societies.
Jr., says.
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Jan.-Feb, 1933
PRESTO-TIMES
QUALITY WELL SUBSTANTIATED
Three individuals recently called at the Charles
Frederick Stein piano factory out on Carroll Avenue,
Chicago, to critically examine the grand pianos now
being manufactured at the Stein factory and, inci-
dentally, as they always are, under his personal di-
rection.
These three individuals were a piano teacher, a
piano tuner and a piano scale draftsman and techni-
cian who is a piano maker by trade; each of the
three well able to judge the musical and mechanical
merits of pianos.
The teacher came at the request of a prospective
purchaser; the tuner, and he is one of the most noted
in his profession in Chicago, came to satisfy himself
more fully in a certain fundamental principle in the
construction of Mr. Stein's instruments. The piano
maker came to note, casually, conditions at Mr.
Stein's factory; whether progressive, dormant, or
retrogressive. He was satisfied with the progressive
conditions in the manufacture of the Charles Fred-
erick Stein pianos, and he is an expert of the first
degree construction. The three met again, by coin-
cident, at a musical gathering, and their expressions
of approval of Mr. Stein's w T ork in building good
pianos were given without stint or reserve.
Little, if anything, more need be stated to sub-
stantiate Mr. Stein's assertion that he is building a
piano so good he does not know "how it could be
better."
THE NEW JESSE FRENCH COR-
PORATION
The Jesse French Corporation is the title of the
new company which purchased the inventory of the
Jesse French Manufacturing Company, succeeding,
of course, the former corporation known as the Jesse
French & Sons Piano Company. This inventory is
being put in shape and shipments are now being made
of the new product; that is to say, the product of the
former business as it is completed and made ready
for shipment. The head of this new corporation is
H. Edgar French, who has been the president of the
former Jesse French corporations. Mr. French in-
forms Presto-Times that a sufficient supply of all
Jesse French pianos will be ready for shipment in
the near future and most of them are now ready.
Associated with H. Edgar French, president of the
Jesse French Corporation, are Frank Field, vice-pres-
ident, and Elizabeth French, secretary-treasurer.
Mr. French recently returned from a 1,600-mile
motor trip to Montgomery, Ala., visiting Nashville,
Birmingham, Chattanooga, Knoxville and other im-
portant centers on the trip. He said to a representa-
tive of Presto-Times that he found a great deal of
faith and hope in the future of the piano business,
but that at the present time dealers seem to be trying
to do business entirely on second-hand stock, and
have no money to buy new goods. "However," he
said, "I feel sure they will get over that when the
supply of used players is finally disposed of, and it is
being reduced, but not fast enough to suit many of
MR. WEISER'S IMPORTANT
INVENTION
Mr. Frank J. Weiser, well known piano scale drafts-
man, piano builder and technician, who has been con-
nected with leading piano factories of the west and
who resides at Elmhurst, 111., has taken out a patent,
No. 1,892,296, under date of Dec. 27, 1932, which
provides means to hold the sounding-board of a piano
in its original arched position and thereby keep its
crown.
The synopsis of the patent which explains fully the
advantages of Mr. Weiser's invention, says that the
object of the invention is to obviate the tendency for
the surface of the sounding-board to curve or pull
away from the strings, so that the original arching
or crown of the board is not maintained, with the
result that the pressure of the strings on the bridge
is lessened and the tone is not so strong. Also, at
times dampness causes the sounding-board to buckle
or become distorted which destroys its original arch-
ing of the board and impairs the tone.
Hence this patent provides simple and efficient
means whereby the crown or arch of the sounding-
board is retained in its original position and the
pressure of the strings on the bridge at the time
the instrument was made is maintained. Also, by
the invention the string-bridge and ribs are kept from
loosening from the sounding-board, and the board is
rendered more rigid without impairing its requisite
vibration. Mr. Weiser further states that his inven-
tion gives the piano a more liquid and singing tone.
"TOO GOOD A MAN TO LET GO"
A correspondent of Presto Times writing from New
York and speaking of Charles Mehlin's vacation from
activities in piano manufacturing and his extended
European trip says, in reply to an inquiry: "Yes,
Charles M. is back in the harness and is very active
in the conduct of the Mehlin Piano Company. He's
too good a piano man to let go."
Mr. Mehlin, in speaking of conditions abroad, said:
"The piano business has suffered terribly in Ger-
many, but in no comparison to the United States.
With all their hardships in Europe they are by far
better off than we are in this country. I understand
that the Bechstein and Bluthner factories are manu-
facturing knocked-down houses, a la Sears Roe-
buck, etc."
SALE OF NEVIN MANUSCRIPTS
Original manuscripts of many of the best known
works of the famous American composer, Ethelberi
Nevin, are to be sold at the American Art Associa'
tion Anderson Galleries, New York City, the after-
noon of March IS, by order of Mrs. Nevin.
HARDMAN -
91 YEARS
of
Absolute Reliability
Manufactured by
HARDMAN, PECK & CO.
433 FIFTH AVENUE
NEW YORK, N. Y.
MATHUSHEK-
THE PIANO
"KNOWN FOR TONE"
Distinctive Back Construction—Open Sound Chamber
Mathushek Method of Holding Strain of Strings
AMERICA'S FAMOUS
SPINET GRAND PIANO
MATHUSHEK PIANO MFG. CO.
Piano
Manufacturers
132nd St. and Alexander Ave.
New York, N. Y.
APOLLO-
An Apollo grand piano justly
carries with it a sincere pride of
ownership and will bring a lifetime
of both musical and decorative
enjoyment.
THANK YOU, MR. BECKER
Presto-Times acknowledges receipt of some marked
copies of New York papers sent to this office through
the kindness of Mr. Rudolph Becker, head of the
house of Becker Bros., manufacturers of excellent
pianos, New York City, containing articles on the
value of music in the home and the great influence
of the piano as the basic instrument.
Some Valuable Territory Open Can
Now Be Secured
PHILADELPHIA
ADDRESS
APOLLO PIANO COMPANY
DE KALB, ILL.
EDITION OF 1933
PRESTO BUYERS' GUIDE
Contains Full Lists with Concise Classification and Description of all
American Pianos, Players and Reproducing Pianos, with Sketches of
Manufacturers. Essential to All Salesmen. Price 50cents, postpaid.
NO PIANO DEALER OR PROSPECT CAN AFFORD TO BE WITHOUT IT.
PRESTO PUBLISHING CO.,
417 S. Dearborn St., CHICAGO
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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