Presto

Issue: 1925 2045

October 3, 1925.
15
PRESTO
load and directing quickly to sound decisions. And
this seems to be true in larger businesses than in
smaller ones.
An Executive's Views.
"How can we hope as executives to get the re-
sults we want if our subordinates feel we are not
thoroughly informed of the responsibilities and work
Veteran Piano Traveler Analyzes Functions in their respective departments and if they have the
of That Important Personage of a Piano feeling that we are not in a good position to check
thoroughly what they are doing," said the head of
Business and Compiles Interesting Collec-
retail branches of a big Chicago house this week
tion of Views Bearing Out His Point.
when I had described my interest in the topic. "I
can see, too, the effect of a 'high-hat' executive on
others. The attitude would be copied and soon a
force of stallers too proud to use their knowledge
and experience in forwarding the work, would be
General Belief, Encouraged by Magazine Special the result."
Another Opinion.
Writers, That Executive Should Ignore Details,
"This may be the day of big business but it is
Forcibly Decried by Writer.
also the day of the detail man," said an important
In every piano business there is some individual functionary of a well-known Cincinnati piano house
whose functions are those of an executive, whether who rose from the ranks and stuck to a knowledge
or no he calls himself by that dignified title. A few of every detail of every job in his ascent. "You
weeks ago I lunched with the manager of a prosper- know it is human nature to lag sometimes and get
ous and progressive piano house in a midwestern city into a rut, unless we know there is some superior
and as usual on such occasions we differed on our who is familiar with our work, who gives credit for
subject of discussion. My manager friend held to successes and jacks us up promptly if we show signs
the doctrine that the executive of any business must of continuing in the rut."
free himself from detail; that he must supervise and
Executive work divides itself into two classes:
deputize in the exclusive manner of tradition.
planning and administration. It is a pretty story of
I insisted that although no executive could afford the feature writers of the magazines that the big
to swamp himself with minute detail., the practice of executive concerns himself exclusively with plans,
ignoring detail had been carried to ridiculous lengths. but, fortunately for the stockholders of the country,
He got rather hot when I insisted that a too liberal it is fiction not fact. I recall the words of the
application of the principle was worse than ignoring head of a comparatively young piano manufacturing
it entirely and that most of the executives who were concern: "Ideas come from definite suggestions, and
getting the most out of the possibilities of their busi- I know nothing so productive of suggestions as
ness kept in close touch with the essential details.
actual contact with living details."
Looking Backward.
Believes in Tradition.
In my close association with retail piano houses for
Besides my midwestern friend with whom I dif-
a great number of years I have studied heads of
houses whose executive methods grew with the busi- fered during luncheon, I have met, since that time,
ness. And in all cases of successful management 1 two other executives who believe they must be free
found that the executives kept close tab of the essen- from thinking details to be free for deciding policies.
tial details as a necessity to supplying the right kind But I told them the views of other men which
of leadership, introducing new ideas, giving encour- differed from their own. That a policy not built on
agement to the sales force, keeping prices right and the rocks of the essential facts will be found a shift-
preventing leaks that result in minimized profits or ing, weak policy, with tremendous possibilities for
disaster. More and more policies are being decided
no profits at all.
Of course I have met piano house executives who on first hand knowledge; responsible executives are
believed in the traditions that the executive should not having their facts diluted by too much handling.
The literal application of the general run of
free himself entirely from details, but as I recall,
the majority of successful managers believed that too speeches and articles on the subject of management
little rather than too much attention was usually would bring disastrous results. Leadership of the
paid to details. Anyway, only in a limited number best kind can be developed where the men know that
of cases did I find the business big enough to justify the boss knows more than they. And the leadership
that really counts is that based on knowledge. This
the executive from freeing himself from details.
explains the success of many men who have come up
A Man's Value.
through the different phases in the activities of piano
As the man in any department of a music business houses. They could go back and fill any position
is more valuable when he is familiar with the details without much preparation. Their grasp of details is
of his job so the executive can more wisely operate reflected in their leadership. An executive, of course,
when he knows the requirements in every incident of should not do clerical work or perform minor jobs,
the business. Without an extensive working knowl- but he requires a close knowledge of how everything
edge of the essential details and to some extent the should be done. The bigger problems in a business
minor details. Going over in my mind the men in the are a culmination of a series of little problems. There
piano industry and the retail trade I can distinguish is always the danger of the executive getting out of
the ones whose fitness for their executive jobs is touch with essential things by not coming in contact
based on their acquaintance with the minor details with every day details.
of every job in the house. They do not perform the
. M. D. S.
things but they know how and when certain activities
should be performed. Far from being an unnecessary
and added burden on the shoulders of the executives,
The Wolcott Music Company has established a
I consider such knowledge a means of lightening his store at 2813 East Tenth street, Indianapolis.
