Presto

Issue: 1927 2116

MUSICAL
TIMES
PRESTO
Established
1881
Established
1884
THE AMERICAN MUSIC TRADE WEEKLY
10 Cents a Copy
CHICAGO, SATURDAY, FEBRUARY 19, 1927
CLEVELAND TALKS
ON VITAL TOPICS
Music Trade Association in the Ohio City
Discusses Important Subjects at Eight-
eenth Annual Meeting and Banquet
Held on Wednesday of Last Week.
HONORS FOR HENRY DREHER
The "Outlook for 1927," the "Trade-in Problem," and
Other Similarly Timely Subjects the
Themes of Debate.
By A. E. DIHM.
The eighteenth annual banquet of the Cleveland
Music Trades Association was held in the Rainbow
room of the Hotel Winton, February 9, and was
attended by practically the entire Cleveland music
trade and some from out of town. A. L. Maresh,
president of the association, presided. He read a
letter from Vice-President Dawes of the United
States regretting his inability to accept the invitation
to attend the banquet.
In addition to the various speakers there were a
number of musical and dancing features on the pro-
gram by members of the Parisian Follies. A resolu-
tion was passed unanimously condemning the pub-
lication of "smut songs."
Value of Cooperation.
The subject of the president's address was "Co-
operation." He thanked members for reelecting him
and stated that 1926 had become a banner year for
the Cleveland Music Trades Association, which had
been organized eighteen years ago and had for its
first president the late John T. Wamelink. Diiring
1926 ten members were admitted.
Mr. Maresh referred to changes made in the past
eighteen years, such as the passing of 'the horse-
drawn piano truck. Eighteen years ago women, he
said, w r ore long dresses and if they had appeared on
the street as some do today they would have been
arrested for indecent exposure. If an orchestra had
played the present day "Blues" or "Jazz" they would
have been run out of town for creating a disturbance.
He mentioned a new attachment for radio to the
piano which, however, has not yet been marketed and
in which the strings of the piano took the place of
the aerial and all other wires used. The sounding
board is the loud speaker. Cooperation, he said, could
work wonders just as dissension could create chaos.
Bringers of Happiness.
He urged cooperation in repossession lists among
members and cooperation with the Better Business
Bureau, who have promised a full expose of two or
three piano men who are continually using unfair
methods. He called the music business the greatest
in the world and said that every one selling a musical
instrument brought lasting happiness to the indi-
vidual and his family. He asked members to preach
music everywhere and to remember that:
"The clock of life is wound but once,
And no man has the power
To tell just when the hands will stop
At late or early hour;
Now is the only time you own,
Live, love, toil with a will,
Place no faith in tomorrow, for
The clock may then be still."
Token to Henry Dreher.
An item on the program was the presentation of a
beautiful fountain pen desk set to Henry Dreher. It
was presented by M. O. Mattlin, of the Knabe ware-
rooms, on behalf of the association, in token of high
regard. In his presentation speech Mr. Mattlin said
that Mr. Dreher was not only the dean of Cleveland
piano men, but was also the best loved.
Having thanked the members for the gift, and
expressed his appreciation of it and the feeling that
prompted it, Mr. Dreher went on to say that although
piano men were his competitors he knew that they
were his friends, and that he had a very warm spot
in his heart for all of them. He considered the piano
business the best business in the world and advised
the younger men to stick to it.
A "talk on "The Outlook for 1927" by Dan Nolan,
manager of the Wurlitzer stores in Cleveland, was
next on the program, and the audience were warned
that they would have to get out and hustle for busi-
ness this year as they would have a great deal of
intense competition from the electrical refrigerating
industry, who were planning intensive campaigns and
spending millions of dollars. Also that the competi-
tor of today was not the other piano dealer, but
those engaged in other lines of business, such as real
estate, clothing, washing .machines, autos, etc.—all
of whom were after the public's money.
The Old Piano Problem.
