Presto

Issue: 1930 2249

MUSICAL
TIMES
PRESTO
Established
1884
Established
1881
THE AMERICAN MUSIC TRADE JOURNAL
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1 Tear
Copy
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CHICAGO, ILL., AUGUST, 1930
THE PIANO BUSINESS IS
"STAGING A C0ME=BACK"
By A. G. QULBRANSEN,
President, Gulbransen Company, Chicago
That the piano business is staging a "come-back"
is very evident to those who are following the activi-
ties of the industry. The come-back, however, is
making its appearance in an entirely new form—so
different from the accepted manner that many of us
will not recognize it unless we look carefully and do
some real clear thinking.
I know that nearly every piano dealer has the feel-
ing that some day—eventually—the piano business
will come back. Just how, when and where, nobody
has been able to predict. Undoubtedly a belief has
developed in the minds of many that some fine morn-
ing we are to awaken, go down to our place of busi-
ness and find, much to our surprise, that the piano
business has come back. I believe too many of us
have been waiting for a miracle to happen.
It is high time that those of us who have devoted
a life-time to the industry should quit crystal-gazing
and face the real facts. It is time we should quit
building our future hopes on false premises and dig
deep into the causes. We should quit assuming that
our business will revive itself automatically some fine
day in the future, and then sit complacently by await-
ing the millennium. You know, it is possible to be-
come so self-satisfied and so in sympathy with our-
selves that the piano business could come back and
we would never know that it happened.
Potentially Piano Business Has Come Back.
Frankly and honestly. I'm afraid that it has hap-
pened already—that potentially the piano business
has come back—but we don't know it.
Let's quit feeling sorry for ourselves, and put our-
selves under observation. Let's make a study of our-
selves and for once look directly for weaknesses. It
easily can be possible that as merchandisers we are
not in tune with this modern day of salesmanship.
Maybe we're trying to meet 1930 selling problems
with 1920 methods.
Let's check our activities against those of successful
merchandisers in other industries. For example, let's
take the electrical refrigeration field and see what
they're doing. The best merchandisers in this field
approach their problem from this angle:
1. First, they make a close study of their indi-
vidual territory. They break it down into fine bits—
they cross-section it—they gather facts. When they
are through with this survey they have all this infor-
mation on index cards. They classify their prospects
as to their requirements and ability to buy a refrig-
erator. Then they start to work.
2. They next organize a sales force and they drill
and school this force until each man becomes an
authority on refrigeration. They arm these salesmen
with interesting facts and figures on food preservation.
They learn all kinds of sales talks. They know how
to appeal to the mother through selling talks on the
value of perfect refrigeration in relation to the health
of the children. They have facts and figures to offer
as to comparative costs of electric refrigeration over
using ice. In other words, they are armed with "air
tight" sales talks which enables them to meet and
overcome every conceivable objection on the part of
the prospect.
Work Territory Thoroughly.
3. Next they divide their territory among their
salesmen and hold each salesman responsible for every
prospect in his territory. His work is checked once
a day. A non-producer cannot, under this system,
waste very much of the dealer's money. He soon
knows within a few days' time whether or not a
salesman is going to produce. He doesn't take into
consideration the fact that a salesman might be a
"nice fellow"—all he is interested in is whether or
not he makes sales. He looks upon his sales force
; a "sales machine," and if any one individual is
out of gear, he is simply replaced. "Cold blooded,"
you ask? No—absolutely no! Just because a man
happens to have a nice family, or he is a "good fel-
low"—it has nothing to do with the sale of refrigera-
tors. If a man is unable to "click" as a refrigerator
salesman, it is only treating him fair to let him know
it quickly, so he can be on his way to find a niche
in the scheme of things in another line of work.
Slackness of Piano Dealers.
Now, let's check the above procedure against the
methods used by the average piano dealer. Chances
are you won't find 1 per cent of the piano dealers
going after their job as intensively as this. Wher-
ever you can point out one dealer who is using these.
A. G. GULBRANSEN.
methods, I'll point to him also as one piano dealer
who will tell you definitely the piano business has
COME RACK!
Let's ask ourselves a few questions—let's give our-
selves a "third degree." How many piano dealers
have a complete card index of every possible pros-
pect in their selling areas?
How many dealers have a complete card system
giving the following information on each prospect:
(a) Name of make and age of piano, if any, (b)
number of children in the home—and ages, (c) finan-
cial condition of the home, (d) are children studying
piano—if so, name of teacher, (e) are any children
taking piano class instruction in schools? (f) a com-
plete record of number of times contacted, (g) a com-
plete record of all direct-mail sent to prospect.
