Presto

Issue: 1930 2253

December, 1930
think of the miners, the woodsmen, sawmill men, rail-
road men, glue men, wire-mill men, hardware shop
men, varnish mill hands, men transporting ivory in
the tropics, trucking men, office assistants and scores,
perhaps hundreds of others, that are all dependent
on the final action of the customer in deciding to buy
and putting down a payment. Show him that the
fifty dollars that he puts down for a first payment is
the equivalent of possibly more than five thousand
dollars given in charity, because that fifty dollars,
moving along the line, has in a short time paid over
ten thousand dollars worth of bills: yet the purchaser
is out only fifty dollars, and his family has the beau-
tiful musical instrument to use from the day of its
delivery in his home.
The argument that one bill paid is many bills paid,
Mr. Jones has found is a most convincing one; so it
is needless to say that the over-cautious customer was
won over.
Mr. Jones is practical in the sense of getting out
and over the marketing field. Perhaps he visits the
trade more often than any of the other piano manu-
facturers do.
Fineness and Modernity.
He believes that proper style, finish and appear-
ance of the piano are of the utmost importance in
making it marketable, for many a dealer has been un-
able to close with a customer because he did not have
desired charm in his piano. If he had judicial power
Mr. Jones would sentence a lot of junk pianos to
deep spots in the bottom of Lake Michigan or to the
bonfire pile for an election-night celebration. Many
of the second-hand instruments, he says, are not of
much use to the buyer.
Keeping Pianos Tuned.
And pianos, like horses and men, must be kept fit.
Mr. Jones referred to the wisdom in the slogan of the
National Piano Tuners' Association that a piano in
order to be able to do its full duty must be put in
such condition as to perform its functions.
The Most Modern Only.
A prominent Midwest dealer sent in an order for
a carload of Schillers last week, saying in his letter
that he wanted these instruments to satisfy the re-
quests of customers who wanted up-to-date finishes
—the most modern pianos obtainable, as he had dis-
posed of practically all of his former stock.
PROMOTING TRADE BY
LOCAL PUBLICITY
"Trade Pickups" Department in This Paper
Shows Many Unique and Original
Advertisements.
Not pictures of a bold conception so much as
original ideas presented in local language to attract
the attention of people very particular in their in-
quiries about musical instruments, have been chosen
to make up Presto-Times' department headed "Trade
Pickups." The headline may be tame, but the ex-
cerpts are not. On the contrary, many of them are
very striking and exceedingly to the purpose.
Whether it is true or not that all man's thoughts
and impulses come from the outside, it is evident
from many of these clippings that the writers of them
were never shaken on deliberate judgment by any
influences from without. They knew what t h e y
wanted to say about the pianos they were selling and
they said it in good American style. And these off-
hand advertisements are landing sales.
So this is our excuse for calling attention to the
activity of dealers in local advertising in their home
papers and other means of local publicity and adver-
tising.
Presto-Times receives constantly, thanks to the
senders, marked copies of papers, local programs,
and sundry publicity "stunts." Of some of the more
prominent houses which are bending great efforts to
sell goods and advertising in especially attractive
ways, the following concerns attract our attention:
Dwyer Piano Co., 131 Carondelet street, New Or-
leans; P. A. Starck Piano Co., 1018 Olive street, St.
Louis; Thearle Music Co., San Diego, Cal.; Knight-
Campbell, 1625 California street, Denver, Colo; Jen-
kins Music Co., 313 North Penn avenue, Indepen-
dence, Kan.; Fergusson Brothers, 325 South Grace
street, Richmond, Va.; Robelen Piano Co., 710 Market
street, Wilmington, Del.; Carter Piano Co., 27 Pryor
street, Atlanta, Ga.; The Corley Co., Richmond, Va.;
Thos. Goggan & Bros., Texas Stores; C. A. House
& Co., 1141 Market street, Wheeling, W. Va.
Among issues admitted for trading in the unlisted
section on the Mhineapolis-St. Paul Exchange last
month is the Automatic Musical Instrument Co , oper-
ators of automatic phonographs and player-pianos,
both "B" common and limited.