DEFINES DUTIES
OF AN EXECUTIVE
SCOUTS A TRADITION
INDIANAPOLIS SELLS
ON QUALITY NOT PRICE
Geo. Lennox Likes "Knabe" and F. 6.
Wilking Tells of Quality of French and
Visit to New Castle Factory.
By HOWARD M. RADEAUX.
Geo. Lennox, of Rapp & Lennox, says that the
cool weather has helped the sale of pianos consider-
ably, and his company is enjoying some excellent
business in Knabe grands, especially the styles "A"
and "B." "There has been a marked difference in
business in the last two weeks," said Mr. Lennox,
"since the cool weather set in, and some of our old
prospects are materializing in good sales. The
Knabe of course needs no introduction to the real
pianist, and, like all good pianos, it sings its own
praise."
F. O. Wilking, of the Wilking Music Company, is
pleased with the recent sales of the style "H*H"
Jesse French piano. Mr. Wilking says that it is the
quality of the instrument that sells, and not the price.
"We have sold a great many of this particular make
of instruments, and feel assured that every sale is a
good sale and will help to make another, not con-
sidering price, but quality," said Mr. Wilking.
A recent visit to New Castle was considered worth
while, when Mr. Wilking saw some of two-tone ebony
style "H" instruments, and speakes of them as works
of art.
The Indianapolis Music House has completed some
very effective improvements in the way of redecorat-
ing their warerooms, changing the mahogany wood-
work to an old ivory finish, and removing all letter-
ing from the windows. Mr. Hoag believes in using
windows for displaying goods and not as signboards.
Neat signs in small letters have replaced the old let-
tering which partly obstructed the view from the out-
side, and the change is quite an added improvement.
NOTICE OF ANNUAL MEETING
OF PIANO CLUB OF CHICAGO
Dinner at Harvard-Yale-Princeton Club, October 7,
Will Be Stag and Informal.
The Piano Club of Chicago will hold its annual
meeting and dinner at the Harvard-Yale-Princeton
Club, 321 Plymouth Court, at 6:30 p. m., October 7.
Al Neely, chairman of the dinner committee, says
in notice to members that "this party is a stag and
informal. Enclosed are two dinner tickets—if you
want them send us $4, if not please return them. You
may bring as many male guests as you wish—if you
need extra tickets just write. Each ticket will have
your name on it."
The features are two 3-round boxing bouts, one
wrestling match, Irving and Jack Kaufman, and a
second Earl and Bell from Ed Wynn's Grab Bag.
TO MOVE ORGAN PLANT.
Negotiations have been opened for the removal to
Portland, Ind., of the Page Pipe Organ Company
plant of Lima, Ohio, and a representative is sched-
uled to meet a committee of business men to discuss
arrangements for the location of the plant, according
to the News-Sentinel, Fort Wayne, Ind.
THE BEST PIANO SEASON
is with us. Dealers and salesmen who take advantage of it—and most agree that this season will be a good one—
must have the proper facilities for displaying and delivering the instruments. The only complete equipment is the
latest fool-proof Loader. It may now be had for only $95. Satisfaction guaranteed.
BOWEN PIANO LOADER CO.,
Winston-Salem, N. C.
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
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16
October 3, 1925.
PRESTO
WHAT'S WRONG WITH
THE MUSIC BUSINESS?
(Continued from Page 4.)
doesn't take it home with him. Music fails to func- best be done through the various social and profes-
tion in his daily life. It has no joyful part in his sional organizations.
leisure hours. That can only be when he learns, at
How to Interest the Children.
school, to play some instrument that will give pleas-
It
would
be futile to urge parents to demand public
ure to him and to his family at home. School music music instruction
if the children have no desire for
needs to become more practical, more specific as it.. The urge must
come from the children; the
well as more general.
parents must make the requisition, and the schools
must meet the demand. For reasons too numerous
Schools Without Music.
mention, the educational methods of the private
A questionnaire prepared by the Educational Coun- to
have not kept pace with the progress made in
cil of the Music Supervisors National Conference and studio
other subjects in the public schoolroom. Private
sent out in 1922 from the National Bureau of Educa- music
teachers have understood music more, but chil-
tion at Washington showed that over sixty per cent dren less.
of American schools offered no music instruction
Consequently many children are indifferent to
whatever. When we consider the fact that some music
and hate to practice. Music is in disrepute in
forty per cent made no report whatever to the ques- the homes
children who have had unpleasant ex-
tionnaire, we are forced to the conclusion that these periences in of
music and this feeling has spread among
schools had nothing to report because no music was their schoolmates.