How many dealers have a definite year-round direct-
mail program?
How many dealers have divided their prospect?
definitely among their salesmen, holding each sales-
man responsible for his prospects?
How many dealers demand a certain quota of calls
per day—per w r eek—per month?
Tell What Piano Will Do for Home.
How many dealers have a definite set of sales argu-
ments—sales talks they know from experience strike
home and gets results?
How many dealers are selling the things a piano
will do for a home, rather than merely selling so much
wood, felt, strings, duco and metal at a price?
How many dealers are selling the educational ad-
vantages of a piano for children, rather than trying to
sell the mere physical piano at a price?
Issued Monthly—
Fifteenth of Each Month
How many dealers have a system developed wherein
they can judge the worth of a new salesman within
a few days rather than several months?
How many dealers are trying to substitute their
own personality—their own pleasant smile—and the
fact that "I'm Jim Smith"—for a definite selling
program as outlined above?
How many dealers have a selling program of any
kind?
Regardless of which category you belong in, frankly,
which program do you believe will put the most
money in the bank for you—a definite selling program,
or just a sort of a go-easy program, depending upon
your own personal prestige, coupled with the fact
that you have been in business for half a century or
more ?
As I stated before, I believe that the piano business
potentially has come back. It has been proven time
and time again that pianos CAN BE SOLD. It's
our next move—we must simply organize ourselves
as piano dealers to go out and get business like the
refrigerator and automobile dealers are doing. At
first we may have to work just a little harder than
those dealers. We've been lagging behind—we have
lost our momentum, which will have to be regained.
Way to Bring About the Miracle.
There is a way to bring about that miracle we've
all secretly hoped would happen. It could possibly
happen that some fine morning we might go down
to our place of business and find that over night the
piano business has come back!
Let's let our imagination run wild for a moment and
imagine that during the night, while we're sleeping
soundly some one were to go down to your store and
move out completely your entire piano stock and take
all the pianos up the street to the electrical refrigera-
tor store, and in turn move all the refrigerators down
to your store.
And instead of you going down in
the morning to your old place of business you go
up the street to your new location where they sold
refrigerators the day before. Shortly after you open
up, in walks four or five well trained salesmen with
a sales program well grounded in their minds. But
today they're going to sell pianos instead of refrig-
erators, but use refrigerator sales methods. The new
g.rl, as has been her habit in the refrigerator business,
mails out two or three hundred direct mail pieces,
except this time the literature covers pianos instead
of refrigerators. The four or five salesmen, armed
to the gills with piano selling information, snap into
the job of combing their territory—intelligently cov-
ering their prospects one by one. Every night these
men report back and tell of their day's progress.
Let's suppose this goes on for a week! What would
happen? There's only one thing that could happen—
the thing that always happens when you really go
after the piano business—pianos would be sold during
that week.
But wait—let's go back to the old place of business
where they're now trying to sell refrigerators by using
typical piano methods. Wow! No sales this week.
No direct mail efforts! No organized sales force!
Instead of selling the idea that a refrigerator pro-
motes health, saves food, and is more economical than
dirty, messy ice, they've been trying all week long
to sell the occasional prospect who happened in, on
the idea that their refrigerator is the lowest priced in
the field—that they have the best finish—that they
use the best insulating materials available—that the
motor is a genuine "GE"—that the pump doesn't leak,
and that no refrigerator of their make has ever
worn out!
The refrigerator business has gone to the dogs!
The refrigerator dealer, after a few weeks, decides
that he had better take on a few more items and
give up the job of specialty selling, so he takes on
radio, sewing machines, a few ukuleles, an agency for
accident insurance, and becomes a notary public! All
joking aside, this isn't far from what would happen
if the above tale were to come true tonight.
Should Take Themselves to Task.
Isn't it time that those of us in the piano business
should seriously take ourselves to task for the de-
plorable condition that exists today in the piano field!
Here we are, bungling the job of selling the one
piece of merchandise that should be in every Ameri-
can home. Hundreds of thousands of old pianos
have lost their usefulness and need replacing. We
are selling the basic instrument for all musical training
and doing a poor job of it. We are neglecting sell-
ing the great benefits of a musical training. We are
passing up using in our selling arguments the opin-
ions of the world's leading educators and thinkers.
Just think! We are doing a half-hearted job of sell-
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
August, 1930
P R E S T 0-T I M E S
ing pianos, the basic instrument of that training
which so noted an authority as William J. Bogan
says "is more important than the study of mathe-
matics."