Musical instruments are being made by the pupils
in the high third and high fifth grades of the Bowie
elementary school at San Antonio, Tex.
5
PRESTO-TIMES
MOVING
PROBLEMS
SOLVED
by the
SELF-
LIFTING
PIANO
TRUCK
CO.
For all particulars, literature,
prices,
ADDRESS
Self-Lifting Piano
Truck Co.
FINDLAY, OHIO
"PASSING FAD" IS BASELESS
CHARGE AGAINST PIANO CLASS
MOVEMENT, SAYS MISS MASON
Kentucky Music Teachers Association Hear Refuta-
tion of the Charge at Their Annual
Convention at Louisville.
"The piano class movement is a passing fad of
which I do not approve." With these words the
director of a southern college attacked group piano
instruction at the recent conference of the Kentucky
Music Teachers Association, held at the Hotel Brown,
Louisville, Ky., November 6, 7 and 8.
Fortunately, Miss Ella H. Mason, piano class spe-
cialist of the National Bureau for the Advancement
of Music, was on hand at the conference and im-
mediately following the spokesman of the derogatory
opinion, took the platform and launched into a ref-
utation of the charge that the piano class move-
ment is a "passing fad."
She explained that piano classes are not a new
thing; they were introduced into some public schools
more than tw r enty years ago. She cited figures show-
ing their steady growth and explained that the devel-
opment had been especially rapid in the past few
years, due to a particular concentration of public
attention upon it. The Bureau's statistics, she said,
showed an increase from May, 1929, to May, 1930,
of 1,121 persons reporting classes in operation. In
the same year the number of requests for piano class
information received by the Bureau had grown from
6,226 to 11,863, while the number of cities reporting
classes in operation had advanced from 489 to 873.
Advantages of Group Teaching.
She pointed out the greater advantages of group
teaching, namely, that it brings about a democracy in
piano education, since the fee is so nominal as to
bring it within the reach of every child. An outstand-
ing advantage is that children enjoy working together,
and the piano class attracts a larger number of pupils
than are likely to become interested in individual
lessons. Miss Mason said this is especially true of
boys' classes and gave incidents drawn from her nine
years of teaching in the public schools of Rochester,
N. Y.
Not only do more children study in classes, but the
progress is accelerated, due to the friendly rivalry
and competition which exists in a well-conducted
class. The constant opportunity to play before others
relieves the child of self-consciousness when asked to
play and enables him to study in a rational and enjoy-
able fashion.
Miss Mason showed what has been done in Cleve-
land, where five years ago piano classes were offered
in three of the city's schools with an entire enrollment
of forty pupils, whereas, through a steady growth the
figures now total 1,040 pupils, and the instruction is
given in all of the school buildings. She told the
audience that Chicago, last year, had 12,000 children
enrolled in the puplic school classes, and at the end
of the year 3,600 children left the school classes in
order to continue their instruction with private
teachers.
Miss Mason said: "It is especially fortunate that
the National Bureau was represented at the meeting,
as it would have been unwise to have the teachers
from all over Kentucky receive only a negative ap-
praisal of group instruction. The disparaging re-
marks about group instruction offered a challenge
and increased the general interest in the subject."
Observations on Tour of Inspection.
During her stay in Louisville Miss Helen Boswell,
director of public school music, took Miss Mason to
four schools where she saw work of different types.
"In one grade school," said Miss Mason, "I saw
little children, seven and eight years of age, playing
their pieces in duet form at the piano, and making
up their own little tunes for the words, 'Hear the Bell
Go Ding Dong, Ding Dong.'
"In a shabby basement room (apparently the only
available space in a girls' high school) was a most
serious group of six students playing chords with
arm weight, listening carefully for tone quality and
bringing out a lovely melody in a 'Romance' by
La Forge.
"One piano class was being held in a room which
had been vacated by sending the fourth grade into
the hall to conduct a reading lesson.
