Presto

Issue: 1927 2140

PRESTO-TIMES
The American Music Trade Weekly
Published Every Saturday at 417 South Dearborn
Street, Chicago, Illinois.
C. A. DANIELL and FRANK D. ABBOTT -
• Editors
Telephones, Local and Long Distance, Harrison 234.
Private Phones to all Departments. Cable Address (Com-
merclal Cable Co.'s Code), " P R E S T O , " Chloago.
Entered as Second-cla«8 matter Jan. 29, 1896, at tlie
Post Office, Chicago, TflTnols, under Act of March 3, 1879.
Subscription, $2 a year; 6 months, $1; Foreign. $4.
Payable, In advance. No extra charge in United States
possessions. Cuba and Mexico. Rates for advertising on
application.
Items of news and other matter are solicited and if
of general interest to the music trade will be paid for
at space rates. Usually piano merchants or salesmen
in the smaller cities are the best occasional corre-
spondents, and their assistance is invited.
Payment is not accepted for matter printed in the
editorial or news columns of Presto-Times.
Where half-tones are made the actual cost of pro-
duction will be charged if of commercial character,
or other than strictly news interest.
When electrotypes are sent for publication it is
requested tbat their subjects and senders be carefully
indicated.
Forms close at noon every Thursday. News mat-
ter should be in not later than eleven o'clock on the
same day. Advertising copy should be in hand before
Tuesday, five p. m., to insure preferred position. Full
page display copy should be in hand by Monday noon
preceding publication day. Want advs. for current
week, to insure classification, must not be later than
Wednesday noon.
Address all communications for the editorial or business
departments to PRESTO PUBLISHING CO.. 417 South
dearborn Street. Chicago, ill.
SATURDAY, AUGUST 6, 1927.
The last form of Presto-Times goes to press
at 11 a. m. Thursday. Any news transpiring
after that hour cannot be expected in the cur-
rent issue. Nothing received at the office that
is not strictly news of importance can have
attention after 9 a. m. on Thursday. If they
concern the interests of manufacturers or
dealers such items will appear the week follow-
ing. Copy for advertising designed for the
current issue must reach the office not later
than Wednesday noon of each week.
PIANO BEAUTY PRESERVED
A glance through one of the French or Ger-
man music trade papers makes clear .i.lie fact
that standardization, if the piano manufactur-
ers strive for that end, does not apply to the
outward appearance of the instruments. Va-
riety, even oddity, seems to be the aim of the
French '"'piano manufacturers particularly.
Some of the original models are admirable
and others are not so good.
Looking at the novel styles in the French
lines naturally suggests a reference for pur-
poses of comparison to the pictures of the
newer American models. It is a matter of
pride to note what has been done and is still
being done to improve the artistic character
of the cases here. The Period and art styles
in the presentations of American piano manu-
facturers prove the artistic ability and clever-
ness at adaptation of the designers as well as
the judgment of the manufacturers themselves
to keep in advance of the modern artistic de-
mands.
Standardization has been applied sensibly
in the foremost factories but the beauties of
the cases have not been endangered by the
economical processes. it is certain that—
largely because of the enterprise of some of
the great piano industries—the demand tor ar-
tistic designs has been stimulated. The notion
that pianos cost so little has in a measure been
dissipated. The number of fine case designs,
with artistic details, is increasing'. And they
are meeting with the kind of reception that
proves that the piano buying public is not all
August 6, 1927.
looking' for the cheapest, but often the finest improve your personal appearance; the cut of
— for pianos that fit the purposes for which clothes and other suggestions. Your hook-
they should be made. Xot necessarily many worm will be removed by mail and energy
case designs by any manufacturer, but more installed, and if your head be of the pin va-
variety in the industry as a whole, and some- riety, it will be intellectually enlarged and
thing- fine from everv ambitious factory.
equipped with logic.