Robert Jones, of the Dreher Piano Co., had for
his subject "Solving the Trade-in Problem," and
said that he did not believe any uniform set of rules
for fixing a valuation on pianos could be applied be-
cause of the age and make on a trade-in piano. It
might be used less in ten years in one home than it
would be in two years in another. Again a piano
used in a theater would receive more abuse in one
year than in a home in five years.
This would affect the cost of reconstruction of the
instrument for subsequent sale. Again the profit on
some pianos was greater than on others which per-
mits a larger allowance for a tj:a4#H"-
Another thing to be considered was that an instru-
ment might bring more money in New York
than in San Francisco or in other cities.
Dealers Must Appraise.
Mr. Jones advocated every dealer adopting a sys-
tem of his own and fixing valuations that will permit
him to close his books at the end of the year with a
satisfactory balance on the right side of the ledger.
An appraisal, he said, should include the following
points: Make of piano; serial number; design and
finish of case; age and general condition, as check-
ing, etc; condition of ivories, strings, sounding board
and action. He suggested that the appraisal be suf-
ficiently low to enable the dealer to add the cost of
putting the piano in salable condition and selling it
at a reasonable profit.
Every salesman should be able to make an appraisal
and give the prospect a definite and intelligent prop-
osition.
Other Speakers.
The meeting was also addressed by O. C. Boyd,
president of the Ohio Music Merchants' Association,
who spoke about the 1927 convention that will take
place in Cleveland and which, he predicted, will be
the largest in the organization's historv.
Chas. Yahrling spoke on the work of the national
association and expressed the hope that it would soon
have twenty state organizations connected with it.
M. SCHULZ CO. REPORTS
BUSINESS ON UPGRADE
Dealers From All Parts of the Country Are Placing
Orders for Spring Trade.
The M. Schulz Co., 711 Milwaukee avenue, Chi-
cago, reports a decided increase in business this
month over the preceding month of January. Orders
began to arrive with marked consistency early in
February, and that the trade is on the upward trend
is seen in the fact that many dealers who had not
been heard from since the holiday season are placing
requirements and making preparations for a vigorous
spring campaign.
Grand and upright styles of the extensive M.
Schulz Co.'s line are being accepted by progressive
dealers as instruments that appeal to the buying
public. The Colony Grand, the Venetian, and other
period models, are favored. The report is also made
that upright pianos and players are in demand.
In commenting on the trade possibilities, F. P. Bas-
sett, secretary, said this week: "Our doubts are
expelled in regards to the spring trade; pianos are
moving faster and we expect to do a good volume of
business. There are several contributing factors in
this move. The Chicago piano playing contest and
the national advertising campaign, the former locally
and the latter generally, are showing their influence
and the buying public in all sections of the country
seems awake.
$2 The Year
HARDMAN, PECK & CO.'S
85TH ANNIVERSARY
Founding of the Famous Old New York Piano
Industry This Week Made Occasion of
Congratulatory Messages.
The eighty-fifth anniversary of the founding of
Hardman, Peck & Co., New York, was celebrated on
Wednesday of this week: The liSfe old industry was
established on McDougall street on February 16,
1842. by Hugh Hardman, who with his son and son-
in-law, operated the business until 1880, when the
late Leopold Peck became interested and the title
of the firm was changed to Hardman, Dowling &
Peck, the firm including also Mr. Dowlnig, son-in-
law of the founder. Mr. Peck became head of the
business in 1888, at which time the firm name was
changed to the form it is today—Hardman, Peck
& Co.
When Leopold Peck died in 1904 his son Alfred
L. Peck succeeded him. The business was incor-
porated in that year with Alfred L. Peck, president;
Carl E. Peck, a cousin, vice-president; William Dal-
liba Dutton, treasurer, and Fred W. Lohr, secretary.
At the death in 1911 of Alfred L. Peck, Carl E. Peck,
now president, succeeded him as bead of the busi-
ness, and Ashley B. Cone, son-in-law of Leopold
Peck, was made vice-president. Both Mr. Lohr and
Mr. Dutton died in 1920, when Eugene A. Schmidt,
factory superintendent, was made secretary. August
Hagemeyer was made treasurer, and Louis Dutton, a
son of William Dalliba Dutton, assistant secretary.