"In all of these schools I was delighted to find a
remarkable spirit of co-operation on the part of the
school principal and the grade teachers. Most of
these lessons are offered for a period of two years,
and are given free of charge by the music teachers
in the building. In those few cases where no music
teacher is in charge, a private teacher from outside
the school has been brought in, and the children pay
25 cents apiece for their lessons."
Sherman Kalkbrenner has been appointed manager
of the radio service department of the Hanson-Duluth
Co., Duiuth, Minn.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
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P R E S T 0-T I M E S
December, 19,30
A LINE OF SATISFACTORY AND SALABLE NEW MODELS
Four Up=to=Date Mathushek Piano Styles Are Pictured Here
FLORKXTIXK
i;k.\.\I
THK
The four styles of Mathushek pianos shown here-
with constitute a group of leaders that are a fine line
for a dealer to equip himself with for ready sales.
These pictures were all used in the November issue
of Presto-Times in a full-page advertisement, and are
reproduced here in order to again call the attention
of dealers to the chance for profitable trading by
handling these instruments.
AAIOl'S COLIBUI
TII ', FT. 2 IX.)
XVI.
The four different styles shown in this group are,
each, intended to satisfy the particular needs of dif-
ferent customers, while, at the same time, any one of
them would please an artist.
Mathushek pianos, "known for tone," are sold on
present-day merits and not on past reputation alone,
because the company has always been loyal to its
customers and this loyalty has idealized and produced
OPEN^FORUM
TRADE NEEDS MORE OPTIMISM
Minot. N. Dak.. Nov. 30, 1930.
Kditor Presto-Times,
Dear Sir:
While I need to live and have profits for "bread,
butter and molasses," my chief aim has been that of
serving a worthy art and I believe that in the sale of
a thousand pianos I have done much along that line.
While I cannot point to any great musical artists 1
have been the means of helping to start, I know oi
many who have positions in music schools and on
the road whose first lessons were on pianos I sold.
I believe that the piano trade, which should be the
foundation of musical education, is suffering from a
serious case of "pessimism," caused by the fact that
many installment accounts are in arrears and many
manufacturers who should "take the bull by the tail
and look him square in the face" are shortening up
on the three things which made them what they
are—liberal credit to the ultimate users, help to the
salesmen, without whom they might just as well
close up, as many are doing, and advertising, the last
of which shows conclusively who are doing business
by the way they patronize "The Presto-Times," and
I can pick out piano concerns who used to be "Rarin'
to go," now staging a "fade out," which I attribute
to those three systems of "economy." Advertising i'
just as essential as sufficient oil to an automobile, am:
what they need is "Dr. Optimism" to minister to the
sick industry by going into their medicine cabinets
and taking out the remedies that used to be so effec-
tive, and applying them to present-day conditions.
They may find the bottles covered with dust, but
they worked before and will now. Your valuable
magazine can do much to help, and more, if it could
be more liberally patronized, and get more into the
hands of prospective purchasers and users.
Yours very truly,
D. ERNEST HALL.
FOR THOSE WHO STICK
Lawrence, Kan.. Dec. 8, 19.~().
Editor Presto-Times,
Dear Sir:
Well, while it may have been a tough year, as main-
say, it was possible for us to stay by the ship.
The writer"s strong hope is to see a piano with the
new patented achievements in inside construction he
has at his shop appear on the market.
Several manufacturers have taken the trouble to
write to me about it, but appear to be slow in making
the venture.
A. WERER.
A VETERAN TUNER'S LETTER
Cudjo's Bunkhouse, Calif.,
December 5. 1930.
Editor Presto Times.
Dear Sir:
1 was much interested in reading the article on "Re-
sents Libeling the Piano," accompanied by the letters
of C. Albert Jacob, Jr., and John J. Glynn of New
York, which appeared in Presto-Times some time
ago. My home, Cudjo's Bunkhouse, is not a town
and is not on the map, being a retreat in a high gorge
of the Sierras, on a tract of land I purchased a few
years ago for $5 an acre. But I have tuned pianos
for years in New York city and I know the condi-
tions of housing in that congested metropolis, all the
way from Williams Bridge on the north to Prospect
Park in Brooklyn; so you see it is not easy to misin-
form me about crowded hallways, or what becomes of
old pianos, for I am out of New York only nine
months.
