Presto

Issue: 1925 2036

August 1, 1925.
PRESTO
CRITICIZES DEALERS'
NATIONAL BODY
EEBURG
Rexford C. Hyre, of Ohio State Assn., Writes
"Constructive Criticism" in Which Music
Merchants' Methods of Organization Are
Condemned and Suggestions Offered.
PRESIDENT OF N. A. M. M. REPLIES
TYLE"L"
Says Criticism Is Not Official Pronouncement of
Ohio State Association, or Its Most Prominent
Members and Is in Poor Taste.
dred members in the national body there would be
eleven thousand and the direct appeal would reach
every crossroad.
The Secretary Episode.
Believing this lack of independence and of national
activity in behalf of the retailer's problems to be the
cause and reason for the slow growth and non-effec-
tiveness of the national organization, it is maintained
that the action in Chicago on June 10, 1925, abolish-
ing the paid executive secretary of the National Asso-
ciation of Music Merchants, was unwise and further
surrender of what little independence was left in the
national body.
Rather should the meeting have voted to increase
its own separate executive department and have, by
proper resolutions, given its executive officer some-
thing definite to do and accomplish during the com-
ing- association year. Almost uniformly the various
By HENRY E. WEISERT,
President, National Association of Music Merchants.
The KEY to
OSITIVE
ROFITS
MANUFACTURED ONLY BY
J. P. Seeburg
Piano Co.
"Leaders in the
Automatic Field"
1510 Dayton St.
Chicago
Address Department "E M
In the July bulletin, published by the Music Mer-
chants' Association of Ohio, and of which Rexford
C. Hyre is editor, is printed the following article
headed "National Activity":
It is proper and good business for the retail music
merchants of the United States, directly or through
their National Association of Music Merchants, by
means of the piano stamp or their annual dues, to
contribute to the general work performed by the
very efficient and capably managed bureaus of the
Music Industries Chamber of Commerce.
It is a move in the right direction for the National
Association of Music Merchants to take steps to
more closely affiliate the various local, state and dis-
trict retail music trade organizations with each other
and with the national body.
These moves show progress and a desire to unite
all retail music trade groups. What shall hereafter
be said, therefore, is in the nature of constructive
criticism and suggestion, coming as it does from one
more state organization that hopes for and desires
the unity of purpose and action that seemingly un-
derlies the resolutions passed at the 1925 Chicago
convention of the national body.
Speaks Right Out.
Speaking frankly, then, the retail music merchants
of Ohio, and the nation, have certain strictly exclu-
sive retail problems, wholly, directly, unrelated to any
or all of the activities of the Music Industries Cham-
ber of Commerce, composed as it is of piano manu-
facturers, organ builders, piano travelers, supply job-
bers, musical instrument and merchandise manufac-
turers, piano tuners, and technicians, etc. In other
words, each of the groups composing the Chamber of
Commerce have their individual problems, which they
meet, discuss and take action upon. In these matters
the respective associations unify the individual ideas
and expressions of their members by resolutions or
by actions. The Music Industries Chamber of Com-
merce, of which all of these associations are a part,
is the sole and only agency, and rightly should be,
for conflicting desires, if any exist between member
bodies to be settled and amicably adjusted.
How N. A. of M. M. Fails.
The National Association of Music Merchants has,
of late years, failed to take a definite stand upon
many of the vital retail music trade problems. It has
met each year, discussed its woes, and gone home
without action or direct service to its members or the
retail music merchants of the country. Any organ-
ization to grow, and attract to it members, must be
able to show the prospect that it has done and is
doing something directly for him. This is axiomatic
in trade organization work and success. Direct and
positive effort and service must be apparent to the
dealer, whom one would interest.
National activity, then, except in a general indirect
way through the Music Industries Chamber of
Commerce, has been lacking on the part of the Na-
tional Association of Music Merchants for some
years. The small dealer (which comprises by far the
greater per cent of the retail trade) cares not about
the wonderful work of the Bureau for the Advance-
ment of Music, the Trade Service or Better Business
Bureau, etc. In fact, he advertises very little, cares
not about comparative figures and data, and fails
to appreciate the effective handling of the national
problems at Washington and elsewhere. What the
average retailer seeks is a depreciation schedule. He
wants a new deal on the phonograph. He desires to
handle a radio on a profitable basis. He wants to
secure financial help on a fair and equitable basis.