Let's apply an entirely new approach to the piano
selling problem—let's organize our selling arguments
and use them instead of depending upon our own
personalities. Let's adopt the selling methods of
our competition! And in this connection let's recog-
nize just who is our competition. It is the automo-
bile, the radio, the refrigerator, etc.
Remember also, that piano dealers are the origina-
tors and pioneers of house-to-house specialty selling.
Piano dealers are the founders of the self-same meth-
ods that are being used successfully by our competing
industries. Piano dealers also originated and pio-
neered the time-payment plan. The only "come
back" the piano industry needs is by having piano
dealers come back into their own original selling
methods, coupled with modern selling arguments.
Let's all go back to WORK!
PIANOS EXCLUSIVELY
AT KOHLER & CHASE'S
An important stand is being taken by Kohler &
Chase, of San Francisco, in their announcement that
they have decided to discontinue handling radio and
will devote their efforts and energies hereafter to the
sale of pianos exclusively.
This step places the house of Kohler & Chase as
the most important of the music houses of the coun-
try to become an exclusive retail piano establishment.
In fact, this claim is made in their advertisements,
and who can dispute it? What other music firm
can lay claim to being the largest house dealing
exclusively in pianos?
Reading between the lines, one comes to the con-
clusion that the piano trade is back to stay—not on
the way, but here. Kohler & Chase are among the
leaders who realize that the piano is the bone and
sinew v of the music trade, the dependable and familiar
music maker that no home worthy of the name should
do without.
STRESS QUALITY INSTEAD OF PRICE.
In a chat with \N. C. Hess, of the R. K. Setter-
gren Co., Bluffton, Ind., last week that alert piano
man expressed the opinion that piano advertising was
running too much to price and too little was said
about the quality of the goods. "It would be much
wiser," he said, "were dealers not to put so much
stress on the matter of price. Frankly, there is too
much regarding price in the ads one sees all over the
country, and in all dealings in pianos, rather than the
more important details about quality, tone and con-
struction. It is true, merchandise must be reason-
ably priced nowadays in order to interest the buying
public, but advertising must also stress the quality
and other things that enter into real value."
CONTACTING THE MUSIC TEACHER.
Investigation shows that where piano dealers are
working hand in hand with the music teachers in
their cities, piano sales will increase. And investi-
gation also shows that four out of five sales of high-
grade pianos are influenced directly by some mu-
sically-trained person. Now comes Baldwin Piano
Co. with a revolutionary plan. It consists of a book or
portfolio which can be set up on the teacher's desk.
In the book are more than 20 pages of material the
teacher needs in her business—circulars, pupil get-
ting plans, programs, prize cups, letter-heads. Any
salesman now maV call on a teacher and be welcome,
for he has a score of things to talk about that interest
her intenselv.
POINTS FOR CHOOSING PIANO.
"In selecting a piano," says the Knight-Campbell
Co., at Casper, Wyo., "it is advisable to select an in-
strument of long-established reputation, one that has
stood the test of time. Pianos meeting all these re-
quirements are carried by the Knight-Campbell Music
Co. Here you will find the incomparable Steinway;
the George Steck, one of three outstanding pianos of
international repute; the Brambach and the Rich-
mond, also outstanding in their class, are to be had
here."
WARNS OF FAKE PIANO TUNER.
Fred C. Osier, manager of the Amreihn Music Co.,
Youngstown, Ohio, has issued a warning to piano
owners in Youngstown and vicinity to be on the look-
out for a piano tuner claiming to represent his com-
pany. He has been receiving complaints that the
work done by this man—at half price—was far from
satisfactorv.
P. J. Cunningham, president of the Cunningham
Piano Co., Philadelphia, is on a trip to Europe. He
said that architects are preparing plans for improve-
ments and extensions in his manufacturing plants.
The
M. SCHULZ
CO.
Piano enjoys a
Popularity That
is Unfailing.
Graceful in Style, Rich
in Tone, Reasonable in
Price, and Every Instru-
ment Made with a Final
Touch of Quality.
When you see This
Piano you will Want
the Agency for it. Every
Instrument Made in the
Reliable M. Schulz Co.
way.
Address the
M. Schul Z
Company
711 Milwaukee
Avenue
Chicago, 111.