Today the Hardman pianos are recognized for their
uniformly artistic character as the result of eighty-
five years of continuous effort towards perfection.
The retail department of Hardman, Peck & Co., at
433 Fifth avenue, New York, established in 1910, is in
one of the most artistic structures on that famous
thoroughfare, where both the exterior and interior
are true to the artistic character of the famous instru-
ments therein displayed.
NEW VICE=PRES1DENT
OF AUTOPIANO CO.
Wm. Bowles, Typical Aggressive Young Exec-
utive, Rises from Position of Assistant
Bookkeeper Since 1913.
In February, 1913, Wm. Bowles was employed by
the Autopiano Company, New York, as an assistant
bookkeeper. In the latter part of 1916, his obvious
selling ability was tested by the officials of the com-
pany. He was sent out on a trial trip for the music
roll division of the Autopiano Company. So success-
ful were his efforts that he was assigned permanently
to this work and traveled from coast to coast with
great success.
In the latter part of 1917 he joined the army and
became a lieutenant in the Quartermaster Corps. In
1919 he was discharged from the army and returned
to the Autopiano Company. He was then assigned
to the sale of music rolls, which line he followed
until 1920. He then decided that if he went into the
selling of player-pianos he would be more valuable
to the organization, with the result that he proved
highly successful in his new field and has continued
from that time until now as an Autopiano traveler.
At the last yearly meeting of the Autopiano Com-
pany's board of directors, Mr. Bowles was elected
vice-president of the organization. He is the typical
aggressive young executive. His new duties will not
interfere with the contracts which he has made, and
the many dealers and others who will wish to con-
gratulate him upon his well merited promotion will
be able to do so when he calls upon them in the pur-
suance of the work which has made his success
possible.
A. E. Hunter has succeeded Anton Nelson as vice-
president and treasurer of the Regal Musical Instru-
ment Co., Chicago.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/
PRESTO-TIMES
class performances. And in connection with the large
number, the names of the pianos used were included
in fifty-two of the advertisements. It is interesting
to note the names of the artists in connection with
the instruments upon which they play. In the
following list the names of the pianos, in parentheses,
Competent Judge of Pianos Tells of Superb follow that of the artist. The list follows:
Friends of Music, Arthur Bodzanzky, conductor
Tonal Quality, Action and Workman-
(Steinway); Povla Frijsh (Mason and Hamlin); Lucie
ship of Studio Grand.
Stern, only New York appearance (Steinway); J.
Rosamond Johnson (Knabe); Holland Vocal Trio
The following letter was recently received by (Mason & Hamlin); Emanuel Zetlin (Mason & Ham-
Christman Sons, of New York, commenting upon the lin); Clarita Sanchez (Mason & Hamlin); Berumen
famous Studio Grand Piano. It is typical of many
(Steinway); Francis McMillen (Baldwin); Robert
Goldsand (Knabe); John Corigliano (Baldwin);
others:
Donna Russell (Steinway); Joseff Hoffman (Stein-
New York City, February 3, 1927.
way); Margery Maxwell (Kranich & Bach); Creigh-
Christman Sons.
ton Allen (Knabe); Gigli (Hardman); John Charles
Attention Mr. H. Christman.
My dear Mr. Christman: Ever since purchasing" Thomas (Knabe); Casals (Mason & Hamlin); Wade-
my Chrisiman Studio Grand Piano from you in Octo- Smith (Steinway); Elschuco Trio (Steinway); Do-
ber, 1926, I have wanted to write and tell you how hanyi (Chickering); Geni Sadero (Baldwin); New-
York Chamber Music Association (Steinway); Gorn
greatly pleased I am with it.
(Knabe); Willem Durieux (Mason & Hamlin); Adele
It is superb in tonal quality, workmanship and
action, and all my friends, both vocalists and instru- Bliss (Steinway); Vera Ward (Steinway); Philhar-
mentalists, declare it one of the finest pianos they monic (Steinway); Beethoven Symphony Orchestra
(Knabe); Katherine Bacon (Steinway); Temple
have ever played on.