These and many other direct, personal problems
are the big things from the retail dealer's standpoint
and ones which he expects his own association of
fellow dealers to help him solve.
Read Riot Act.
The national organization should do these things.
It could do them. If it would unitedly present these
problems and desires to the proper source, using the
Music Industries Chamber of Commerce as a clear-
ing house, much relief and many partial reforms, at
least, could be brought about.
With something accomplished for the retailer, the
national association could be sold to every retail
music merchant in the United States. It is the way
we have done in Ohio. In place of about eleven hun-
HENRY E. WEISERT,
1'resident National Association of Music Merchants.
local, state and district retail trade associations in the
country are accustomed to taking up their problems
existing between the members and with other ele-
ments outside and actually doing something. Their
results, where a matter can be handled locally, are
often most satisfactory. However, many problems
are national in scope and an appeal must be made to
the national organization for consideration and per-
haps action. It was, no doubt, because of this that
the various local, state and district bodies eagerly
accepted affiliation with the national organization
when it was offered two years ago.
However, the Chicago 1925 meeting, by its action
in abolishing its executive office, has removed the
very incentive that caused these local groups to seek
its paternal shelter. Happily, the new plan is only
for one year. If the mistake is not rectified, it will
mean the ultimate growth of the state and regional
organizations and the slow disintegration of the
father of us all."
P R E S I D E N T WEISERT'S COMMENT.
The above "constructive criticism" expresses very
plainly the opinion that the National Association of
Music Merchants is breaking down, and that its
recent action in having its secretarial work done
through the Music Industries Chamber of Commerce
spells its utter collapse.
I don't believe this article should be taken too
seriously. There has been no meeting of the Ohio
association since the national convention and I am
inclined to think that this editorial represents the
personal opinion of the editor, who is no;t a piano
man but an attorney and the paid secretary of the
Ohio association.
Ohio Represented.
At the meeting of the National Executive Commit-
tee where this lamented action was taken, the Ohio
merchants were ably represented by Henry Dreher,
of Cleveland, and W. W. Smith, of Toledo. Both of
these gentlemen concurred in the action of the com-
mittee.
There is no question that the national association
is not functioning as it should, but no one is to blame
for that except the members themselves. To make
the organization strong and effective they must take
an active interest in it and not expect those whom
they choose as their officers to do all the work. No
music merchant should come into the national asso-
ciation with the idea of seeing how much he can get
out of it, but rather how much he can put into it.
(Continued on Page 9.)
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August 1, 1925.
PRESTO
Presto
THE AMERICAN MUSIC TRADE WEEKLY.
Published Every Saturday at 417 South Dearborn
Street, Chicago, Illinois.
C. A. D A N I E L L and F R A N K D. ABBOTT
-
Editors
Telephones, Local and Long Distance, Harrison 234
Private Phones to all Departments. Cable Address (Com.
mercial Cable Co.'s Code), " P R E S T O , " Chicago.
Entered as second-class matter Jan. 29, 1896, at the
Post Office, Chicago, Illinois, under Act of March 3, 1879.
Subscription, $2 a year; 6 months, $1; Foreign, $4.
Payable in advance. No extra charge in United States
possessions, Cuba and Mexico. Rates for advertising on
application.
Items of news and other matter are solicited and if
of general interest to the music trade will be paid for
at space rates. Usually piano merchants or salesmen
in the smaller cities are the best occasional corre-
spondents, and their assistance is invited.
Forms close at noon every Thursday. News mat-
ter should be in not later than eleven o'clock on the
same day. Advertising copy should be in hand before
Tuesday, five p. m., to insure preferred position. Full
page display copy should be in hand by Monday noon
preceding publication day. Want advs. for current
week, to insure classification, must not be later than
Wednesday noon.
Address all communications for the editorial or business
departments to PRESTO PUBLISHING CO., 417 South
Dearborn Street, Chicago, III.
SATURDAY, AUGUST 1. 1925.
