Presto

Issue: 1927 2142

PRESTO-TIMES
The American Music Trade Weekly
Published Every Saturday at 417 South Dearborn
Street, Chicago, Illinois.
C. A. DANIELL and FRANK D. ABBOTT -
• Editor*
Telephones, Local and Long Distance, Harrison 234
Private Phones to all Departments. Cable Address (Com-
mercial Cable Co.'s Code), "PRESTO," Chloago.
Entered as second -class matter Jan. 29, 1896, at the
Post Office, Chicago, Illinois, under Act of March 3, 1879.
ar; 6 6 months, $1; Foreign, 94.
Subscription, $2 a year;
extra charge In United States
Pa^ahJa In advance. No extri
possessions, Cuba and Mexico. Rates for advertising: on
possess
application.
Items of news and other matter are solicited and if
of general interest to the music trade will be paid for
at space rates. Usually piano merchants or salesmen
in the smaller cities are the best occasional corre-
spondents, and their assistance is invited.
Payment is not accepted for matter printed in the
editorial or news columns of Presto-Times.
Where half-tones are made the actual cost of pro-
duction will be charged! if of commercial character,
or other than strictly news interest.
When electrotypes are sent for publication it is
requested that their subjects and senders be carefully
indicated.
Forms close at noon every Thursday. News mat-
ter should be in not later than eleven o'clock on the
same day. Advertising copy should be in hand before
Tuesday, five p. m., to insure preferred position. Full
page display copy should be in hand by Monday noon
preceding publication day. Want advs. for current
week, to insure classification, must not be later than
Wednesday noon.
Address all communications for the editorial or business
departments to PRESTO PUBLISHING CO., 417 South
Oe*rborn Street, Chicago. III.
ties that train the men down to a correct
standard of fitness.
During the busy ten months the piano man
thinks considerably. Rut if there is not worry
with the thinking, the mental occupation does
not prevent the accumulation of unnecessary
flesh, that the assimilation of good diet and
insufficiency of exercise makes unavoidable.
This, too, is the season when the close-to-
nature piano salesman in the country ends
each day, tired, dusty, hot, sometimes happy
and sometimes unhappy and discouraged. For
this is the time when the highways are at
their best and smoothest and communication
with the out-of-the-way prospect is possible.
There is so much joy in the life for some that
it may be classed under the vacation head.
A country piano man visiting in Chicago this
week wondered why the strenuous and inter-
esting life of the rural piano salesman was
never mentioned by the newspapers as a sum-
mer occupation for the city man with disor-
dered nerves. Wheat harvesting in Kansas,
Nebraska and the Dakotas is prescribed as a
sedative and log rafting on the big rivers and
berry-picking in the fruit belts are given as
helpful aids in neurotic diseases, but no expert
has yet announced the toxic virtues of upright
piano selling in the rural sections.
Possibly it was an oversight, for the work
of the rural piano hustler will completely cure
the worst case of nerves—if it doesn't kill the
victim the first week. But the occupation is
plainly helpful to the condition of nervous de-
bility supposed to be dependent upon impair-
ment of the spinal cord, because the stiff back-
bone is a necessity and the work superinduces
that as well as the stiff upper lip. True it is
hot work, but it results in cold cash. Apart
from the profits—and the possibilities for such
are great—the life has its healthful and
esthetic charms.
Instead of the prospect with city limits, one
has the perspective of all out-of-door*;. To
the city man on the rural piano lay, it seems
that the whole world is his sphere of activity.
Instead of the prison of walls and the barriers
of brick and mortar, about him is breadth and
space, freshness and color, the blue of the sky
and the quieting tones of nature in grass and
foliage.
Instead of the clangor of street car {/oners
the warning honk of auto horns, the clatter of
city traffic, one hears the merry tinkle of the
cow bell and the musical song of birds and
harmonious buzz of insect. The primness of
the city dweller's electric push button is re-
placed by the inviting hospitality of the farm
house latchstring. In short it is the poetry of
piano life and there's monev in it.
August 20, 1927.
production are lost in the distribution of its
product.