Emanu-El Choir (Knabe); Cincinnati Symphony
Most sincerclv.
Orchestra (Steinway); Max Kaplick (Baldwin);
ALEXIS SANDERSON.
Horszowski (Steinway); Germaine Schnitzer (Chick-
A perfect Hood of commendatory notices of Mr. ering);
Ulysses Lappas (Baldwin); Alfredo San Malo
Sanderson's art have appeared in the newspapers
(Steinway); Jerome Swinford (Mason & Hamlin);
Alexander Bralowsky (Steinway); Beatrice Pink-
ham (Chickering); Nobu Suzki (Steinway); Martha
Graham (Steinway); Irene Scharrer (Steinway);
Artomon Moskalensky (Steinway); Rachmaninoff
(Steinway); Elizabeth Topping (Chickering); Laura
Stroud (Steinway).
The foregoing is probably the longest list of artistic
performances ever announced in a single issue of any
daily newspaper. And the plan of naming the pianos
used by the artists is, of course, the most illuminating
that has ever appeared in this connection.
COMMENDATORY LETTER
TO CHRISTMAN SONS
February 19, 1927.
MINNEAPOLIS HAS
PALATIAL STORE
New Foster & Waldo Building, Now Com-
pleted, Is One of the Most Imposing Struc-
tures Devoted to Every Branch
of the Music Trade.
A ROMANCE OF COMMERCE
The Story of the Splendid Music House, as Told in
Full Pages in the Daily Newspapers,
Makes Good Reading.
The house of Foster & Waldo, Minneapolis, Minn.,
now has all departments of its business under one
roof, at 818-820 Nicollet avenue. It marks the begin-
ning of a new era of prosperous musical instrument
HAPPENINGS IN THE
INDIANAPOLIS TRADE
Masonic Temple Buys a Chickering; Muncie
Church Buys a Kurtzmann; Many Man-
ufacturers' Representatives in Town.
On Monday evening the House of Baldwin broad-
casted a special valentine program from the Baldwin
Weke-Mignon studio, which was unusually appre-
ciated by the listeners indicated by the large amount
of letters, and phone calls of appreciation received
by the company.
The new Masonic Temple at Muncie, Ind., pur-
chased one of the style " E " Chickering & Sons
straight grand pianos.
G. C. Kavanagh, president of the Foster Armstrong
ALEXIS SANDERSON.
division of the American Piano Company, stopped
of recent date, and some of them follow and off at Indianapolis on his way to the coast last week.
serve to show that he is a competent judge of music
The First Presbyterian Church at Bloomfield, Ind.,
and 'the instruments that make it:
has purchased a style "B" Kurtzmann grand from the
Alexis Sanderson, tenor, is a newcomer to Wash-
Pearson Piano Company.
ington. His voice has a vigorous quality that is
The Shelbyville store of the Pearson Piano Com-
pleasing and yet there is a lyric sweetness that forms pany will be closed, as it was found that the town
a delightful contrast.—Washington Star
Mr. Sanderson's program consisted of numbers by is too close to Indianapolis, with bus and traction
Heidel, Godard, Tosti, Burleigh and Lohr. His dic- facilities every hour.
Mr. Carlson, of the Everett Piano Company, of
tion and interpretation of all the numbers was given
in a masterful manner. He seemed to catch the South Haven, Mich.; J. S. Sayward, of the Aeolian
composer's thought in all the different numbers. His Company; Paul Schmidt, of Steinway & Sons; R. E.
singing- at all times was with ease. Mr. Sanderson Wells, of the Steinway house at Cincinnati, and Carl
has a very clear tenor voice, possessing a wide range
M. Purcell, of H. C. Bay & Co., were visitors at the
and a quality that v:, beautiful.—Reading Herald.
Pearson store during the past week.