Provided even that the schools made good
and
transformed raw material into efficient
HAIL, THE PIANO TUNER!
salesmen,
they might lack a certain important
The annual convention of the National As-
requirement;
something not to be acquired by
sociation of Piano Tuners, Inc., at the Com-
mail
or
by
personal
attendance at school. That
modore Hotel, New York, next week is signifi-
is
the
natural
ability
to make friends easily
cant of things for which the tuners feel proud
and
hold
them
fast.
and at which the piano trade is to be congratu-
Someone may arise to remark that the old
lated. The tuners' association is a triumph in
days
when the successful drummer's progress
organizing that reflects the energy of able
through
his territory was a frolicsome one has
ollicials. It created a new morale among the
departed,
and that high art has given place to
tuners when it made efficiency a rigid test for
highballs
and all that sort of thing. Very
membership. It replaced the obscurity of
true,
but
the
quality with which some of the
scattered individuals with a national organ-
men
won
in
the
old days is an essential re-
ization which commands the respect of the
quirement
today.
Processes are less lush to-
piano trade and industry.
day
than
in
the
old
days and more laudable on
Hut the tuners' organization did not stop at
that
account.
Hut
the
ability to make friends
attaining these desirable things. The mem-
and
keep
them
is
just
as necessary in these
bers collectively and individually set out to
later
matter-of-fact
days
as in the old ones.
impress the piano owning public with the im-
True
friendship
between
roadman and cus-
portance of the tuner in the scheme of music.
tomer
helps
the
growth
of
business without
In that way they were of great service to the
irrigation.
piano trade and the piano owners. In every
community the piano tuner commands the re-
;• pect of his neighbors and the feeling may be
RADIO AMATEUR PASSES
attributed to his own self-respecting attitude.
One indication that the radio industry is
That attitude is accountable for a character- passing from a transitory to a settled ^tate is
istic poise, which in itself is due to self-control. the elimination of the amateur radio builder.
Tuners by the high-tensioned nature of their Fverybody has met him and his presence in
work, are more or less nervous. Many factors any house where you may be invited for a
contribute to evoking irritability, notably listening-in party is productive of continuous
tedious work and finicky women piano owners. static. He is the chap who wants to run the
The aspirations involved in membership in parlor show and delights in playing on the
the tuners' national bod)- evoke certain rules index board like a church chimes operator,
of behavior which govern the tuner's deport- yanking the auditors from a Muscatine, Iowa,
ment. To be true to himself, clean, neat and fiddle solo to capture an ether lost shriek from
well-mannered; to know his work and what Timbuctoo.
it is worth; to be courteous, cheerful, calm,
In his own home he is the supreme nuisance,
ambitious and progressive.
making so many wire entanglements that the
term "wireless" applied to radio seems a joke.
He delights in new ways of doing things be-
THE TRAVELER'S FRIENDS
Somebody has said that genius is but the cause of the experimental thrill they give him.
ability for work ; the taste for untiring indus- He supports the littered radio supply shops,
try, or words to that effect. It might also be where nothing can be found the day you ask
said that the genius of the piano traveler lies for it. Such a place is a paradise for the ama-
in his ability to make and keep friends. One teur radio builder, and his greatest regret is
doesn't have to mention names to prove the that their dav is passing.
The radio dealer of the future will deal in
point. Readers of Presto-Times can do their
sets
and see no profit in keeping track of obso-
own naming and selecting of the drumming-
lete
parts. Occasional renewals of batteries,
geniuses who have bound their friends to them
as
easily
effected as changes of records on the
by bands of steel.
phonograph,
will be about the extent of de-
"The goods simply sell themselves" is a trite
mands
upon
his
technical knowledge. He will
and joyful phrase often heard in the trade and
be
simply
the
retailer
of a fascinating and
occasional!}- seen in print. It is more or less
quite
fool-proof
instrument
of music.