Sheet music publishers tell me
being taught. This makes the situation appear even
ninety per cent of all piano music sold is below
more serious. Fifteen million children with a chance that
grade. This means that children stop taking
to learn everything else except music! Do you second
music lessons after a year or two. Is it any wonder
still wonder what is wrong with the music business? that
music teachers dropped from third to fifth place
within the last ten years? Is it surprising that pianos
Schools Neglect Music.
idle, that piano production has fallen off? We
The American Public Schools make attendance are
need more amateur pianists because the amateur
compulsory through the elementary grades. Here makes
the market!
all the common branches are taught. In addition,
Expose Children to Music.
the vocational schools offer training for some sixty
occupations. The public normal schools and uni- The way to interest children in music is to expose
versities offer all the liberal arts and sciences—all them to genuine music instead of to artificial exer-
cises. Every child loves music that expresses his
except practical instruction in music.
moods. The answer, then, is the use of music mate-
PLAN FOR PUBLIC MUSIC INSTRUCTION.
rials and the adoption of music methods suitable to
The way to make America musical is to democra- children. The best music for children consists of the
tize music by offering courses in instrumental in- folk songs and folk dances that made their ancestors
struction in all public elementary schools, high in Europe a musical people. The best teaching meth-
schools, normal schools, colleges and universities. As ods in music must be adapted from those found most
it is today, only the well-to-do, that twenty-seven successful by the teachers of language reading.
per cent with incomes over $3,000, can afford the cost However, the children must know music before they
of private musical instruction for their children. This will come to make music. Listening lessons with
small minority spends some $300,000,000 annually for the phonograph, Music Memory Contests and song
private musical instruction as compared with $6,000,- singing have been valuable in acquainting children
000 now spent for public music education. With the with music in school. So far a general acquaintance
total cost of all public education at a little over one with music has constituted the principal part of
billion dollars annually, the amount spent on music school music work. It is not enough, because the
child can not apply these group activities in his own
is only about one half of one per cent.
life and in his home environment. To make music his
Musical Instruction Cost.
own, to express his individual self, he must learn to
The elimination of obsolete subjects and those use- play music on some instrument that appeals to him.
Socialize Music.
less to many students would easily finance the cost
of music instruction for every child in America with
The strongest appeal you can name to a child is to
musical talent. The vocational schools give their his social instinct. Therefore, school music organiza-
students practical and specific training. Since the tions such as glee clubs, bands and orchestras should
musician and music teacher ranks fifth among all the be a part of the life in every school. Music memory
learned professions, his vocation deserves recognition contests are valuable. Band and orchestra contests
from public educational institutions. The practical are a tremendous stimulus to the playing of small
value of music as a source of income should be pre- instruments. This division of the music industries
sented to boys and girls. I recently met a sixteen- more than trebled within the past ten-year period
year-old lad in Detroit who was attending high which coincides with the introduction of bands and
school and earning sixty dollars per week by playing orchestras in schools.
the bass tuba in an orchestra. Modern class methods
Solo contests in piano and other instruments would
make it possible to give children music lessons at ten stimulate the interest of the children to a marked de-
cents each while private lessons, given by the same gree. These contests should be organized on a city,
teacher, cost two dollars.
county, congressional district, state, zone and national
Demand Must Come From the Parents.
The boy talented in music now has no fair chance
alongside of the boy fitted for mechanics. The girl
QUALITY FIRST and FIRST QUALITY
is forced to study higher mathematics, but she is
denied a chance in music. The average annual cost
of instruction per pupil, in all branches, in 1920 was
$40.90; in high schools, it was $51.49. The average
annual cost, per pupil, for private instruction in music,
is greater than the cost_ of public instruction in all
the other branches combined.
When every parent clearly understands that his
children have the same right to public instruction in
music that now is given in all other subjects, they
will bring pressure to bear upon schools that music
be recognized on an equal basis with all other sub-
jects. Parents must be educated to demand equal
opportunities in music for their children. This can
Grand and
Reproducing
Grand Pianos
are the last word In
musical perfection.
Lester Piano Co.
1806 Chestnut St.
Philadelphia
For a
Bigger and Better
Business
There is nothing to compare
with the complete line of
M. SCHULZ CO.
The Players are RIGHT in
everything t h a t means
money to the dealers and
satisfaction to the public
You will newr do anything butter
than when you get in touch with
M. SCHULZ CO.
711 Milwaukee Avenue
CHICAGO
OUTHFJW BKANdk 780 ftuuUw BU*. ATLANTA. GA
JESSE FRENCH & SONS
E. Leins Piano Co.
Makers of Pianos and
Player Pianos That Are
Established L e a d e r s .
Correspondence from Reliable
Dealers Invited
Factory and Offices, 304 W. 42nd St.
NEW YORK
A
GOOD
PIANO
FOR
YOU!
JESSE FRENCH
& SONS
New Castle, Indiana
Newman Bros.
Grands and Uprights
Guarantee
Quality, Profit and
Satisfaction
Newman Bros. Co.
816 Dix St.
'A name well known since 1875"
Est. 1879
CHICAGO
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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