THE TEACHER RETURNS
It is about twenty years since the first cry
that the piano teacher's job was in danger, that
the "automatic" piano would certainly drive
the flesh-and-blood performer from the parlors
of the people. The day of darkness for the
aspiring pedagogue of the piano had arrived,
or was about to begin.
But to the present writing there has been no
public provision proposed for starving piano
teachers, and the music store counters disclose
the same calls for piano instructors and suit-
able teaching pieces as before the playerpiano
arrived. The demand may not be quite as
urgent, and the piano teachers may not be so
numerous, though the change is not noticeable
and the schools of music appear to have rather
increased in number than otherwise.
And of late there have come signs of a recall
of even the few piano teachers that may have
fallen from the ranks. The special efforts of
some of the tireless workers in the piano's in-
terests have of late years been "starting some-
thing" that is bringing back the old-time en-
thusiasm for the instrument as our mothers
and our grandmothers and dads and grand-
dads knew it and loved it. As good speci-
mens of the workers of the kind alluded to it
is safe to cite Mr. Otto Miessner, of Milwau-
kee, and Mr. W. L. Bush, of Chicago.
Both the piano manufacturers named have
devoted about as much time and effort to es-
tablishing music schools and teaching the ris-
ing generation what it means to actually play
the piano, as they have to making and selling
p:anos. And they are doing it systematically
in a way that helps the piano dealers in a prac-
tical way. It is certain that if all piano mer-
chants could grasp the viewpoint of such
gentlemen as we have named, the piano busi-
ness would never again have occasion to fear
any "slump." If the dealers would so adjust
their piano selling that the piano teacher and
the tuner would be interested also in even-
sale, after it is made, it would prove a great
help to the enthusiasts who mean "make
America musical' when they say it.
J felp the piano teachers to "come back" and
stay as important aids to the progress of the
better part of life, and the piano industry and
trade will continue to be the best line of busi-
ness in the worLd.
SPRINKLE'S SPECIAL SALE
It has been long since such a stir has
been created by a special sale as was devel-
oped by the action of the Better Business Bu-
reau in the suppression of a picture contest
put on by Mr. J. W. Sprinkle, of Fort Wayne,
Indiana. When a representative of Presto
called at the store of Mrs. W. C. Murray, in
Fort Wayne, of which establishment the of-
fending piano man is manager, that gentle-
man expressed surprise that anyone on earth,
in any way connected with music trade journal-
ism, hadn't a close understanding of his store
and his own remarkable performances in set-
ting up special piano sales. He told of his
plan, and declared that at times the good-
sized wareroom had been literally "filled with
buyers." He expressed no contrition nor gave
any sign that his methods had not been cor-
rect and at least of the kind to sell instru-
ments, far and wide, in the face of keen com-
petition.
The incident shows again that advertising
is the most effective means to an end. But in
this case, also, it seems to suggest that the
Better Business Bureau has made needless
use of the Fort Wayne puzzle picture offense
in promoting the personal interests of the
salesman who tried hard to show his employer
that he could dispose of the goods. For if
Mr. Sprinkle feels that he has become a na-
tional institution because of the efforts of the
"warning" published in the newspapers and
the liberally distributed printed matter of the
Music Industries Chamber of Commerce—
even to this editorial in the American Music
Trade Weekly—how many other more or less
misguided young piano store managers may
try the same scheme ?
There can be no question about the need of
energy, vital effort and resourcefulness in-
conducting the piano business in cities like
Fort Wayne, where competition is keen and
the prospects come, to a large extent, from
the country 'round about. Merely to announce
that music is an essential, and to invite the
farmers to "Make America Musical," will not
do the business. And when a dealer over-
steps the ethical bounds, it seems that a good
way would be to let the local dealers, or asso-
ciation, if there is one, so conduct the case as
to stop the slaughter even to the extent of
slaughtering the offending store, and not to
make so much noise about a local offense as
to make it a national trade disaster. Mr.
Sprinkle was not "cured" of his faith in spe-
cial sales, and he has had many requests for
the outline of his schemes and his loud sound-
ing advertisements. It's a great business, this
piano selling in small places, and we can't
change it in a hurry.