a poetic license of the gentlemen of the adver-
tising departments. True, there are pianos so
worthy that they possess the self-selling char-
The true significance of standardization is
acter. But the salesman is a necessary factor often overlooked, according to its enthusiastic
in the case of a lot of pianos that possess un- exponents, and efforts toward an extension of
doubted worthiness. Under present conditions its principles are attacked. Those who be-
the trade is not ready to bounce the road mis- lieve it menaces artistic expression, and by
sionaries en masse.
those who see in its extension a complete sub-
Anyone, too, can be a salesman, according mergence of the individual. To those who
to the prospectus of a widely advertised school understand more fully the far-reaching effects
of salesmanship. "No experience necessary" of sane standardization not onlv is it clear that
is the way they coyly put it in the alluring such fears are groundless, but, without a high
come-on. You can even be a piano traveler, degree of standardization, modern standards
for instance, with more ease than you can be of living would be impossible.
* * *
an automobile washer if you will take a course
by mail. A minimum of study in your spare
Some pianos had greatness thrust upon
time and the schools will show you how to them; others reached out and took it.
apply a conversational anesthetic to a wide-
awake piano merchant and get an order away
The piano customer's viewpoint is of the
from him. The course will teach you how to salesman's making.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
August 6, 1927.
P R E S T 0-TI M E S
MIRRHA ALHAMBRA PRIZES
HER CHRISTMAN GRAND
Internationally Known Pianist and Singer
Writes Warm Letter of Appreciation of
Studio Grand to Makers.
THINGS SAID OR SUGGESTED
THE HOUSE SALE
LURE.
Flyman Kronick, wlio does a lively business with
M. Schulz Co. pianos in the Thirty-fourth Ward in
Chicago, met an old friend on Roosevelt road one
day last week.
"Well, Spilky, how's the button business?" he
asked by way of greeting.
"I've quit it and gave up mein store. A musical
business I got it now. Such a fine business, too," he
replied proudly.
"Musical business! I thought you said you gave
up your store?"
"'Sure I have. What for T keep a store for my
music business! My music business is different from
buttons, y' understand."
"1 don't get you," insisted the piano salesman.
"Well, 1 go by the piano store and buy a piano
for ten, fifteen, twenty dollar. Get it moved by my
flat and then sell it for maybe fifty with signs by the
front window. Velvet! 1 '
"Oh, lure of the house sale!" exclaimed the piano
salesman. "Back to the buttons. Spilky! I'm sur-
prised you should quit a regular business for the
con."
"What for con? Ain't my piano business regular
as buttons?"
''Nix. No five or ten dollar piano is regular.
Funny piano you can buy at that price."
"So! Well. 1 got one now by my Hat which I
paid for four dollars yesterday and sold today for
thirty already. A regular piano, y' understand."
"Regular, huh!"
"Yes, Kronick, regular. Mit four legs and by it
you can play music like a professor yet."
"Good night. Back to the buttons, Spilky!"
%
H 1
^
CATALOGS
1. What is a catalog?
A catalog is a handsome pamphlet, beautifully
printed, profusely illustrated and gotten up expen-
sively in every way.
2. How many kinds of catalogs are there?
The kinds are so many that, set down in figures,
the sum would look like an astronomical calculation.
In the piano trade, however, there are only two
kinds—the piano catalog and the playerpiano catalog.
3. Are the kinds rigidly fixed at two?
Yes, but each kind has three distinct varieties:
The stammer in type, the average catalog, and the
good-as-they-make-'em catalog.
4. What is the stammer in type?
The stammer is something you can best describe
with indelicacies of language and mixed metaphors.
In brief, it is a thing with wordy innards, ninety-nine
per cent of which is vermiform appendix.
5. What is an average catalog?
An average catalog is one free from split inhnitives
and typographical errors: full of beautiful cuts and
denatured English and empty of selling arguments.
(>. What is a good-as-they-make-'em catalog?