Such an exigency in the musical merchan-
dise phase of the industry directs attention to
the merits of standardization in production
and the simplification of the line as a safe-
guard against smaller net profit. Simplifica-
tion is favored by groups of musical merchan-
dise manufacturers and it goes hand in hand
with standardization. The trade associations
have become active in efforts, too. It has
been definitely proven in numerous instances
that "simplification" reduces both the costs of
production and distribution. It has likewise
been definitely proven that "diversification"
adds to both production and selling costs. To
add another number to the line might be all
right if they, at the same time, dropped or dis-
carded some slow-moving or seldom-v anted
line number. The practice of striving for
greater volume by adding new lines, mean-
while hanging on to all the old ones, soon
makes the whole line top-heavy, and inven-
tory rapidly piles up with items that do not
turn over. Profits that wou'd otherwise have
been made on the live lines are absorbed in
the costs of carrying the dead ones in stock.
As the variety increases, the burden on plant
facilities and the whole production personnel
increases, and sooner or later manufacturing
costs go up instead of down.
The appointment of a Special Piano Com-
mittee by the Music Supervisors' National
Conference is of great significance to the piano
The last form of Presto-Times goes to press
trade. It assures a potent aid to piano sales
at 11 a. m. Thursday. Any news transpiring
promotion, a natural sequence to increased
after that hour cannot be expected in the cur-
piano study in schools. The committee has
rent issue. Nothing received at the office that
is not strictly news of importance can have
functions similar to the Committee on Instru-
attention after 9 a. m. on Thursday. If they
mental Affairs, which has been enabled to do
concern the interests of manufacturers or
so much for the development of bands and
dealers such items will appear the week follow-
orchestras in the schools. Mr. C. M. Tremaine,
ing. Copy for advertising designed for the
director of the National Bureau for the Ad-
current issue must reach the office not later
vancement of Music, has been personally active
than Wednesday noon of each week.
in achieving that purpose which has been his
ambition for a long time. He is secretary of
A PIANO MAN'S VACATION
the Committee on Instrumental Affairs and a
This is the season when some piano men
natural selection for secretary of the new
crave the simple life in some form. Ideas of
piano committee.
the simple life are as varied as characteristics.
* * *
The simple life for some is one associated with
At the recent Leipzig Exhibition an inven-
shirt sleeves, baggy-kneed canvas trousers and
tion for improving the resonance of pianos,
a flapping brimmed hat of no shape anil little
known as the "Euphonator," was show:.. Nu-
cash value. It is a care-free existence where
merous ideas have, of course, been tried to
the stings and arrows of outrageous mos-
improve resonance in pianos, but the inven-
quitoes, gnats and yellow-jackets seem love
tions in practice did not fulfill what the in-
jabs after eleven months of harrowing experi-
ventors claimed for them. The "Euphonator"
ences with piano problems.
consists simply of an extra soundboard or
The simple life for others who take a vaca-
reflector with various holes cut in it in order
to increase the right tone. But inventions of
tion is equally simple, although not so close to
this sort have been numerous, and have in the
nature. There are piano men who are happy
main proved so unworkable or altogether use-
if permitted to golf undisturbed through the
less that the trade is somewhat skeptical about
calm but joyous days. There are others to
them.
whom the resonant honk of the automobile
LESS DIVERSIFIED LINES
* * *
horn is sweeter than the music of babbling
Exigencies in all phases of the music indus-
All
piano
advertising
is not in the printed
brooks and the dust of clay highways more try have directed attention to the merits of
word.
The
piano
dealer
has the opportunity
enthusing than the leafy clouds in Valambrosa standardization in production and simplifica-
to
use
other
very
effective
means towards
woods.
tion of the line as a safeguard against smaller
making
sales
than
those
provided
in type dis-
The pleasures piano men get out of their net profits. As prices go down under the
plays.
Every
action
of
the
piano
merchant
is
vacations are some of the profits of working stress of competition, the usual course is to
advertising
and
the
necessity
is
always
there
hard for eleven months of the year. These hammer down production costs with th^ hope
are profitable pleasures or pleasurable profits, of at least preserving the same relative mar- for the well-chosen words when he talks busi-
just as you like to call them. Piano men gin or percentage of profit per unit of sale. ness to customers or prospective customers.
usually work at the business for the pleasures However, this usually means smaller actual The piano man is first of all a merchant not
and profits there are in it. The summer holi- money profit per unit, and the problem then an advertising technician, and every hour of
day is all the more pleasurable because well becomes one of selling enough more units at the business day he snould remember that.