It was a mistake to say that Mr. Geo. P.
Bent had returned to his Los Angeles home.
Before going to California the originator of
the "aged" in the piano trade will give two
more of the celebrated dinners to the ancient
of all ages. One will be at Minneapolis and
the other at Decorah, Iowa. Dinners to the
Aged promise to be popular affairs with many
of the youngsters of the American piano in-
dustrv.
# * *
The fish bit well on Sunday of this week at
the little lakes of Michigan and Wisconsin,
during the "Julv norther,'' as the resorters
christened the foggy, damp, all-day and all-
night wave of chilly weather. The resort sea-
son is not the most propitious period for get-
ting piano orders, but the fisherman-salesman
who angles just right can always get a "bite."
As showing how the corrective influence
applied to unethical piano dealers may work,
the gentleman at Fort Wayne, Ind., who was
recently disciplined by the Better Business
Bureau for putting on a picture puzzle sale,
believes that his prosecution has made him
famous and says he is doing more business
than ever before. Mr. Sprinkle has certainly
had a lot of advertising.
30 YEARS AGO IN THE TRADE
From the Files of Presto
(August 1, 1895.)
Jerry Bauman, of New Castle, Pa., wlio deals in
pianos and organs, visited a neighboring town with
his steam calliope. Wherever he drove his noisy
machine he scared the people nearly to death, and
many ran for their suns.
Jacob Wendell, who was born in 1691, of good old
Holland stock, at Albany, was the common ancestor
of John Phillips, the first mayor of Boston, Wendell
Phillips, his son, Oliver Wendell Holmes, the author,
and of Mr. Wendell. Marshall & Wendell, the well-
known piano makers.
There is nothing JO dangerous to a liberty-loving
people as over-done legislation. Law that means
nothing more than the exercise of petty authority is
a small species of despotism. In McKeesport, Pa.,
the ancient question as to whether music is a de-
stroyer of holiness is being agitated. The mayor,
who happens to be one of the pin-headed fraternity,
decided that the performance of a brass band play-
ing in the public park on Sundays is a desecration.
The upright piano seems to have reached the high-
est point of development consistent with its present
principles of construction and the conventional style
of case. The results seem susceptible of no aug-
mentation. The limits, both of tone and beauty of
Finish, have been reached. In many pianos the sale
seem,s to be absolutely without a flaw. What then
will be
the next development of the popular instru-
ment 0
The Piano Man's Vacation.
He's coming from the woodland
Where cooling waters ran,
The while he stood a-fishing
On the installment plan.
He's
As
And
To
also been a-hunting,
all his game affirms.
now he's steering homeward
sell on easy terms.
He swam in living waters,
He sailed the raging main,
And now he's back in harness
To toil and trade again!
20 YEARS AGO THIS WEEK
(From Presto, August 3, 1905.)
"Avoid the 'tin pan" piano,' is the caption of a
Hallet & Davis Co. advertisement in the Cleveland
papers.
The mark-down lists of piano bargains in some of
the store windows place the piano in the same class
as the Panama hats in August or the peek-a-boo
shirt waists in January.
If there could be any further testimony required
to prove that the piano business has grown to pro-
portions of a great industry the recent addition of
exclusive buyers to the forces of some houses seems
to supply it.
The talking machine horn to amplify the vibra-
tions imparted to the diaphragm by the needle fol-
lowing the pulsations of the record is dispensed with
by a Pennsylvania inventor, who proposes to replace
ihe horn by a violin.
E. B. Rogers, of Ashtabula, Ohio, puts the case
Avell in his local advertising when he says:
All pianos are made to sell. Some made to wear
a lifetime. Such is the reputation of the old reliable
"Kurtzmann." beautiful sweet-voiced Raymond and
Langdon."
Enhanced content © 2008-2009 and presented by MBSI - The Musical Box Society International (www.mbsi.org) and the International Arcade Museum (www.arcade-museum.com).
All Rights Reserved. Digitized from the archives of the MBSI with support from NAMM - The International Music Products Association (www.namm.org).
Additional enhancement, optimization, and distribution by the International Arcade Museum. An extensive collection of Presto can be found online at http://www.arcade-museum.com/library/

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