The inspectors of the tenement house department of
New York city's government have found might}' few
pianos, Pll venture to say, that are cluttering up hall-
ways or out on the fire escapes. That kind of read-
ing will do for people residing in such roomy cities as
Chicago or Los Angeles. Middle Western and West-
ern people know nothing about the crowded way the
average poor (or a little above the poor) family lives
in New York city. It is impossible to leave a piano
in one of their narrow hallways—you'd have to climb
over it. It is impossible to set one of its smallest
pianos on a fire-escape, because the fire-escapes are
too diminutive. The only way another family could
move in after the occupant has moved out, is to take
the piano away from the premises entirely.
Understand, I am not roasting New York, for there
are millions of roomy homes there—I am only show-
ing the impossibility of the conditions complained of.
In the older and more central parts of New York the
buildings are closely wedged together and the people
swarm together into them—packed in like bees in a
hive.
They have not the faintest conception of
room, the vastness of space such as surrounds me
here on my mountain top, with the rush of God's fresh
air through the one window of my shack. My nearest
neighbor is three miles down the gorge, and he is
home only about once a month, being a herder of
goats.
At this distance in my new-found freedom, New-
York's great East Side, its great West Side and its
great Brooklyn, seem to me to be a gallimaufry of
congestion, but unless it has changed greatly in the
last nine months, the old pianos cluttering up hallways,
or landings at the head of stairways, are few and far
between. Knowing the narrowness of those eastern
hallways and the weeness of the landings at the head
of stairways, it is just to laugh—one big western
STYLE M.
an instrument that has been improved from time to
time until today its tone and its appearance proclaim
its superiority.
A sincere endeavor to produce a piano of the high-
est quality has brought the Mathushek to the high
plane where its purity and sweetness of tone are de-
lightful.
guffaw—when I read the reports of the tenement
house inspectors. Mr. Glynn and Mr. Jacob have
torn the mask off the situation, and I approve of
their action. I trust that New York some day will
put up roomier tenements for its poorer millions.
Yours truly,
OLD PIANO TUNER.
LESS SALES AND BETTER SALES
Every wideawake piano dealer has theories as to
the causes of the general condition of business this
year. Their opinions vary, making very interesting
reading. Some guess-work, some truth, some scin-
tillating opinion among them.
Following is a
bit of correspondence from a live-wire salesman
whose home is in Springfield, Ohio:
Presto Publishing Co.,
Chicago.
Gentlemen:
Never in the history of piano and radio manufac-
turing, especially the radio manufacturer, has there
been such economic shuffling.
For several years the radio industry has been a busi-
ness—that of manufacturing with all the force, and
with all the hum of machinery possible. What is the
result of this?
First, we find that after years of production, and
with the view of production only, the radio produc-
tion has come to the saturation point. Now, there
are a number of standard radios that sold for a na-
tional advertised price, and while they sold rapidly,
there were too many makers of radio for purchasers,
the result being that dealers began to cut prices to
unload.
New models coming through seemed to be a uni-
versal understanding, so the buyers stood still and are
waiting on the new models. What will be done with
the other good radios that are left on the dealers'
hands?
I have in mind one of the largest manufacturers in
this country, who about a year ago found that they
had too many finished radios, and result was that
they were at a great loss, and almost bankrupt. How-
ever, today there is a different color to this situation.
Radio manufacturers are demanding from the dis-
tributor an account of stock on hand each week, like-
wise from the distributor of the dealer. In this way
an economic situation all around will find sales for
all manufactured, and the manufacturer will know
just how to make up finished product for the market.
This same plan should have been worked out among
the piano manufacturers, and chances are that every
one related in different ways to the piano industry
would be a lot better off in dollars and general grief.
There can exist, unless curbed in some manner, an
over-production, and this state of affairs is just what
we are all going through with at this time.
I still contend, as I always have, for less sales and
better sales. Let the floaters of music-buying learn
that it takes money to buy a musical instrument, the
same as it tak*s in buying an automobile.
CLEMENT E. MOORE.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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