A good-as-they-make-'em catalog is one worded
with a punch that lands on the spot every time. It
fully, simply and interestingly describes the com-
modity it treats of, and is usually written by a man
who values sense more than style.
7. How far do the varieties go towards fulfilling
the object for wmich catalogs are designed?
The stammer reaches the trade in time but dies
with a groan when somebody tries to cut out its
veriform appendix with a blunt brain fag. The aver-
age catalog sets bravely out and goes part of the
way towards fulfilling its purpose. The good-as-they-
make-'em catalog fascinatingly invites perusal by the
power of its opening words; like an able salesman,
pulls without preaching; convincingly conveys a per-
fect comprehension of the instrument described, and
arouses a well-defined and serious desire for further
investigation.
8. Why is a stammer?
A stammer is, because everything is as clear as
mud to the blind; because nature, abhoring a vacuum,
causes a vermiform appendix to sprout where there
was nothing to fill with; because the writer with the
mental stammer needs the money.
9. How is an average catalog?
An average catalog is how the piano points are
scrambled. Also how in thunder the author has the
gall to collect the price.
10. What are piano catalog cuts?
For the most part they are full-face portraits of
uprights and profile portraits of grands reproduced
in halftone, so-called because half the tones are lost.
The piano cut is made from a photograph which
fairly represents the piano au natural. When re-
touched, the photograph represents the price of all
the time the engraving house artist can put in at the
job without being arrested for highway robbery.
11. Hut is not the artist's part an important one
in making a catalog?
Very much so. Artists design the beautiful covers
and also the charming ornaments and borders seen
with reading matter inside. The artist's work is
intended merely as an appropriate setting for the
catalog author's matter. But sometimes, especially
in the case of period grands and other art models,
the catalog is made so sweetly pretty nobody notices
what the well-meaning catalog writer says. 'Tis like
going to hear a grave professor lecture on acoustics
and pneumatics and finding yourself seated alongside
a ravishingly pretty girl. Then good-bye lecture.
* * *
Don't think you are getting ahead of your work
by anticipating your worries.
* * *
An optimist is a man who makes the best of the
worst of it.
Mirrha Alhambra, the famous pianist, is the owner
of a Christman Studio Grand, and how she appre-
ciates it is told in the following letter to the Christ-
man Piano Co., New York.
"Gentlemen: 1 greatly appreciate the tone quali-
ties of my Christman Studio Grand just purchased
from you. Much success to the Christman company.
"MIRRHA ALHAMBRA."
Although Mirrha Alhambra was born in Paris she
cannot properly be called French, since there is a
MIUKHA
AI.II AMHHA.
mixture in her of Spanish, Russian, and Gallic blood.
She was educated in South America, and traveled
extensively while still young, mastering Spani.ih,
French, Italian, German and English. She began
piano playing at an early age. first studying piano
at the Music Conservatory of Santiago, Chile, where
she was living. So rapidly did she advance that at
the end of her first year she played Beethoven's First
Concerto at the conservatory commencement.
While in Europe, under Anton Gedlicka, she pursued
her musical studies at the Stern Conservatory in
Berlin. There she completed her course and was
awarded a diploma. She then studied privately with
Jose Vianna da Motta, after which she toured
Europe, giving concerts at the principal cities. In
the United States, she gave but two concerts at the
Hotel Majestic, when she decided to join the legiti-
mate stage, where she worked for both Spanish and
American companies. In her leisure time she took
vocal lessons, and before long she joined the Keith
circuit, playing and singing.
BOWEN PIANO LOADER HELPS SALESMEN
Outside Salesmen must be equipped so as to "show the goods." The season for country piano selling is approaching. Help your sales-
men by furnishing them with the New Bowen Piano Loader, which serves as a wareroom far from the store. It is the only safe
delivery system for dealers, either in city or country. It costs little. Write for particulars.
BOWEN PIANO LOADER CO.,
Winston-Salem, N. C,
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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