Seldom has Alexis Sanderson's voice been heard to
On Wednesday, February 16, the executive board
better advantage. It had a beautiful roundness of
tone, coupled with a mellowness that elicited the of the Indiana Music Merchants held a meeting
admiration of the auditors. The attacks were well at the Indianapolis Athletic Club.
executed, and the high notes were sung with accuracy
Two Apollo grand pianos were used at Mayor
and precision.—Washington Times.
Duvall's municipal valentine party at Tomlinson Hall
Alexis Sanderson, former tenor with the Washing- on Monday evening, furnished by the Wilking
ton Opera Company, sang with wonderful style. He Music Co.
has a beautiful quality of voice and a wide range.
All who heard this tenor were given a rare treat by
A GREAT MERCHANT'S START.
his beautiful singing.—Syracuse Herald.
The great house of Bamberger, of Newark, N. J..
has one of the largest piano departments associated
with the trade. The h : story of its founder should be
?n inspiration to others. Years ago a boy named
Bamberger took a job at $4 a week to run errands;
glad to get the job, glad to run. It was a start. Now,
to his $22,000,000 dry goods plant in Newark he
Remarkable Array of Entertainments An- builds
a $10,000,000 addition. And men from bigger
nounced by New York Newspaper, with
cities go to Newark to study his ways of running a
business. E. Paul Hamilton is the Bamberger piano
Favorite Instruments of Performers.
department manager, and he fits perfectly in.to the
What may seem, in a large sense, a new feature scheme of Newark's "merchant prince."
in high-class concert announcements was given em-
phasis in last Sunday's New York Times. It is the
NEW SALEM, ORE., FIRM.
introduction, almost without exception, of the names
A. W. Whitley and P. D. Sproule are partners in
of the pianos used by the artists. This custom has
always been employed in connection with appear- the new Whitley-Sproule Music Co., recently opened
ances of the greatest pianists, but it has not been in Salem, Ore. Mr. Whitley is an experienced piano
the rule in any such degree as to make it seem a salesman and Mr. Sproule is widely known through-
out the territory, through which he formerly worked
part of the publicity plan.
In last Sunday's Times the local concert page con- as piano repairman and tuner for the Tallman Piano
tained the displayed announcements of fifty-nine high- Co. of Salem.
ILLUMINATING LIST OF
THE ARTISTS' PIANOS
FOSTER & WALDO STORE IN MINNEAPOLIS.
sales for the company. The accompanying cut shows
the great building in which ample space is assured
for the proper presentation of the large and varied
line of a complete music house.
A Special Event
In a special display in the newspapers last week
celebrating the occupation of the new store, Foster
& Waldo quoted a historic parallel—Baron Roths-
child's purchases of block after block of Paris real
estate during the Revolution. "People thought he
had lost his senses, but France righted herself and
the Rothschild holding materialized into one of the
largest fortunes in the world," was the statement.
Forehanded Action
"Likewise, the after-the-war reconstruction period
from which America has just emerged presented a
golden opportunity for one music merchant who had
the vision to see the need and the courage to do the
deed. Foster & Waldo sensed it long in advance.
We trebled our floor space by retaining one store and
having another new five-story store built for us.
"Soon, factory after factory began to liquidate.
Costs were forgotten. We bought and bought and
bought an almost appalling amount of merchandise—
entirely for spot cash and at practically our own
prices. Some of our closest friends thought we had
taken leave of our senses. But, at the right time,
we began to sell, sell, sell! in what is perhaps the
largest, longest, most successful musical campaign
known. A twelve years' volume of business was done
in two years. Every instrument offered in the sale
was sold. Normal times pursue the even tenor of
their ways. The stock at our new store is all new—
as new as though we had begun business but yester-
day."
KNABE IN INDIANAPOLIS.
Fred Cobler, Ampico artist for the "Knabe." spent
several days in Indianapolis during which time daily
recitals were given at the warerooms of Rapp & Len-
nox, which were well attended. The Knabe piano
was used during a week by Marx Brothers in a musi-
cal comedy at the English Opera House.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

Download Page 3: PDF File | Image

Download Page 4 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.