MUSIC MERCHANTS'
LEGISLATIVE COMMITTEE
List of State Chairmen Appointed by President Otto
B. Heaton of National Body.
Otto B. Heaton. of Columbus, Ohio, president of
the National Association of Music Merchants, in
announcing the appointment of state chairmen of the
legislative committee of the association, chose them
carefully, he says, because he is hoping that the
various states will enact school laws permitting or
commanding the teaching of instrumental as well as
vocal music in the public schools. The list of chair-
men of the legislative committee, as he appointed
them, follows:
Alabama, E. E. Forbes, Birmingham; Arizona,
George T. Fisher, Tucson; Arkansas, H. V. Beasley,
Texarkana; California, Philip T. Clay, San Francisco;
Canada, A. P. Willis, Montreal, Quebec; Colorado,
C. G. Campbell, Denver; Connecticut, Alvia P. Mc-
Coy. Hartford; Cuba, J. Giralt, Havana; Delaware,
Ralph L. Salter, Wilmington; District of Columbia,
Homer L. Kitt, Washington; Florida, Marshall S.
Philpitt, Miami; Georgia, H. T. Phillips, Atlanta;
Idaho, Aubrey O. Andeliu, Idaho Falls; Illinois, C. H.
DeAcres, Chicago; Indiana, John S. Pearson, Indian-
apolis.
Iowa, E G. Stacker, Des Moines; Kansas, J. A.
Campbell, Wichita; Kentucky, Carl Shackleton, Lou-
isville; Louisiana, Parham Werlein, New Orleans;
Maine, George F. Cressey, Portland; Maryland, Fred-
erick Philip Stieff, Baltimore; Massachusetts, Alex-
ander Steinert, Boston; Michigan, Jay Grinnell, De-
troit; Minnesota, R. O. Foster, Minneapolis; Missis-
sippi, J. B. Gressett, Meridian; Missouri, E. A. Kiesel-
horst, St. Louis; Montana, Charles J. Kops, Great
Falls.
Nebraska—Ross P. Curtice, Lincoln; New Hamp-
shire, W. H. Avery. Concord; New Jersey, Parker
O. Griffith, Newark; New York, W. H. Lewis,
Albany; North Carolina, C. S. Andrews, Charlotte;
North Dakota, J. A. Poppler, Grand Forks; Ohio,
Rudolph H. Wurlitzer, Cincinnati; Oklahoma,
Thomas J. Edgar, Tulsa; Oregon, Frank L. Youse,
Portland; Pennsylvania, J. H. Troup, Harrisburg;
Rhode Island, Andrew Meiklejohn, Providence.
South Carolina, Rudolph Siegling, Charleston;
South Dakota, A. E. Godfrey, Sioux Falls; Tennes-
see, J. F. Houck, Memphis; Texas, Thomas S. Gog-
gan, San Antonio; Utah, George S. Glen, Ogden;
Vermont, Abraham Noveck, Bennington; Virginia, R.
C. Bristow, Petersburg; Washington, O. H. Spin-
dler, Seattle; West Virginia, Simon H. Galperin,
Charleston; Wisconsin, Edmund Gram, Milwaukee;
Wyoming, E. C. Hayden, Sheridan.
EVERYBODY IS MUSICAL
DECLARES JOHN HARDEN
President of Sheet Music Dealers Gives a Few Perti-
nent Words on This Subject.
John Harden, president of the National Association
of Sheet Music Dealers, in a circular letter to his
fellow members and to piano, radio and phonograph
men, just sent out, says:
"There is no such thing as a separate and distinct
musical public. All of the public is musical. Radio
and other modern factors have brought music to the
public as in no other period in history. Should it not
then be possible to profit by this new state of musical
affairs? Everybody's musical. Try and find a per-
son who is not if you want to convince yourself.
"The only thing that most of the public lacks is
the art of self-expression. To get the public to ex-
press itself musically means they must play or sing.
This can only be accomplished by co-operation.
Starting with the teachers and going on down through
every branch of our industry, we must help one
another.
"The teachers in your locality will only be too glad
if they can get more pupils—how best can they do it?
Make suggestions to them as to how the public's
interest can be aroused to the point of studying some
form of music. Then is when you have started the
ball rolling.
"This message is specifically addressed to sheet
music dealers, but it refers just as much to you gen-
tlemen in other branches, viz.. piano, radio, phono-
graph, small instruments and accessories, etc. You
all need the co-operation of the teachers, then why
not help them? For, after all, you are just doing
vourself a favor."
PREPARE
FOR OHIO
CONVENTION.
The Music and Radio Merchants' Association of
Ohio is set for September 9 and 10. to meet in Cin-
cinnati, and the convention committee is busy making
preparations for it. The members of the committee
are:
Otto Grau, chairman; Earle P. Hagemeyer,
George P. Gross, Dan F. Summey, Howard L. Chubb,
Louis A. Noelcke, and W. M. Purnell.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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