* * *
earned. With most of the men of the trade it the lower price to make the same annual net
Another
promotion
idea which everybody
is not a period of languorous inactivity. On profit as before. This effort to increase sales
admits
is
going
to
help
business is that for
the contrary it is a time of strenuous physical volume may so add to a company's cost of
getting
piano
class
instruction
into the public
effort out-of-doors, and is made up of activi- doing business that the savings it makes in
schools of this country.
SATURDAY, AUGUST 20, 1927.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
P R E S T O-TI M E S
August 20. 19Z/.
PROVIDES PROGRAM FOR
VENEZUELAN MUSICIANS
Alfred A. Scholz & Co., Caracas, Presents
Ampico to Noted Group of Artists Who
Express Appreciation.
THINGS SAID O R SUGGESTED
NEVER
AGAIN!
"We sell direct," so the ad declared, "we pay no
middle man. Our price is low, our profits bared,
let them compete who can; we want your trade, our
money's made by dealing just direct with those who
buy the cheapest grade and get what they expect."
And when the buyer received the box and opened
up the thing, it had the sound of breaking rocks—
the real mail order ring; the buyer tore her hair and
vowed the jangling thing she'd can, and took an
oath she'd never more buy on the "direct" plan.
* * *
JUST SALE TALK
Kirke McKinney, of the McKinney & Hart Co.,
Oak Ridge, Mo., first came to that picturesque
Ozark Mountain town in answer to an advertise-
ment for a piano salesman in a St. Louis news-
paper. With characteristic astuteness, T. S. Hart
had added pianos to his wide line of general goods.
But pianos being something so different in nature
from the other commodities successfully handled
by the Oak Ridge storekeeper, a special salesman
was considered a necessity.
Mr. Hart was ably assisted by a lot of young fel-
lows competent to sell a bill of goods from sugar
to steam plows or to put a purchase or exchange
value on pelts, zinc ore, railroad ties, walnut logs
or any of the native commodities of the hills. But
each one modestly confessed inability to go about
selling a piano. There was something professorial
about the job; something highbrowed that made the
shrewd storekeeper and every one of his able aids
shy at the supposedly esthetic task of piano selling.
So it was that the want ad was sent to the St.
Louis newspaper, which in due course brought Mr.
McKinney to the mountain town.
His arrival at the store resulted in a surprise to
everybody there. Mr. McKinney's appearance didn't
come up to the expectations of the natives. There
was nothing of the artist about him; nothing tem-
ueramental. He even wore his hair clipped as dose
as a barber's shears could go.
"I'm real glad you got here today," said Mr. Hart
when the newly arrived piano salesman had shaken
hands all round. "The ladies' aid society is giving
a concert this evening and I promised you'd play a
few piano pieces for 'em."
"Whee-ee! I'm sorry you did that, because I
can't play the piano," was the surprising reply.
"What! Not play the piano!" exclaimed the store-
keeper.
"Not so's you could sit and listen without calling
for help," the frank piano salesman cheerfully an-
nounced.
"I thought you said you were a piano salesman?"
gasped the storekeeper.
"Sure. But I don't play the piano. I talk it.
Watch me!"
A comfortable looking farmer's wife and shy
daughter were moving about among the small piano
stock at the far end of the store. McKinney ap-
proached them and was soon "ta'king" with the
effective eloquence that creates desire for piano pos-
session. His voice was low but every sentence was
an appealing and convincing argument. Once in
a while his fingers would stretch over the keyboard.
But no burst of melody resulted. All the store-
keeper heard was a little left hand ripple and a few
right hand barbershop chords.
The wise storekeeper remained in the background.
He knew the result of good selling talk. And when
he saw the daughter sit down and proudly play her
best memorized school piece he dodged behind a
pile of calico to enlarge his smile into a laugh of
pleasure.
"That boy's a wonder and no mistake," he con-
fided to the group of salesmen. "He doesn't play the
piano because he doesn't have to. He makes his
customers show off the tone. But he sure can talk
the piano."
When the blushing daughter had finished her
piece everything was over but taking a $50 first pay-
ment and making out good sized- installment notes
for the first piano sale in the Hart establishment.
*
BRIGHT
*
*
'
.
<
*

-
DEFINITION
A teacher in the fifth grade class in a Chicago
school asked the pupils to tell what was the meaning
of advertising.
" 'Tis what the guy puts in the paper when he
wants a job," spoke up one little chap.
"Very good, James," encouraged dear teacher, with
an interrogative glance at the whole class -that in-
vited further solutions. She got them, but they
specified branches of advertising rather than a gen-
eral deposition, and did not satisfy her. All had
spoken but one little fellow, close to the foot of the
class.
"And you, Georgie?" she asked, invitingly.
"It's what tells you what you want and where to
get it," was Georgie's firm reply.
The answer was framed from a real thought. The
teacher is a bright woman and called Georgie to the
head of the class.
How many men who write advertisements fulfill
the requirements set forth by Georgie?
* * *
'Tis a wise man knows when to let go of an oppor-
tunity.
OLD-TIME MUSIC DEALER SAYS BET-
TER BUSINESS IS ON THE
WAY HERE.
Albert C. Barclay, head of the Warren Music Com-
pany at Evansville, and dean of the music dealers in
that city, says he believes the dealers in southern In-
diana will enjoy a good fall and winter trade.
BOWEN PIANO LOADER
The hearing of the Ampico before a group of prom-
inent musicians was arranged recently at the Ampico
Salons of Alfredo A. Scholtz & Co. at Caracas, Vene-
zuela. The program heard was made up largely of
request numbers, the recordings being selected by
the musicians themselves. Great interest was shown
in the playing of artists like Levitzki and d'Indy,
who have never visited Caracas, but who are well
known by name in that musical city.
A few days after the recital Scholtz & Co., was
the recipient of the following appreciative letter
signed jointly by four of the most noted resident mu-
sicians: J. A. Calcano Calcano, the distinguished pianist
director of "El Heraldo," a lover of art and particu-
larly music; Juan Bta. Plaza, professor of composi-
tion and harmony in the Venezuela National School
of Music; Vte. Emilio Sojo, an authority on music
technic in Venezuela, and professor of music and
theory in the school at Caracas; M. A. Calcano, A.,
professor of physics and mathematics, a great music
lover, organist of the Cathedral of Caracas;
"To the Directors of the Salon Ampico: We
highly appreciate the opportunity given us to hear
the wonderful Ampico reproducing piano and we
have been really enthused in hearing so well per-
formed such works as the Sonata Opus 22 in G
minor of Schumann recorded by Levitzki; Tableau
de Voyage played by d'Indy; and Variations of Men-
delssohn played by Cortot, etc., and would be de-
lighted if you would allow us to have the pleasure of
hearing the Ampico again, at which time we want
some friends to anticipate in this pleasure.
"Thanking you in anticipation, we are, sincerely,
"J. A. CALCANO CALCANO,
"JUAN BTA. PLAZA,
"VTE. E M I L I O SOJO,
"M. A. CALCANO A."
SNAP-SHOTS IN DENVER.
J. B. Dillon.
It looked like an accident, the crowd was so big,
all of them trying to crowd into the Darrow Music
Company, Fifteenth and Stout. It was no accident.
Darrow had advertised that Nick Lucas, the wizard
on the guitar, would autograph his records. Nuff ced.
Lucas was in Denver filling an engagement at the
Orpheum theater.
Maybe all of them do it. Maybe all do not; but
it is heard that one of the local broadcasters not only
mentions the name of the pianist, but he mentions
the make of piano. Not a bad idea.
Dr. J. Christopher Marks, organist and choirmas-
ter of the Heavenly Rest church, Fifth avenue, New
York, visited Denver during August, and says that
he is not discouraged at the present trend of the time
as concerns music; that syncopation will have its in-
nings and pass on, but music is life everlasting.
We notice that PRESTO-TIMES says: "An
optimist is a man who makes the best of the worst of
it." Gee, whiz, but aren't there a lot of optimists?
Just think of how many pianists get the best they can
from out-of-tune instruments!
:LPS SALESMEN
Outside Salesmen must be equipped so as to "show the goods." The season for country piano selling is approaching. Help your sales-
men by furnishing them with the New Bowen Piano Loader, which serves as a wareroom far from the store. It is the only safe
delivery system for dealers, either in city or country. It costs little. Write for particulars.
BOWEN PIANO LOADER CO.
Winston-Salem, N. C.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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